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FIGURE 5 in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 5 Otoliths (mesial view) of Gobius bucchichi (a–c: Selce, 3l, 1l, 4l), G. cruentatus (d–f: Selce, 2l, 3l, 8l), G. niger (g–i: Pilsey Island, 2l, 6l, 5l) and G. roulei (j–l: Selce, 2l, 1l, 3l). Numbers following the localities refer to the fish specimen from which the otolith was extracted; l, left otolith. SL denotes the standard length (in mm) of the corresponding fish specimen. Scale bars: 0.5 mm. All figured otoliths are kept in the Bavarian State Collection (collection number SNSB-BSPG 2020 LIV).
FIGURE 6 in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 6 Otoliths (mesial view) of Pomatoschistus knerii (a–d: Krk, 1r, 2r, each mirrored, 9l, 4r mirrored), P. marmoratus (e–h: Selce, 1r, 2r, 3r, each mirrored, 4l), P. microps (i–l: Stralsund, 8l, 5l, 6l, 14l), P. minutus (m: Stralsund, 1l), P. montenegrensis (n–p: Skadar lake, 8l, 9l, 6l), P. pictus (m: Norway, 2r mirrored), and P. quagga (r–t: Krk, 2l, 8r mirrored, 4l). Numbers following the localities refer to the fish specimen from which the otolith was extracted; l, left otolith; r, right otolith, mirrored for better comparison. SL denotes the standard length (in mm) of the corresponding fish specimen. Scale bars: 0.5 mm. All figured otoliths are kept in the Bavarian State Collection (collection number SNSB-BSPG 2020 LIV). Downloaded from Brill.com10/07/2022 07:35:45PM via free access
FIGURE 4 in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 4 Otoliths (mesial view) of Gobius cobitis (a–c: Montenegro, 7l, 4l, 1l), G. geniporus (d: Montenegro, 3l; e, f: Selce, 2l, 'medium'), G. incognitus (g–i: Pelješac Peninsula, J1914l, J1910r mirrored, J1906l), G. paganellus (j–l: Galicia, 1l, 6l, 8l) and G. vittatus (m, Selce, 2l; n, o, Krk, Krk, 1l; 2l; p: Selce 2l). Numbers following the localities refer to the fish specimen from which the otolith was extracted; l, left otolith; r, right otolith, mirrored for better comparison. SL denotes the standard length (in mm) of the corresponding fish specimen. Scale bars: 0.5 mm. All figured otoliths are kept in the Bavarian State Collection (collection number SNSB-BSPG 2020 LIV).
FIGURE 3 in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 3 Otoliths (mesial view) of the species of the Gobius auratus complex, i.e. G. auratus (a: Selce, 6l; b: Selce, 5l; c: Krk, 2r mirrored), G. couchi (d–f: Krk, 2l, 3r mirrored, 1l), G. fallax (g, h: Unije Island, 2r mirrored, 1l), G. gasteveni (i, j: Galicia, 1l, 1r mirrored) and G. kolombatovici (k, l: Krk, 1l, 2l). Numbers following the localities refer to the fish specimen from which the otolith was extracted; l, left otolith; r, right otolith, mirrored for better comparison. SL denotes the standard length (in mm) of the corresponding fish specimen. Scale bars: 0.5 mm. All figured otoliths are kept in the Bavarian State Collection (collection number SNSB-BSPG 2020 LIV).
FIGURE 2 in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 2 Plots of the discriminant function scores derived from the different arrays of variables (as indicated in the figure) of the studied species of Gobius (a–c) and Pomatoschistus (d–f). The reduced datasets for Gobius and Pomatoschistus were used for this analysis. LD1, 2, linear discriminant functions 1 and 2. See tables 3 and 5 for details and values.
FIGURE 1 a–b in Identification of past and present gobies: distinguishing Gobius and Pomatoschistus (Teleostei: Gobioidei) species using characters of otoliths, meristics and body morphometry
FIGURE 1 a–b, Schematic drawing of a goby skeleton depicting the standard morphometric (1a) and meristic (1b) characters used in this study; c–d, Schematic drawing (c) and SEM image (d) of a right goby otolith (based on G. bucchichi) showing the measured distances and areas (after Gierl et al., 2018) and the established otolith terminology. Colors in a: red, horizontal measurements; blue, measurements along fin bases; green vertical measurements. Abbreviations: (a) Ab, length of anal fin base; B, body depth at origin of first dorsal fin; CP, length of caudal peduncle; D2b, length of second dorsal fin base; D2C, distance between end of second dorsal fin and first dorsal (procurrent) ray of caudal fin; SL, standard length (from snout to begin of caudal fin); SN/A, distance from snout to origin of anal fin; SN/D1, distance from snout to origin of first dorsal fin; SN/D2, distance from snout to origin of second dorsal fin; TL, total length; (b) AbVert, abdominal vertebrae; AP, anal fin pterygiophores inserting in front of haemal spine of first caudal vertebra; Arays, rays of anal fin; CaudVert, caudal vertebrae; D2rays, rays of second dorsal fin; DProCur, dorsal procurrent rays; VProCur, ventral procurrent rays; (c) OA, otolith area; OH, otolith height; OL, otolith length; OP, otolith perimeter; SuA, sulcus area; SuH, sulcus height; SuL, sulcus length; SuP, sulcus perimeter; SuEndV, vertical distance from posterior end of sulcus to ventral margin of otolith; SuTipV, vertical distance from anterior end of sulcus to ventral margin of otolith.
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
Data from: Wound healing and pain sensitivity following caustic paste disbudding in dairy calves
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Data from: Shorebirds are shrinking and shape-shifting: Declining body size and lengthening bills in the past half-century
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Pesticide exposure triggers sex-specific inter- and trans-generational effects conditioned by past sexual selection
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Data from: Genetic diversity in a long-lived mammal is explained by the past’s demographic shadow and current connectivity
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Lingering legacies: Past growth and parental experience influence somatic growth in a fish population
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Data and R code from: Relics of beavers past: time and population density drive scale-dependent patterns of ecosystem engineering
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Supplementary data from: Current and past climate co-shape community-level plant species richness in the Western Siberian Arctic
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Multiple drivers of spring migration timing for red deer over the past 16 years in northern Europe
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Data from: Species-specific traits mediate avian demographic responses under past climate change
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The past, present, and future of predator-prey interactions in a warming world: using species distribution modeling to forecast ectotherm-endotherm niche overlap
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Data from: Past forest-cover explains current genetic differentiation in the Carpathian newt (Lissotriton montandoni), but not in the smooth newt (L. vulgaris)
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Data from: Effects of past mating behavior versus past ejaculation on male mate choice and male attractiveness
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ScienceDex guides
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These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.