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«Recepción de Cristóbal de Morales en Valladolid (ca. 1530-1550): una opinión, una tablatura, un inventario y el manuscrito 5 (E-V5)». Anuario musical 78 (2023), pp. 31-57.

<p>Abstract;<br>This paper deals with the reception of Crist&oacute;bal de Morales`s<br>music in the vibrant city of Valladolid during the 1530s and 1540s,<br>a period that covers the years before his establishment in Rome<br>(1535) and those immediately after his definitive return to Spain<br>(1545). It is supported by four primary evidences: the assessment of<br>the author by Professor Crist&oacute;bal de Villal&oacute;n, an intabulation, an<br>inventory made in 1547 in the Collegiate Church of Valladolid, and<br>the unique Manuscript 5 (E-V5). A detailed study of this &laquo;white<br>book&raquo; has made it possible to offer its complete and complex structure,<br>a piece of information which, combined with that provided by<br>the inventory and other documentary sources, allows us to better<br>understand its chronology and functionality. They also allow us to<br>present the person responsible for copying it, an essential mediator<br>in the dissemination of the music of Crist&oacute;bal de Morales, at least in<br>the Valladolid Collegiate Church.</p>

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36/100

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These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
12
Harmonization
4
Access
16
Reuse readiness
0
Engagement
4

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