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Social media images from Peneda-Gerês National Park, Northern Portugal

<p>This dataset contains images from the Peneda-Ger&ecirc;s&nbsp;National Park, Northern Portugal. The images were collected from the Flickr and Wikiloc&nbsp;platforms considering a time period from 2003 to 2017.&nbsp;In respect to the General Data Protection Regulation 2016/679, social media data protected by users&rsquo; rights was not downloaded nor analysed. Public data that would potentially contain personal information from social media users was kept anonymous through the study.&nbsp;Data was retrieved through the use of the freely available Flickr&rsquo;s Application Programming Interface (API), indicating a time window and a bounding box with a pair of coordinates (in our case: minimum latitude: 41.653104; maximum lat.: 42.083595; min. longitude: -8.426270; max. lon.: -7.754076) around Peneda-Ger&ecirc;s. This information was then saved as an excel file with the following attributes: user-id, date taken, latitude, longitude, picture uniform resource locator (url).</p> <p>A first annotation, in the context of cultural ecosystem services (CES),&nbsp;was performed by dividing the photographs of the dataset into &ldquo;Indoor&rdquo; and &ldquo;Outdoor&rdquo; classes.&nbsp;Only the &ldquo;Outdoor&rdquo; pictures were included in this study, since CES are directly connected to nature and environment, which in turn are related to the outside/outdoor. The &ldquo;Outdoor&rdquo; images were further divided into two main classes, &ldquo;Natural&rdquo; and &ldquo;Human&rdquo;, depending on whether the image was dominated by natural or man-made elements.&nbsp;Lastly, a finer annotation for outdoor images was also provided, which encompasses the following six classes: &ldquo;Species&rdquo;, &ldquo;Landscape&rdquo;, &ldquo;Nature&rdquo;, &ldquo;Human activities&rdquo;, &ldquo;Human structures&rdquo; and &ldquo;Posing&rdquo;. &ldquo;Species&rdquo; pictures respectively pertained to close-up shots of animals or plants in the wild, translating CES pertaining to biodiversity appreciation. &ldquo;Landscape&rdquo; pictures show wide-open shots of nature in the wild, often with a visible horizon most often representing people&rsquo;s enjoyment of landscape aesthetics. &ldquo;Human activities&rdquo; include pictures where people engage in by recreational activities, for instance related to sports such as ski or cycling. &ldquo;Human structures&rdquo; include those pictures where man-made structures dominate in the wild, e.g., historical monuments and churches, capturing situations of cultural heritage and spiritual enrichment. &ldquo;Posing&rdquo; refers to pictures with people looking at the camera, with recognizable faces, testifying social enjoyment and sense of identity. Finally, &ldquo;Nature&rdquo; pictures capture natural elements with no particular feature (such as species) but with an intermediate shot (differing from wide-open shots attributed to landscapes), expressing the appreciation of nature by people.</p>

ShareScore

36/100

Overall dataset sharing score

Score breakdown

These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
8
Harmonization
4
Access
16
Reuse readiness
8
Engagement
0

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