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1,300 results for “Sound”
Continuous salinity, temperature and depth measurements from moored hydrographic data loggers deployed at GCE3_Hydro (Sapelo Sound north of Sapelo Island, Georgia) from 01-Jan-2002 through 31-Dec-2002
Conductivity, temperature and pressure were measured continuously at Georgia Coastal Ecosystems LTER sampling location GCE3_Hydro (Sapelo Sound north of Sapelo Island, Georgia) from 01-Jan-2002 through 31-Dec-2002. Observations were logged at 30 minute intervals by moored Sea-Bird Electronics MicroCAT 37-SM data loggers and downloaded approximately bimonthly. Salinity, depth and sigma-t were calculated from the measured parameters using standard UNESCO algorithms. This data set was collected as part of the GCE-LTER Project continuous salinity, temperature and water level monitoring program.
PIE LTER, OTT RLS measurements of water column depth at 15 minute intervals in the lower Plum Island Sound off the Ipswich Bay Yacht Club pier, Ipswich, MA, year 2022.
Measurements of water column depth at 15 minute intervals in Plum Island Sound at the Ipswich Bay Yacht Club, for year 2022. OTT radar level sensor (RLS) installed September 20, 2011 out of the water under the concrete pad on the Ipswich Bay Yacht Club pier, Ipswich, MA. RLS was mounted so that continuous year round measurements can be conducted without the concern of ice flows damaging the sensor.
PIE LTER 15-minute OTT RLS measurements of water column depth at 15 minute intervals in the lower Plum Island Sound off the Ipswich Bay Yacht Club pier, Ipswich, MA, year 2023.
Measurements of water column depth at 15 minute intervals in Plum Island Sound at the Ipswich Bay Yacht Club, for year 2023. An OTT radar level sensor (RLS) installed September 20, 2011 out of the water under the concrete pad on the Ipswich Bay Yacht Club pier, Ipswich, MA. The RLS was mounted so that continuous year round measurements can be conducted without the concern of ice flows damaging the sensor.
PIE LTER 15-minute Wind speed and direction in the lower Plum Island Sound at the Ipswich Bay Yacht Club pier, Ipswich, MA, year 2023.
Wind speed and direction measurements for 2023 at Ipswich Bay Yacht Club, Ipswich, MA. Wind speed is measured every 5 seconds and reported as an average in 15 minute intervals. Maximum wind speed is also reported for each 15 minute interval with a timestamp. Wind direction is measured every 15 minutes.
For our world without sound. The opportunistic debitage in the Italian context: a methodological evaluation of the lithic assemblages of Pirro Nord, Cà Belvedere di Montepoggiolo, Ciota Ciara cave and Riparo Tagliente.
<p>Raw data concerning the technological analysis of both the experimentation and archaeological collections.</p>
Binaural room scanning files for sound field synthesis localization experiment
<p>Binaural room scanning files that were used together with the SoundScape Renderer to perform the localization experiments described in Wierstorf [1].</p> <p>The results of the corresponding listening experiments are summarized in Fig. 5.4, see https://github.com/hagenw/phd-thesis/tree/master/05_psychoacoustics/fig5_04</p> <p>[1] H. Wierstorf, Perceptual Assessment of Sound Field Synthesis, PhD dissertation, TU Berlin, 2014.</p>
Listening test results for sound field synthesis localization experiment
<p>Result files from the the localization experiments described in section 5.1 of Wierstorf [1].</p> <p>The results are visually summarized in Fig. 5.4, see https://github.com/hagenw/phd-thesis/tree/master/05_psychoacoustics/fig5_04</p> <p>[1] H. Wierstorf, Perceptual Assessment of Sound Field Synthesis, PhD dissertation, TU Berlin, 2014.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - A. Vescio & G. Lucia
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - A. Trunzo, S. Trunzo and T. Vaccaro
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - E. Ruperto
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - E. Curcio
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - C. Macchione
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - D. Mastroianni
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Sound-Frameworks: Kresten Bjorn Krab-Bjerre (Bang & Olufsen) - Interview
<p><span>This is a transcription of an interview that took place within the project Sound-Frameworks: Collaborative Frameworks for Integrating Sound Within Urban Design and Planning Processes.</span></p> <p><span>Sound-Frameworks is an action-led research project that explores the role of sound in urban design and city planning. The project is led by the artist and researcher Dr. Sven Anderson and hosted by Theatrum Mundi, a non-profit organisation that expands the craft of city-making through collaboration with artists.</span></p> <p><span>Central to this project is a focus on how urban sonic experience can serve as a driver for design in the public realm. The public realm constitutes the integral connective tissue that defines the contemporary cityscape, within which different individuals, communities and institutions engage with each other through cooperation and conflict. Sound has remained a neglected dimension of this domain, generally coming into consideration only within late stages of design through efforts to ameliorate the impact of environmental noise. As the densification of urban territories accelerates, the role of sonic experience as an essential factor to be addressed by urban designers must be reassessed.</span></p> <p><span>Sound-Frameworks explores new methodologies for integrating sound in urban design through the production of three inter-related resources:</span></p> <p><span>1. A sound in practice survey<br>2. A publication on best practice guidelines in this field<br>3. An online tool to guide the integration of sound in the design of the public realm</span></p> <p><span>Drawing from environmental acoustics, spatial planning, contemporary sound studies, the project initiates a framework to extend regional, national and international objectives for integrated city planning and contribute to public realm initiatives in Europe and beyond.</span></p> <p><span>Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.</span></p> <p><span>Sound-Frameworks is hosted by Theatrum Mundi (UK) and supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK).<span> </span></span></p> <p><span>Sound-Frameworks: <a href="https://www.soundframeworks.org/"><span>https://www.soundframeworks.org</span></a><br>Theatrum Mundi: <a href="https://www.theatrum-mundi.org/"><span>https://www.theatrum-mundi.org</span></a><br>Sven Anderson: <a href="https://www.svenanderson.net/"><span>https://www.svenanderson.net</span></a></span></p>
Data: An experimental sound exposure study at sea: No spatial deterrence of free-ranging pelagic fish
<p>Data abstract:</p> <p>All data and scripts to replicate all plots and statistical results of the paper mentioned below. The data are sound recordings and processed echosounder data (raw echosounder data is available on request but > 100 GB in size and require specialized software).</p> <p> </p> <p>Paper reference:</p> <p>Jeroen Hubert<span>, </span>Jozefien M. Demuynck<span>, </span>M. Rafa Remmelzwaal<span>, </span>Carlota Muñiz<span>, </span>Elisabeth Debusschere<span>, </span>Benoit Berges<span>, </span>Hans Slabbekoorn; An experimental sound exposure study at sea: No spatial deterrence of free-ranging pelagic fish. <em>J. Acoust. Soc. Am.</em> 1 February 2024; 155 (2): 1151–1161. <a href="https://doi.org/10.1121/10.0024720" target="_blank" rel="noopener">https://doi.org/10.1121/10.0024720</a></p> <p> </p> <p>Paper abstract:</p> <p>Acoustic deterrent devices are used to guide aquatic animals from danger or toward migration paths. At sea, moderate sounds can potentially be used to deter fish to prevent injury or death due to acoustic overexposure. In sound exposure studies, acoustic features can be compared to improve deterrence efficacy. In this study, we played 200–1600 Hz pulse trains from a drifting vessel and investigated changes in pelagic fish abundance and behavior by utilizing echosounders and hydrophones mounted to a transect of bottom-moored frames. We monitored fish presence and tracked individual fish. This revealed no changes in fish abundance or behavior, including swimming speed and direction of individuals, in response to the sound exposure. We did find significant changes in swimming depth of individually tracked fish, but this could not be linked to the sound exposures. Overall, the results clearly show that pelagic fish did not flee from the current sound exposures, and we found no clear changes in behavior due to the sound exposure. We cannot rule out that different sounds at higher levels elicit a deterrence response; however, it may be that pelagic fish are just more likely to respond to sound with (short-lasting) changes in school formation.</p> <p> </p> <p> </p>
Finite amplitude sound propagation effects in volume backscattering measurements for fish abundance estimation
<p>The upload contains measurement and simulation data for finite-amplitude sound propagation effects in volume backscattering measurements. The experimental data are from a trawl survey conducted in the North Sea with R/V "G. O. Sars", 6-7 November 2004, passing several times over a group of Atlantic mackerel schools. The measurements are of the relative area backscattering coefficient, relative to 38 kHz, 2000 W power setting, at</p> <p>(1) 120 kHz with 250 W transmit power setting, 200 kHz with 120 W transmit power setting<br> (2) 120 kHz with 1000 W power setting, 200 kHz with 1000 W power setting.</p> <p>A Simrad EK60 echosounder system was used, alternating between the low (1) and high (2) power settings through the measurement series.</p> <p>The corresponding simulation data are calculated using the Bergen Code numerical solver of the KZK Equation. The medium parameters input to the simulations are based on CTD data from the field survey . The transducer and amplitude data were found by laboratory measurements on echo sounders of the same type as used in the survey.</p> <p>.m files are included for both .mat data files, with details on how to read the data.</p> <p>An article describing the data has been submitted by the authors to Acta Acustica, 2022.</p>
PsPM-RRM3: SCR, ECG and respiration measurement in response to aversive/arousing IAPS pictures, and neutral/aversive sounds
<p>This dataset includes skin conductance response (SCR), electrocardiogram (ECG) and respiration measurements for each of 20 healthy unmedicated participants (10 males and 10 females aged 25.3 +/- 5.1 years; male/female numbers were misprinted in Bach et al. 2016) in response to negatively and positively arousing IAPS pictures and neutral (65 dB) and aversive (85 dB) white noise sounds. All stimuli had 1 s duration. ITI was selected randomly on each trial from 40 s, 45 s or 50 s.</p>
Correction by focus: Sound files and transcriptions
<p>This data was collected to examine the prosodic reflexes of corrective focus in canonical and cleft clauses of Chinese, English, French, German. Experimental factors: FOCUS: subject|object, CONSTRUCTION: canonical|cleft; ITEMS: 4, SPEAKERS: 16 (per language). See text file ALI.txt for further details.</p> <p> </p>
Database for RailRad calculation method for simulating sound radiated by railway track vibrations
<p>This dataset contains precalculated acoustic transfer functions for efficiently calculating the sound radiated by railway track vibrations.</p> <p>The transfer functions contained in each file describe the complex sound pressure produced at a number of receiver locations given a unit velocity at a source element on the railway track surface, per frequency and at a fixed wavenumber along the track.</p> <p>Four different acoustic geometries are included: (1) a standard UIC60 rail in free space, (2) the rail in an acoustic half space, (3) the rail located above a slab track surface, and (4) identical geometry to (3) but including an acoustically hard hull of a passenger train geometry above the track.</p> <p>More information about the exact location of source and receiver coordinates can be found in the .hdf5 files, in the subgroup 'info'. The transfer functions themselves are located in the dataset 'tfs', which are matrices of size (Number of frequency lines x number of sources x number of receivers).</p> <p>More information can be found here https://github.com/janniktheyssen/railrad</p> <p>This collection of databases is part of ongoing work at CHARMEC / Chalmers University of Technology, Gothenburg, Sweden (https://www.charmec.chalmers.se/). Parts of the study have been funded from the European Union's Horizon 2020 research and innovation programme in the In2Track3 project under grant agreements No 101012456. The computations were enabled by resources provided by the Swedish National Infrastructure for Computing (SNIC), partially funded by the Swedish Research Council through grant agreement no. 2018-05973.</p>
SOUNDSCAPE North Adriatic Underwater Noise Sound Pressure Levels
<p>Within the Interreg Italy-Croatia <strong>SOUNDSCAPE</strong> <strong>project</strong> a basin-scale, cross-national, long-term underwater monitoring in the Northern Adriatic Sea was carried out (https://www.italy-croatia.eu/web/soundscape). A broad network of nine monitoring stations, characterized by different natural conditions and anthropogenic pressures, ensured acoustic data collection from March 2020 to June 2021, including the first full lockdown period related to the COVID-19 pandemic (March–April 2020). Calibrated stationary recorders featured with an omnidirectional Neptune Sonar D60 Hydrophone recorded continuously 24h a day (48 kHz, 16 bit).</p> <p>Data were analysed to Sound Pressure Levels (SPLs, dB re 1 uPa) that are here released as a dataset composed of 20 and 60 seconds averaged SPL output files for each station. Data are archived using structured hdf5 files, each one containing metadata and SPL data, according to ICES (International Council for the Exploration of the Sea) continuous noise data specification (https://www.ices.dk/data/data-portals/Pages/Continuous-Noise.aspx).</p> <p>A research object with a jupyter notebook developed to post process SPL data is available at https://doi.org/10.24424/hrhm-8849</p> <p>If data are used, please cite also Petrizzo, A., Barbanti, A., Barfucci, G. <em>et al.</em> Author Correction: First assessment of underwater sound levels in the Northern Adriatic Sea at the basin scale. <em>Sci Data</em> <strong>10</strong>, 179 (2023). https://doi.org/10.1038/s41597-023-02099-x</p>
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Allen Brain Atlas
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DANDI Archive for NWB datasets
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International Brain Laboratory public data
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OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.