Fig. 2 in First insights into past biodiversity of giraffes based on mitochondrial sequences from museum specimens
Fig. 2. Illustrations of historical giraffe specimens. A. The ʻGiraffe of Levaillantʼ, anonymous painting made in the late 18th century and early 19th century, exhibited in ʻhôtel de Magnyʼ, Jardin des Plantes in Paris (France). B. The ʻGiraffe from Sennaarʼ, representing a lithography of Zarafa (MNHN-1845-211) and the skull of a giraffe from the Cape region (Geoffroy Saint-Hilaire 1827). C. Drawing of the holotype of Giraffa camelopardalis congoensis Lydekker, 1903 (RMCA-452), housed in the Royal Museum of Central Africa, Tervuren (Belgium) (Lydekker 1904). D. Head drawings of the holotypes of G. c. cottoni Lydekker, 1904 (NHMUK-1904.1.21.1, left) and G. g. wardi Lydekker, 1904 (NHMUK-1903.11.18.1, right) (Lydekker 1914).
ShareScore
40/100
Overall dataset sharing score
Score breakdown
These five areas show where the dataset supports — or may limit — practical reuse.
- Stewardship
- 8
- Harmonization
- 4
- Access
- 20
- Reuse readiness
- 8
- Engagement
- 0