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1,179 results for “relief”
Relief portrait of an unknown emperor
Probably by Gregorio di Lorenzo (c.1436–1504) Italy, Florence, c.1470 –1504 White marble, carved and polished From the collection of Martin and Katharine Brunt. Accepted by HM Government in Lieu of Inheritance Tax and allocated to the Fitzwilliam, 2021. M.1-2021 https://data.fitzmuseum.cam,ac.uk/id/object/288396 Created using an Artec Leo, scanned under natural light in the Antiquities Workshop of the Fitzwilliam Museum by Vicky Avery and Daniel Pett ( 12/7/2021), processed from 8 individual scans using Artec Studio 15. Scan data - 12GB Source: Objaverse 1.0 / Sketchfab
Grave relief for Euxenides
Grave relief for Euxenides, Athens, 330 B.C., marble, Nye Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta. The exact meaning of the handshake, dexiosis, in Attic grave reliefs is debatable, for a death in the family involved a farewell, but also the evocation of close ties with the deceased. The top and back of the grave relief were poorly scan as the object was relatively tall and about 10 cm to the wall. Source: Objaverse 1.0 / Sketchfab
Wall relief Konopiště castle
Wall relief Konopiště castle. A good reference or gameobject to a computer game. Photogrammetry from 24 photos. Source: Objaverse 1.0 / Sketchfab
Wall relief from Palace at Nimrud
After Assyria fell in 612 BC, the palace became overgrown and eventually completely buried, in which state it remained for nearly 2,500 years until rediscovered by the British born Austen Henry Layard in 1845.[4] Layard oversaw the excavation of the palace during which time the reliefs that dominated the walls of the structure were removed from the site and sent to collections throughout Europe and North America, with the British Museum receiving the majority of these Nimrud reliefs. Despite excavating and removing many of these reliefs, a great number remained within the palace and were eventually reburied with time. In 1949 M.E.L. Mallowan re-excavated the site, which lasted until 1957, at which time the project was taken over by the Iraq Department of Antiques which still remains in control of the site. Source: Objaverse 1.0 / Sketchfab
Gandharan Relief
Maker(s): Unknown Culture: Gandharan Title: Relief with the Figures of Three devotees Type: Sculpture Materials: Schist Place Made: Asia; Gandhara (Pakistan or Afghanistan) Measurements: Overall: 10 1/4 in x 4 in; 26.035 cm x 10.16 cm Accession Number: MH 1993.10.3 Credit Line: Gift of Susan and Bernard N. Schilling (Susan Eisenhart, Class of 1932) http://museums.fivecolleges.edu/detail.php?museum=all&t=objects&type=all&f=&s=1993.10.3&record=0 Source: Objaverse 1.0 / Sketchfab
Moulage d'un relief
Relevé d'un moulage présent d'ans l'escalier principal de l'Institut d'Art et d'Archéologie, 3 rue Michelet Paris. Réalisé dans le cadre de la formation en photogrammétrie à destination des étudiants en archéologie. (Ecole d'Histoire de l'art et d'archéologie de la Sorbonne -EHAAS) Source: Objaverse 1.0 / Sketchfab
Assyrian relief fragment
A fragment of limestone relief from the palace of Ashurnasirpal II at Nimrud, dating to 883 B.C. — 859 B.C. Depicting King Assur-nasirpal II wearing a helmet. Given to the museum in 1942 by Rev. RLB Oliver Object Number: ANE.3.1942 (Antiquities) http://data.fitzmuseum.cam.ac.uk/id/object/87503 Source: Objaverse 1.0 / Sketchfab
Relief
Relief "The Nest, Mother with Children" from 1951 by Edmund Moiret. Born in Budapest, Moiret studied sculpture in Vienna and Brussels. From 1911 he was a drawing professor at the University of Budapest. In 1920 he moved to Vienna and became a member of the Künstlerhaus. He created numerous facade decorations as well as busts and small sculptures. Source: Objaverse 1.0 / Sketchfab
Relief from Banteay Chhmar
Banteay Chhmar is a commune (khum) in Thma Puok District in Banteay Meanchey province in northwest Cambodia. It is located 63 km north of Sisophon and about 20 km east of the Thai border. The commune of Banteay Chhmar contains 14 villages. The massive temple of Banteay Chhmar, along with its satellite shrines and reservoir (baray), comprises one of the most important and least understood archaeological complexes from Cambodia's Angkor period. Model made by photogrammetry with 146 photos. Source: Objaverse 1.0 / Sketchfab
Relief of man (apostle or saint)
Material: [Walrus Ivory](http://vocab.getty.edu/page/aat/300417717). Accession no: MG 028 B. Current location: [The Hunt Museum](https://www.huntmuseum.com/), [Limerick](https://www.geonames.org/7778675/limerick-city.html). A figure of a man, an apostle or saint, in walrus ivory. The figure is carved in [relief](http://vocab.getty.edu/page/aat/300184782). It is bearded and standing. He is wearing classical dress and holding a scroll in the right hand. This figure is pierced with two holes for attachment. It was attached to the same object as [MG 028 A](https://skfb.ly/or7pW) but was carved by a different hand. [German](http://www.geonames.org/2921044/federal-republic-of-germany.html), [Cologne](http://www.geonames.org/2886242/koeln.html), [12th century AD](http://n2t.net/ark:/99152/p08m57h8zmq). [More](https://www.huntmuseum.com/explore/item/1630960e-d945-3475-ba6e-bb3f69e8ca8b/?s%3Dapostle&pos=1). Source: Objaverse 1.0 / Sketchfab
Externsteine relief
Oldest monumental rock relief north of the Alps depicting the Descent from the Cross scene. The high medieval relief is located at the Externsteine sandstone formation in the Teutoburg Forest and was carved into the NE side of the rock face. Source: Objaverse 1.0 / Sketchfab
A relief of Candi Mendut
A relief of Candi Mendut [Candi Mendut](https://id.wikipedia.org/wiki/Candi_Mendut) Source: Objaverse 1.0 / Sketchfab
Relief slab of S. Eleuterio's altar, detail
Saint Eleuterio, in episcopal clothes, while blessing the city of Terracina. It is located in the cathedral of Terracina, Italy. Source: Objaverse 1.0 / Sketchfab
Catholic relief - Roman church NMP on the Sand
One of the reliefs than can be found inside the Roman Catholic parish church NMP on the Sand in Wroclaw, Poland. Made in Agisoft Metashape from 64 photos. Source: Objaverse 1.0 / Sketchfab
Bas-Relief du cardinal Richelieu
Bas-Relief représentant Richilieu dans le chateau de Chenonceau en France Source: Objaverse 1.0 / Sketchfab
Relief from Banteay Chhmar
Banteay Chhmar is a commune (khum) in Thma Puok District in Banteay Meanchey province in northwest Cambodia. It is located 63 km north of Sisophon and about 20 km east of the Thai border. The commune of Banteay Chhmar contains 14 villages. The massive temple of Banteay Chhmar, along with its satellite shrines and reservoir (baray), comprises one of the most important and least understood archaeological complexes from Cambodia's Angkor period. Model made by photogrammetry with 87 photos. Source: Objaverse 1.0 / Sketchfab
Penn Station relief
Ceramic relief depicting two young boys with a Greco-Roman style dolphin trapped within their net. This architectural detail is located at the exit of the Dunkin' Donuts inside Baltimore's Pennsylvania Station. While the sculptor is unknown, the station itself was designed by architect Kenneth Murchison in the Beaux-Arts style and completed in 1911. Source: Objaverse 1.0 / Sketchfab
Relief of the goddess Hathor
Relief of the goddess Hathor Limestone Late Period 43.1 × 15 cm Harvard Semitic Museum 1902.16.7_107 Source: Objaverse 1.0 / Sketchfab
Mithriaque relief
Mithraic relief, Rome (at Transtévère, between Porta Portese and San Pancrazio), 2nd - 3rd CE, marble. The relief shows Mithras killing the bull. On both sides stand the two torchbearers (the Cautès and Cautopatès dadophores). The radiated bust of the sun and that of the moon are arranged respectively in the upper left and right angles. A crow is perched on the mantle of Mithras. We can distinguish the muzzle of a dog next to the dagger. For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal) Source: Objaverse 1.0 / Sketchfab
Marble relief with female gladiators
65 shots - Panasonic GF7 Marble relief with female gladiators - 1AD - 199 AD Displayed in the British Museum According to several contemporary eye-witnesses, women also performed in the Roman arena. According to the biographer Suetonius, the emperor Domitian (reigned AD 81-96) made women fight by torchlight at night. This marble relief was carved on the occasion of the missio (honourable release) of two women fighters, 'Amazon' and 'Achilia', who had probably earned their freedom by giving a series of outstanding performances. They are shown with the same equipment as male gladiators, but without helmets. Source : https://tinyurl.com/lssjxuy Feel free to post any comments. Source: Objaverse 1.0 / Sketchfab
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Allen Brain Atlas
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DANDI Archive for NWB datasets
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International Brain Laboratory public data
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OpenNeuro
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