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112 results for “Rome”
Dying Gaul, Captioline Museum, Rome
*Dying Gaul*, 1st or 2nd century C.E. (Roman copy of Third Century B.C.E. Hellenistic bronze commemorating Pergamon's victory over the Gauls likely from the Sanctuary of Athena at Pergamon), marble, 93 cm high (Musei Capitolini, Rome) Source: Objaverse 1.0 / Sketchfab
Dying Gaul, Capitoline Musuem (Rome)
Created in RealityCapture by Capturing Reality from 103 images in 00h:00m:44s. Source: Objaverse 1.0 / Sketchfab
Marforio statue, Rome, Italy
Marphurius or Marforio is one of the talking statues of Rome. Marforio maintained a friendly rivalry with his most prominent rival, Pasquin. As at the other five "talking statues", pasquinades irreverent satires poking fun at public figures were posted beside Marforio in the 16th and 17th centuries Source: Objaverse 1.0 / Sketchfab
Plaque 18 - Maquette de Rome
Fragment de la maquette de Rome en bronze de Paul Bigot. Plaque 18. Autrice : Chloé Thorel. Conservation : Institut d'Art et d'Archéologie, 3 rue Michelet, Paris Ecole d'Histoire de l'Art et d'Archéologie de la Sorbonne - EHAAS Source: Objaverse 1.0 / Sketchfab
Porticus in the city of Rome, c. 200 BCE - 400 CE
<p>Presented here is a catalogue of attested <em>porticus </em>in the city of Rome from <em>c. </em>200 BCE to 400 CE. It is organised into seven headings: identification, date and location, form, function, ancient testimony, bibliography, and <em>FUR </em>(if it is represented on the Severan Marble Plan). It represents primary research conducted for my PhD dissertation concerning the development of <em>porticus </em>spaces in Rome’s built environment.</p> <p>This table presents those structures directly identified in our sources as <em>porticus</em>. Generally, the Latin term corresponds to the English ‘portico’ or ‘colonnade’, and so infers an interior space generated by a sequence of columns supporting a roof. However, the term <em>porticus </em>could actually refer to an exceptional variety of structures, comprised of multiple aisles, storeys or wings, and in different functional contexts, commercial, religious, etc. To be clear, <em>porticus </em>spaces, by their very nature, defy strict typological classification. This is because of their functional versatility and their continuing presence in a built environment which changed over time. At first, I did attempt to categorise <em>porticus </em>into a strict set of criteria including: ornamental, connective, sacred, garden, piazza, commercial, and more besides. However, it quickly becomes evident that <em>porticus </em>fit many of these, and at different times in their functional history. I chose, then, to present the entries alphabetically. I want to stress that each <em>porticus </em>needs to be considered in its context, historical and topographical.</p> <p>This research began through reference to topographical dictionaries including Platner and Ashby (1929), Richardson (1992), the <em>LTUR </em>(1993-2000)<em>, </em>the <em>Digital Augustan Rome Project </em>(2002), Carandini <em>et al.</em>’s <em>Atlante </em>(2012), as well as the <em>Stanford Digital Forma Urbis Romae Project </em>(2002-2016). Such publications have made this research possible, not least in working remotely during the lockdowns of 2020 and 2021. Throughout, there is an attempt to present current scholarly debates surrounding some of these spaces as clearly and concisely as possible.</p> <p>This is by no means a comprehensive catalogue of <em>porticus </em>spaces for this time period. Still, I hope the presented material here is useful. Constructed with the purpose of promoting the importance of <em>porticus </em>spaces at Rome, I hope it can contribute to our developing knowledge about life in Rome’s built environment and a platform for future research. In future, I would like to incorporate my photographic archive alongside a digital map. Of course, feel free to get in touch with any queries.</p>
Ron English's artwork in Rome
Ron English's artwork in Rome 41.86614106955448, 12.546458664287144 Source: Objaverse 1.0 / Sketchfab
Statue Cour du Capitole Rome
Source: Objaverse 1.0 / Sketchfab
Painting Gallery of Ancient Rome
Painting Gallery of Ancient Rome, Pannini, 1758, Louvre Point cloud from a youtube video Metashape Source: Objaverse 1.0 / Sketchfab
Statue Cour du Capitole Rome
Source: Objaverse 1.0 / Sketchfab
Statues in Rome (Pincio) .::RAWscan::.
Statues in Rome (Pincio) .::RAWscan::. The Pincian Hill (Italian: Pincio pronounced [ˈpintʃo], Latin: Mons Pincius) is a hill in the northeast quadrant of the historical center of Rome. The hill lies to the north of the Quirinal, overlooking the Campus Martius. It was outside the original boundaries of the ancient city of Rome, and was not one of the Seven hills of Rome, but it lies within the wall built by Roman Emperor Aurelian between 270 and 273. Wikipedia 3Dscan by photogrammetry Source: Objaverse 1.0 / Sketchfab
Pied Geant Capitole Rome
Source: Objaverse 1.0 / Sketchfab
Statue Cour du Capitole Rome
Source: Objaverse 1.0 / Sketchfab
Vierge Rome
Source: Objaverse 1.0 / Sketchfab
Pantheon, Rome, Italy
Pantheon, Rome, Italy Source: Objaverse 1.0 / Sketchfab
Francesco Totti's mural in Rome, rione Monti
41.894153181876156, 12.490037456159824 Source: Objaverse 1.0 / Sketchfab
Colosseum, Rome, Italy
Colosseum, Rome, Italy Source: Objaverse 1.0 / Sketchfab
Distribution. NE Pakistan, lowland areas of S Nepal, and Peninsular India. Introduced into Italy near Rome (extirpated during World War II), South Africa, S USA (Texas), and N Mexico (Coahuila, Nuevo Leon, Sonora, Tamaulipas & Veracruz). in Bovidae
Distribution. NE Pakistan, lowland areas of S Nepal, and Peninsular India. Introduced into Italy near Rome (extirpated during World War II), South Africa, S USA (Texas), and N Mexico (Coahuila, Nuevo Leon, Sonora, Tamaulipas & Veracruz).
Distribution. NE Pakistan, lowland areas of S Nepal, and Peninsular India. Introduced into Italy near Rome (extirpated during World War II), South Africa, S USA (Texas), and N Mexico (Coahuila, Nuevo Leon, Sonora, Tamaulipas & Veracruz). in Bovidae
Distribution. NE Pakistan, lowland areas of S Nepal, and Peninsular India. Introduced into Italy near Rome (extirpated during World War II), South Africa, S USA (Texas), and N Mexico (Coahuila, Nuevo Leon, Sonora, Tamaulipas & Veracruz).
Rome Modular Kit (Assets/Models)
These are the models used in the game **THE LAST BANQUET IN HERCULANEUM**, developed by me and my colleagues in the Laboratory for Roman Provincial Archaeology at University of Sao Paulo (Brazil): www.larp.mae.usp.br You can download the game here: https://larpmae.itch.io/the-last-banquet-in-herculaneum Source: Objaverse 1.0 / Sketchfab
Room of Achilles at Skyros - Domus Aurea, Rome
Room of Achilles at Skyros Domus Aurea, Rome The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine Hill. The Room of Achilles at Skyros is located in the east wing of the complex. In this wing of the palace it is the Homeric poems, especially the Iliad, which inspired the choice of the subjects depicted on the painted panels of the main rooms, certainly the work of the painter Fabullus: at the centre of the vault of the Room of Achilles at Skyros, in a highly dynamic composition, the figure of the hero stands out among the daughters of the island's king, Lycomedes. Source: Objaverse 1.0 / Sketchfab
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