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4 results for “walking interviews”
Negev Walking Focusing Interviews: Original Transcripts (Anonymous)
<p>The attached files are 30 interview transcripts for the article: "In Search for the Authentic Nature Experience: Walking-Focusing Interviews as a Tool for Evaluating Cultural Ecosystem Services", written for People and Nature. </p> <p>The material is available for download as individual files (one for each interview) or as a ZIP file (.rar) if you wish to download all.</p> <p>The interviews took place in the Negev Desert, Israel, on a trail named "Bor Hemet", which is part of an official protected area, in October-December 2018 by the authors. Their analysis intends to provide an indication to whether this form of interviews - Walking-Focusing interviews - can provide meaningful qualitative and holistic information pertaining to Cultural Ecosystem Services that other methodologies have difficulties providing. </p> <p> </p> <p>For more details on the study, see the following poster: </p> <p>https://www.researchgate.net/publication/325924203_Walking_Focusing_and_Evaluating_the_Cultural_Ecosystem_Services_of_Drylands</p> <p> </p> <p>And the People and Nature website (open access journal):</p> <p> </p> <p>https://www.britishecologicalsociety.org/publications/journals/people-and-nature/</p> <p> </p> <p> </p> <p> </p> <p> </p>
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
Pre-walk interview 1 (belongs to: Ille & Salah 2022, Walking on fire)
<p>Summary of a pre-walk interview in frame of research on date palm fires in Sudan's Northern State. Translated from original Sudanese Arabic by author. Georeference: N20° 45.441' E30° 19.171'.</p>
Pre-walk interview 2 (belongs to: Ille & Salah 2022, Walking on fire)
<p>Summary of a pre-walk interview in frame of research on date palm fires in Sudan's Northern State.</p>
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