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6 results for “loudspeaker array”
Head-related impulse responses of a loudspeaker array
<p>Head-related impulse responses measured with a KEMAR dummy head of a loudspeaker array consisting of 13 loudspeakers. The dummy head was placed at three different positions, which allows to combine the measurements to an loudspeaker array consisting of 35 loudspeakers.</p> <p>The measurement equipment was exactly the same as in http://dx.doi.org/10.5281/zenodo.55418</p>
Binaural room impulse responses recorded with KEMAR of a 19-channel linear loudspeaker array
<p>BRIRs for 19 different loudspeakers placed in room Calypso at the Telefunken-building of TU Berlin were measured. The room is a studio listening room. The 19 loudspeakers constituted a linear loudspeaker array with a inter-loudspeaker distance of roughly 15cm. The measurement was done with the KEMAR (type 45BA) with the corresponding large ears (type KB0065 and KB0066) and Fostex PM0.4 loudspeakers. The dummy head was rotated from −90° to 90° in 1° steps. The measurement was repeated with the head wearing AKG K601 open headphones.</p>
Binaural room scanning files for a 56-channel circular loudspeaker array
<p>Binaural room scanning (BRS) files for the simulation of a 56-channel circular loudspeaker array with a diameter of 3m. The loudspeaker array setup is also suited to reproduce stereo or surround recordings.</p> <p>The BRS files allow for a dynamic binaural simulation of the actual loudspeaker array using the SoundScape Renderer [1]. With this you can listen to binaural simulations of stereo, surround, or even wave field synthesis (WFS) productions. For example, you can find music productions that can be used with the 56-channel array at [2].</p> <p>[1] http://spatialaudio.net/ssr/</p> <p>[2] http://dx.doi.org/10.14279/depositonce-5173</p>
Head-related impulse responses of a loudspeaker array
<p>Head-related impulse responses measured with a KEMAR dummy head of a loudspeaker array consisting of 13 loudspeakers. The dummy head was placed at three different positions, which allows to combine the measurements to an loudspeaker array consisting of 35 loudspeakers.</p> <p>The measurement equipment was exactly the same as in http://dx.doi.org/10.5281/zenodo.55418</p>
Binaural recordings of a real and binaural simulated circular loudspeaker array
<p>A KEMAR dummy head did binaural recordings of a noise signal played back over a circular loudspeaker array. The loudspeaker array had a diameter of 3m and consists of 56 loudspeakers. The real loudspeakers or a binaural simulation of them were used. For the latter a BRIR dataset had been recorded before with another dummy head. The KEMAR dummy head was wearing headphones all the time in order to allow for a direct comparison between the simulation and real setup.</p> <p>This dataset is used to create Fig. 4.9 in H. Wierstorf, Perceptual Assessment of of Sound Field Synthesis, PhD dissertation, TU Berlin, 2014. See also https://github.com/hagenw/phd-thesis/tree/master/04_binaural_synthesis/fig4_09</p>
Loudspeaker array recordings in small anechoic chamber with two reflectors
<p>No description provided.</p>
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