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3 results for “Automatic Music Transcription”
N20EMv2 dataset for automatic music transcription from multimodal singing
<p>N20EMv2 dataset for multimodal automatic music transcription from multimodal singing, presented in our TOMM 2024 paper, Automatic Lyric Transcription and Automatic Music Transcription from Multimodal Singing. This dataset contains recordings of two modalities: audio and video. </p> <p>Our paper is available at: https://dl.acm.org/doi/10.1145/3651310.</p> <p>Code is available at: https://github.com/guxm2021/SVT_SpeechBrain</p> <p>Please cite our work as:</p> <pre>@article{gu2024automatic, title={Automatic Lyric Transcription and Automatic Music Transcription from Multimodal Singing}, author={Gu, Xiangming and Ou, Longshen and Zeng, Wei and Zhang, Jianan and Wong, Nicholas and Wang, Ye}, journal={ACM Transactions on Multimedia Computing, Communications and Applications}, publisher={ACM New York, NY}, year={2024} }</pre>
Flute audio labelled database for Automatic Music Transcription
<p>Automatic Music Transcription (ATM) is a well-known task in the Music Information Retrieval (MIR) domain and consists on the computation of a symbolic music representation from an audio recording. In this work, our focus is to adapt algorithms that extract musical information from an audio file for a particular instrument. The main objective is to study the automatic transcription of digitized music support systems. Currently, these techniques are applied to a generic sound timbre, to sounds to any instrument for further analysis and conversion to a digital music encoding and final score format. The results of this project add new knowledge in this automatic transcription field, since traverse flute has been selected as the instrument on which to focus all the process and, until now, there is no database of flute sounds for this purpose.</p> <p>For so, we have recorded some sounds, both monophonic and polyphonic music. These audio files have been processed by the chosen transcription algorithm and converted to a digital music encoding format for its posterior alignment with the original recordings. Once all these data have been converted to text, the resulting labeled database its constituted by the initial audios and final aligned files.</p> <p>Furthermore, after this process and from the obtained data, an evaluation of the transcriptor behavior has been made based on two main techniques: note and frame level.</p> <p>This database includes the original audio files (.wav), transcribed MIDI files (.mid), aligned MIDI files (.mid), aligned text files (.txt) and evaluation files (.csv).</p>
Stimuli and Results for "Investigating the Perceptual Validity of Evaluation Metrics for Automatic Piano Music Transcription"
<p>This contains the stimuli and the participants data for the listening tests presented in the paper:</p> <p>Adrien Ycart, Lele Liu, Emmanouil Benetos, Marcus T. Pearce. "Investigating the Perceptual Validity of Evaluation Metrics for Automatic Piano Music Transcription". <em>Transactions of the International Society for Music Information Retrieval</em>, 3(1):68-81, 2020 .</p> <p>More precisely, it contains:</p> <ul> <li>MAPS_midi_cut.zip: The MIDI files used to create the stimuli </li> <li>cut_points_seconds.zip: The points in seconds at which the MAPS music pieces were cut to make the stimuli. These correspond to manually-selected 5 to 10 seconds chunks, roughly corresponding to musical phrases.</li> <li>listening_test_results.zip: The data gathered during the listening test: <ul> <li>user_data.csv contains data about participants</li> <li>answers_data.csv contains the answers given by all participants</li> <li>comments.txt contains the comments left by the participants.</li> </ul> </li> </ul> <p>For any enquiries, please contact Adrien Ycart (a.ycart@qmul.ac.uk) or Emmanouil Benetos (emmanouil.benetos@qmul.ac.uk).</p> <p> </p>
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