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33 results for “renaissance”
The Time is Ripe for the Renaissance of Autism Treatments: Evidence from Clinical Practitioners
<p>Data from Survey Monkey collected online from 170 Board Certified Behavioral Analysts (BCBAs) in New Jersey and 170 BCBAs outside NJ, in the USA. Data from 170 therapists certified by the International Council on Development and Learning (ICDL) DIR Floortime and by the Profectum Foundation, certified Developmental Therapists (comprising Occupational Therapists, Speech Language Pathologists and Physical Therapists) </p>
ERC Locus Ludi. Images en jeu: transferts et continuité. Jeux de Putti, de l'Antiquité à la Renaissance
<p>Michel Manson, spécialiste réputé de l'histoire du jeu et des jouets, présente l’évolution de l’image des putti en contexte ludique et la transformation de leur iconographie au passage de l’Antiquité à la Renaissance.</p> <p>More about: www.locusludi.ch</p>
Audio recordings from the opening event for The Art of Ikat: A Cambodian Renaissance exhibition
<p>The Art of Ikat: A Cambodian Renaissance is an exhibition, which took place from 22 February to 31 May 2024 at the Royal Danish Library / University of Copenhagen Library Søndre Campus, Karen Blixens Plads 7, 2300 Copenhagen S.</p> <p>This exhibition sheds light on the formation and subsequent loss of this textile collection and the devastating effects of the Cambodian civil war and Khmer Rouge regime on textiles as material culture and heritage. To this end, the exhibition explores the art and practice of ikat, hol (ហូល) in Khmer, a resist-dyed weaving technique mastered in Cambodia, and the significance of figurative and auspicious motifs used in Buddhist pidan ikat hangings. To exemplify the vitality of Cambodian arts, three artists are invited to create new pieces echoing this lost collection, based on the missing objects’ pictures and descriptions found in the cataloguing records recovered post-conflict at the National Museum of Cambodia. Facing this history of conflict which has led to the tremendous loss of artefacts and ancestral know-how, these creators embrace the vitality and resilience of Cambodian arts relying on the power of making, memory, and imagination.</p> <p>Two talks were recorded during the event:<br>- Opening address by Prof. Eva Andersson Strand, Director of the Centre for Textile Research, University of Copenhagen<br>- Keynote presentation by Dr. Magali An Berthon, postdoctoral fellow at the Centre for Textile Research and curator of The Art of Ikat: A Cambodian Renaissance</p> <p>This event received additional support from the Asian Dynamics Initiative at the University of Copenhagen, the David Fond og Samling and the Design History Society.</p>
Renaissance polychrome stove tile
Large format renaissance polychrome stove tile from the excavation made in Rossgarten quarter of Königsberg (held by Baltspetsarkheologia in 2017-2018). The image on it is the coat of arms belonging to one of the rulers of the Duchy of Pomerania. The closest analogue is contained in the armorial made by Lucas Cranach the Younger in 1565 (the Rylands Collection, The University of Manchester Library). The proportions of the original engravings were changed to fit the size of the tiles. Source: Objaverse 1.0 / Sketchfab
Renaissance Retable
This retable was done in the renaissance period, around XVI century, made with oolite limestone. Can be found in Leonel Trindade musuem in Torres Vedras, Portugal Source: Objaverse 1.0 / Sketchfab
Images of The Art of Ikat: A Cambodian Renaissance exhibition - TEX-KR project
<p>Pictures of <em>The Art of Ikat: A Cambodian Renaissance</em> exhibition, a dissemination deliverable of the EU-funded MSCA TEX-KR project.<br><br><em>The Art of Ikat: A Cambodian Renaissance</em> took place from 22 February to 31 May 2024 at the Royal Danish Library / University of Copenhagen SøndreCampus, Karen Blixens Plads 7, 2300 Copenhagen S., Denmark. The opening event took place on 22 February 2024.<br>This exhibition was curated by Magali An Berthon, project leader for TEX-KR with the support of Morten Grymer-Hansen, associate researcher at the Centre for Textile Research, University of Copenhagen </p> <p>More information about the exhibition: <a title="The Art of Ikat exhibition page" href="https://www.traditionaltextilecraft.dk/exhibition-tex-kr" target="_blank" rel="noopener">Exhibition page on TEX-KR website</a></p> <p>This repository presents images of the installation process; images of the exhibition display, venue and original artworks commissioned for the exhibition, and images of the opening event.</p> <p>To credit the images appropriately:<br>- The photos of the installation process and opening event are credited <strong>© </strong>Luisa Dominguez Rey for TEX-KR. <br>- The photos of the exhibition display are credited <strong>©</strong>TEX-KR.</p> <p>These images are also available on this link: <a href="https://www.traditionaltextilecraft.dk/gallery" target="_blank" rel="noopener">Image gallery</a></p>
E-storage driven sustainable and resilient city renaissance with lifecycle carbon footprints and levelized costs of carbon abatement
<p>The dataset contains: The simulation results of the energy balance data, battery capacity sizing data and battery degradation data. The data set also includes calculations and results based on the net present value, carbon emission, levelized cost of storage (LCOS), levelized cost of energy (LCOE) and levelized cost of carbon abatement (LCCA).</p>
Showcasing the Renaissance: the virtual 'camerini' of Isabelle d'Este
<p>Paper presented on Friday 11 June 2021 at the Digital Medievalist Global Symposium <em>The past, present, and future of Digital Medieval Studies</em> for the Asia & Oceania Panel, in the session Virtual Reconstructions.</p> <p>Historians are being asked to re-think the aesthetics of their discipline and transform their practice, in order to remain valid as conduits for transmitting information, in this age of evolving technology. The reconstruction of Isabella d'Este's early sixteenth century treasure rooms, in immersive Virtual Reality, is one aspect of this transformative practice.</p>
Virtually recreating a Renaissance library: the case of Pico della Mirandola
<p>Paper presented on Friday 11 June 2021 at the Digital Medievalist Global Symposium <em>The past, present, and future of Digital Medieval Studies</em> for the Asia & Oceania Panel, in the session Virtual Reconstructions.</p>
Images to accompany "A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520" by Éamonn Ó Carragáin
<p>A set of photographs chosen to illustrate the article <em><a href="https://doi.org/10.1484/m.sem-eb.5.119636">A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520</a> (https://doi.org/10.1484/m.sem-eb.5.119636)</em> by Éamonn Ó Carragáin. The photographs were taken by Éamonn Ó Carragáin between May 2015 and May 2017 in the church of <a href="https://en.wikipedia.org/wiki/San_Giovanni_Grisostomo,_Venice">San Giovanni Crisostomo, Venice</a>, Italy. </p> <p><strong>File List</strong></p> <p><em>Note: The numbering of files matches the numbering of figures in the published article. There is no Figure 1.</em></p> <p>1. Filename: figure_02.jpg <br> <em>Figure 2. The Modonna Greca, legacy of Giacomo de’ Bernabò, d. 1438; below, altarpiece by Tullio Lombardo, inserted 1506. </em></p> <p>2. Filename: figure_03.jpg<br> <em>Figure 3. The Bernabò Chapel and altarpiece; Pulpit donated by Ludovico Talenti; Monument to Talenti.</em> </p> <p>3. Filename: figure_04.jpg <br> <em>Figure 4. View of the Bernabò Chapel.</em> </p> <p>4. Filename: figure_05.jpg<br> <em>Figure 5. High altar, and Sebastiano Luciani's altarpiece. Note its framing pillars, and the steps leading to the altar area: these are echoed by the pillar, and the steps, in the painting. </em></p> <p>5. Filename: figure_06.jpg<br> <em>Figure 6. Nave of San Giovanni Crisostomo, showing steps and tiled floor, both echoed in the altarpiece.</em> </p> <p>6. Filename: figure_07.jpg<br> <em>Figure 7. Diletti Chapel (viewed from the Bernabò Chapel), showing the light from the side windows.</em> </p> <p>7. Filename: figure_08.jpg <br> <em>Figure 8. Diletti Chapel, showing St Christopher and St Louis of Toulouse standing inside the painted chancel, and looking across the nave towards the Bernabò Chapel. </em></p> <p>8. Filename: figures_with_captions.pptx <br> <em>A Microsoft Powerpoint document showing each of the figures in order with their captions.</em></p>
Composer Attribution of Renaissance Motets (Iberian Polyphony around 1500): MIDIs and Extracted Features
<p><br> This distribution includes MIDI files used in the experiments described in the "Composer Attribution of Renaissance Motets: A Case Study Using Statistical Features and Machine Learning" chapter of the book The Anatomy of Iberian Polyphony around 1500. Multi-part motets have been separated out into separate MIDI files. We edited the files for consistency, which included adjusting elements that could interfere with encoding rhythm consistently (e.g. standardized rhythmic value rates, eliminating fermatas, etc.).</p> <p>The MIDI files in the nonIb_noMB group were taken from the Josquin Research Project (JRP), who have kindly granted us permission to re-publish them here with our modifications. These are redistributed with a "CC BY-SA 4.0" license: https://github.com/josquin-research-project/jrp-scores/blob/master/LICENSE.txt. The Iberian MIDI files were produced from editions created by The Anatomy of Late 15th- and Early 16th-Century Iberian Polyphonic Music project (https://iberianpolyphonicmusic.wordpress.com), and are included here after our modifications, with permission. We digitised the nonIb_MBonly MIDI files ourselves using Sibelius. All these files are distributed under a "CC BY-SA 4.0" license" license (https://creativecommons.org/licenses/by-sa/4.0/). The included "Catalogue.pdf" file outlines the contents of this corpus in its entirety.</p> <p>This distribution also includes the "Renaissance-safe" features extracted using jSymbolic 2.2 (http://jmir.sourceforge.net) from the MIDI encodings included here. Details on all the features extracted with the software are available in the jSymbolic manual (http://jmir.sourceforge.net/manuals/jSymbolic_manual/home.html). These are presented as follows:</p> <p>- FeatureDefinitions.xml: Descriptions of all extracted features, encoded in ACE XML 1.0, as output directly by jSymbolic. This file does not include any feature values (these are found in the FeatureValues.xml file).</p> <p>- FeatureValues.xml: Extracted feature values, encoded in ACE XML 1.0, as output directly by jSymbolic. The features are described in the FeatureDefinitions.xml file. Class values are implied by the folder containing each MIDI file.</p> <p>- FeatureValues_BasicCSV: Extracted feature values encoded in a CSV file, as output directly by jSymbolic (with complete file paths truncated). Class values are implied by the folder containing each MIDI file.</p> <p>- FeatureValues_HumanReadable.xlsx: Extracted features formatted into a human-readable Microsoft Excel file. Group averages and standard deviations have been added to the bottom, and the "Length_In_Breves" feature is added in a column at the right (it is included separately because it is not calculated directly by jSymbolic 2.2).</p> <p>- FeatureValues_WekaReady.csv: Extracted feature values encoded in a CSV file in a format readable by Weka (https://www.cs.waikato.ac.nz/ml/weka/). Class values have been added in a column on the right, and file paths have been removed, as required by Weka.</p>
Renaissance Florence Interior (Update)
Made for environment design class. Source: Objaverse 1.0 / Sketchfab
"El Zorro" Renaissance Sable
Sword based on the one used by Guy Williams in the 1957's series Source: Objaverse 1.0 / Sketchfab
Renaissance Benchmark Results for OpenJDK, HotSpot and GraalVM
<p>The Renaissance Benchmark Suite is an open source collaborative benchmark project where the community can propose and improve benchmark workloads. This archive contains a collection of benchmark results collected on multiple JVM implementations.<br> <br> The measurements in this archive were collected using OpenJDK 11.0.14, OpenJDK 17.0.2, HotSpot 11.0.14, HotSpot 17.0.2 and GraalVM 22.0.0-dev. Note that some of the versions involved are development versions !</p>
Renaissance Benchmark Results for OpenJDK, HotSpot and GraalVM
<p>The Renaissance Benchmark Suite is an open source collaborative benchmark project where the community can propose and improve benchmark workloads. This archive contains a collection of benchmark results collected on multiple JVM implementations.<br> <br> The measurements in this archive were collected using Renaissance 0.14.1, OpenJDK 11.0.16, OpenJDK 17.0.4, HotSpot 11.0.16, HotSpot 17.0.4 and GraalVM 22.2.</p>
Porte renaissance à figurines, Besse (63)
"A Besse, en remontant la rue de la tour Chabrit, on rencontre cette porte ornée de figurines portant une fraise, témoignant de la mode vestimentaire à l'époque d'Henri IV."  "Dans Besse n'habitaient ni les nobles ni les clercs mais des bourgeois exerçant les métiers de commerçants, d'hommes de loi, de lettrés. Les maisons ont souvent une porte à tympan ogival ouvrant sur une tour d'escalier coiffées d'un toit en poivrière."  Source: Objaverse 1.0 / Sketchfab
Prospective, Observational Registry of Renaissance-guided Spine Surgeries
ClinicalTrials.gov study NCT02212899. IPD Sharing: Not stated. Countries: 1. Publications: 8.
Renaissance Benchmark Results for OpenJDK, HotSpot and GraalVM
<p>The Renaissance Benchmark Suite is an open source collaborative benchmark project where the community can propose and improve benchmark workloads. This archive contains a collection of benchmark results collected on multiple JVM implementations.</p> <p>The measurements in this archive were collected using OpenJDK 1.8.0-252, OpenJDK 11.0.7, HotSpot 1.8.0-251, HotSpot 11.0.7, and GraalVM 20.1.0.</p>
Renaissance Benchmark Results for OpenJDK, HotSpot and GraalVM
<p>The Renaissance Benchmark Suite is an open source collaborative benchmark project where the community can propose and improve benchmark workloads. This archive contains a collection of benchmark results collected on multiple JVM implementations.<br> <br> The measurements in this archive were collected using OpenJDK 1.8.0-252, OpenJDK 11.0.7, HotSpot 1.8.0-251, HotSpot 11.0.7, and GraalVM 20.1.0.</p>
Renaissance 0.15.0 Benchmark Results for OpenJDK, GraalVM Community and Oracle GraalVM
<p>The Renaissance Benchmark Suite is an open source collaborative benchmark project where the community can propose and improve benchmark workloads. This archive contains results collected using Renaissance 0.15.0 on OpenJDK, GraalVM Community and Oracle GraalVM with JDK versions 17 and 21.</p>
ScienceDex guides
Understand access before you commit
These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.