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328 results for “Love”
Digital Approaches to Analyzing and Translating Emotion: What Is Love?
<p>This repository contains the data used for and created during the research for the article "Digital Approaches to Analyzing and Translating Emotion: What Is Love?" in Karen Sonik and Ulrike Steinert (eds.),<em> The Routledge Handbook of Emotions in the Ancient Near East</em> (London: Routledge, 2022), pp. 88–116, <a href="https://doi.org/10.4324/9780367822873-6">https://doi.org/10.4324/9780367822873-6</a>.</p> <p><strong>Lists/</strong> contains various lists used for and created while analyzing love words in Akkadian.</p> <p><strong>Networks and figures/</strong> contains the networks and figures produced during our research.</p> <p><strong>Oracc data/</strong> contains the raw data extracted from the Oracc texts.</p> <p><strong>PMI and fastText results/</strong> contains the results produced with PMI and fastText.</p> <p><strong>Texts/</strong> contains the text file used for producing the results with PMI and fastText.</p> <p>We gratefully acknowledge that our research has been funded by the Academy of Finland (decision numbers 298647, 312051, and 330727). Our research data originates from the Open Richly Annotated Cuneiform Corpus (Oracc). We thank Oracc for their efforts in making linguistically annotated cuneiform texts available online. We are indebted to everyone who has been involved in creating this research data, including the authors of the original publications and the researchers who have made the data Oracc-compatible and enriched it through lemmatizations and by adding other metadata (for a list of projects and their contributors, see the file OraccCredits.txt). In the context of this article and dataset, we want to acknowledge the work of the Munich Open-access Cuneiform Corpus Initiative (PIs Karen Radner and Jamie Novotny), the Royal Inscriptions of the Neo-Assyrian Period project (PI Grant Frame), and the Akkadian Love Literature project (Nathan Wasserman and Yigal Bloch) in particular.</p>
Venus visco-elastic Love numbers
<p>Supporting software and data for the manuscript <strong>Constraining the Venus interior structure with future VERITAS measurements of the gravitational atmospheric loading </strong></p> <p>https://doi.org/10.3847/PSJ/acc73c</p> <p> </p> <p>See README.pdf for additional details. </p>
baofeng-apm/DATAforAGU: First release of data for Love verification
<p>Love waveform derived from the empirical Green's functions and Ground Truth earthquake in my manuscript submitted to Journal of Geophysical Research: Solid Earth.</p>
Liebesleid 1911 / 2019. Reenactment of Fritz Kreisler's 1911 "Love's Sorrow" Recording
<p>This video clip presents some intermediary results from re-enacting and digitally simulating a Fritz Kreisler (vl) and Haddon Squire (p) 1911 “Love’s Sorrow“ recording, which aimed to investigate the validity of so-called “acoustic“ recordings as sources for musical performance practice research. To do so, authentic impulse responses of some early acoustical sound recording and reproduction devices (built 1901–1933) were created and applied to modern recordings, such as the “Love’s Sorrow“ reenactment.<a>[1]</a> In the video, both the 1911 Kreisler / Squire original and the 2019 reenactment are shown consecutively, allowing for trace the sound modifications due to each step of the historical recording and reproduction processes. We found that most musical parameters deployed by the musicians – especially (changes in) articulation and timbre, but also dynamics, vibrato, and portamento – are affected significantly by the devices when played back. Therefore, it not only seems objectionable to use acoustical recordings as sources for researching historical performance practices in general, but also suggests that early recording musicians may have adjusted their studio performances remarkably in order to cope with the early technology. </p> <p>First published Nov. 20<sup>th</sup>, 2020 on YouTube (channel of the Stuttgart University of Music and Performing Arts).<a>[2]</a> For the sheet music edition of the 1911 Kreisler / Squire “Love’s Sorrow“ performance, on which the 2019 reenactment was based, see Vollmer (2021).<a>[3]</a></p> <p> </p> <p><a>[1]</a> For an extensive documentation see Vollmer, F. & Bolles, B.-A., “In Search for the ‘Phonograph Effect‘: Performed violin gestures and their sound modification by early acoustic recording and reproduction devices (1901–1933)“, forthcoming in 2022. </p> <p><a>[2]</a> See Vollmer, F. (2020). Liebesleid 1911 / 2019 – Reenactment of Fritz Kreisler’s 1911 “Love’s Sorrow” Recording, Stuttgart: University of Music and Performing Arts. <a href="https://www.youtube.com/watch?v=CRJVDpzSfLU">https://www.youtube.com/watch?v=CRJVDpzSfLU</a> (retrieved 21/12/23)</p> <p><a>[3]</a> Vollmer, F. (2021). "Love's Sorrow". Sheet music edition based on the 1911 London recording of Fritz Kreisler (1875–1962) and Haddon Squire, Stuttgart: Vollmer. <a>10.5281/zenodo.5801912</a></p>
Dataset: The Lovesac Company (LOVE) Stock Performance
This dataset provides historical stock market performance data for specific companies. It enables users to analyze and understand the past trends and fluctuations in stock prices over time. This information can be utilized for various purposes such as investment analysis, financial research, and market trend forecasting.
Feature count data for Love et al. 2019 analysis for "Using equivalence class counts for fast and accurate testing of differential transcript usage" paper
<p>Feature count data for Love et al. 2019 analysis used in the "Using equivalence class counts for fast and accurate testing of differential transcript usage" paper. For reproducing the analyses and figures using the <a href="https://github.com/Oshlack/ec-dtu-paper/">ec-dtu-paper</a> code.</p> <p>Contains:</p> <ul> <li>Equivalence class count matrix for all 24 samples (using counts from Salmon)</li> <li>Salmon quantification results for all 24 samples</li> <li>Exon counts for all 24 samples using DEXSeq-count</li> </ul>
Fig. 34 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 34. Ozzy Osbourne meets Elvis Presley. My all-time favourite photo of Bill and I (Photo: John Measey).
Fig. 35 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 35. Bill emerging from swamp in Gabon (2002) after checking funnel traps that he had set with the hope of catching an African Parachanna (Photo: Marius Burger).
Fig. 20 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 20. Bill Branch and Mark-Oliver Rödel in July 2018 in Bill's home in Port Elizabeth (Photo: Mark-Oliver Rödel).
Fig. 16 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 16. Bill Branch discussing the finer points of the day's photographic record of collections with colleagues and students, Lagoa Carumbo, May 2012. (Photo: Brian Huntley).
Fig. 12 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 12. Michael Bates (left) with Bill Branch and Darren Pietersen during the Herpetological Association of Africa's conference in Pretoria in 2013 (Photo: W.R. Schmidt).
Fig. 10 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 10. The Mt. Mabu 2009 science team. Left to right: Werner Conradie, Martin Hassan, Julian Bayliss, Bill Branch, Hassam Patel, Colin Congdon, and Steve Collins (Photo: Julian Bayliss).
Fig. 8. Taking a in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 8. Taking a "selfie" with Bill as part of the prize for runner-up best photographer (Photo: Shivan Parusnath).
Fig. 33. 2017 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 33. 2017 Herpetological Association of Africa's Conference in Bonamanzi, South Africa. From left to right: Werner Conradie, Tyrone Ping, Prof. William Branch, Luke Verburgt, Dr. Michael Bates, Johan Marais, Prof. Graham Alexander, Prof. Aaron Bauer, Jens Reissig, Coleen Tiedemann, Dr. Colin Tilbury, and Dr. Victor Loehr (Photo: Andre Coetzer).
Fig. 9 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 9. Photograph of Atheris mabuensis taken by Bill― probably the best photograph of a snake I have ever seen (Photo: Bill Branch).
Fig. 38. Bill holding a in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 38. Bill holding a Meller's Chameleon (Trioceros melleri), looking radiant despite a very tiring hike during the summit of Mt. Mabu in 2009 (Photo: Werner Conradie).
Fig. 6 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 6. Male New Caledonian Geckos (Rhacodactylus leachianus) still alive in Port Elizabeth Snake Park (Photo: Werner Conradie).
Fig. 7 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 7. Varanid Symposium participants at Museum Alexander Koenig in 1991. Bill Branch is the seventh person from the left, in the front row.
Fig. 5 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 5. Jonno Webb, Bill Branch, and Peter Harlow posing at the outskirts of the town of Poffadder in northern South Africa, reveling in the idea that somebody actually named a town after a snake (Photo: Rick Shine).
Fig. 1 in Compilation of personal tributes to William Roy Branch (1946-2018): a loving husband and father, a good friend, and a mentor
Fig. 1. Cover image of Hyperolius raymondi used for Frogs and other Amphibians of Africa (Photo: Bill Branch).
ScienceDex guides
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These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
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DANDI Archive for NWB datasets
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International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.