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[IO Islamic 3480] ديوان بيدل

<ul> <li>D&icirc;w&acirc;n-i-B&icirc;dil</li> <li>This manuscript is now IO Islamic 1676 in the India Office collections.</li> <li>[metadata: Hermann Eth&eacute;, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 3480 here with notations and hyperlinks].</li> </ul> <p><span>B&icirc;dil (Nos. 1676-1686).</span></p> <p><span>1676</span></p> <p><span>D&icirc;w&acirc;n-i-B&icirc;dil (</span><span><span><span><span><span>ديوان بيدل</span></span></span></span></span><span>). </span></p> <p><span>The lyrical poems of Mirz&acirc; </span><span><span>&lsquo;</span></span><span>Abd-al</span><span>ḳ&acirc;dir B&icirc;dil, the greatest of the Persian poets in India during the last century, who was born at Akbar&acirc;b&acirc;d A.H. 1054 (A.D. 1644), and died at Dihl&icirc; the 4th of Ṣ</span><span>afar, A.H. 1133 (A.D. 1720, Dec. 5), see Bodleian Cat., Nos. 1169 and 1170, and the Khul&acirc;</span><span>ṣat-alkal&acirc;m, No. 11(ib., col. 296); Rieu ii. pp. 706 and 707; A. Sprenger, Catal., pp. 119, 213, and 378-380; W. Pertsch, p. 80, and Berlin Cat., pp. 938-941; Rosen, Persian MSS., p. 167. Only Garcin de Tassy, in his Histoire de la litt&eacute;r. Hindouie etc. i. p. 312 sq. (see also W. Pertsch, p. 80), fixes his death, four years later, in A. H. 1137 (A.D. 1724, 1725).</span></p> <p><span>Besides his lyrical poems he composed several mathnaw&icirc;s, viz. the </span><span><span><span><span><span>محيط اعظم</span></span></span><span> </span></span></span><span>(see below, Nos. 1682 and 1683); the </span><span><span><span><span><span>طلسم حيرت</span></span></span><span> </span></span></span><span>(Nos. 1684 and 1685); the </span><span><span><span><span><span>طور معرفت</span></span></span><span> </span></span></span><span>(No. 1686) ; </span><span><span><span><span><span>گ</span></span></span><span><span><span>ل</span></span></span><span><span><span>گ</span></span></span><span><span><span>شت حقيقت</span></span></span><span> </span></span></span><span>(A. Sprenger, Catal., p. 380); the </span><span><span><span><span><span>عرفان</span></span></span><span> </span></span></span><span>(Rieu ii. p. 707</span><sup><span>a</span></sup><span>); a mystical poem without title, dealing with love, the lover, and the beloved, in the metre </span><span> </span><span><span><span><span><span>رمل</span></span></span><span> </span></span></span><span>(W. Pertsch, Berlin Cat., p. 940); and smaller poems of the same kind (see ib., p. 698, No. 20); also several important prose-works, for instance, the </span><span><span><span><span><span>بياض</span></span></span><span> </span></span></span><span>or anthology of Persian poetry (Rieu ii. p. 737</span><sup><span>b</span></sup><span> sq.), the </span><span><span><span><span><span>نكات</span></span></span><span> </span></span></span><span>or subtle thoughts (ib., p. 745</span><sup><span>b</span></sup><span> sq.), the </span><span><span><span><span><span>رقعات</span></span></span><span> </span></span></span><span>or private letters (W. Pertsch, Berlin Cat., p. 147, No. 2; see also Rieu ii. p. 811</span><sup><span>a</span></sup><span>, and iii. pp. 1006</span><sup><span>b</span></sup><span> and 1068</span><sup><span>a</span></sup><span>), and the </span><span><span><span><span><span>چ</span></span></span><span><span><span>هار عنصر</span></span></span><span> </span></span></span><span>(A. Sprenger, Catal., p.119, l. 9). The present copy contains, according to the colophon, the </span><span><span><span><span><span>ديوان قديم مرزاى بيدل</span></span></span></span></span><span>, the old or first d&icirc;w&acirc;n of the poet, with the following subdivisions:</span></p> <p><span>Preface in prose, on fol. 1</span><sup><span>b</span></sup><span>, beginning: </span><span><span><span><span><span>حمد مبدعى كه تردّد انفاس هستئ موجودات تحريكيست الخ</span></span></span></span></span><span>.</span></p> <p><span>Ghazals, in alphabetical order, on fol. 4</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>نفس آشفته ميدارد </span></span></span><span><span><span>چ</span></span></span><span><span><span>و </span></span></span><span><span><span>گ</span></span></span><span><span><span>ل جمعيّت مارا</span></span></span></span></span></p> <p><span><span><span><span><span>پ</span></span></span><span><span><span>ريشان مى نويسد كلك موج احوال دريارا</span></span></span></span></span></p> <p><span>A few ḳaṣ&icirc;das, on fol. 336</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>در حريم خاك مارا موى </span></span></span><span><span><span>پ</span></span></span><span><span><span>يرى رهبر است الخ</span></span></span></span></span></p> <p><span>Rub&acirc;</span><span><span>&rsquo;</span></span><span>&icirc;s, in alphabetical order, on fol. 343</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>حمد دو جهان سزاست سبحانى را الخ</span></span></span></p> <p><span>This copy was made by Khw&acirc;jah B&acirc;bar Ḳalandar Ḳ&acirc;dir&icirc; in Sh&acirc;hjah&acirc;n&acirc;b&acirc;d, at the request of Mirz&acirc; Sa</span><span><span>&rsquo;</span></span><span>&icirc;d, and finished the 15th of Dh&ucirc;-al</span><span>ḳa</span><span><span>&rsquo;</span></span><span>dah, A.H. 1106 (A.D. 1695, June 27), twenty-seven years before the poet</span><span><span>&rsquo;</span></span><span>s death. Some pages injured; fol. 206</span><sup><span>b</span></sup><span> almost entirely effaced. This d&icirc;w&acirc;n, together with the </span><span><span><span><span><span>نكات</span></span></span><span> </span><span> </span></span></span><span>, </span><span><span><span><span><span>رقعات</span></span></span></span></span><span>, and </span><span><span><span><span><span>چ</span></span></span><span><span><span>هار عنصر</span></span></span></span></span><span>, has been lithographed, A.H. 1287, at Lucknow, under the title </span><span><span><span><span><span>كلّيّات بيدل</span></span></span></span></span><span>.</span></p> <p><span>No. 3480, olim 13. J. 26, ff. 358, 2 coll., each ll. 16; clear and distinct </span><span>Nasta&rsquo;l&icirc;ḳ; size, 9&frac12; in. by 5 in.</span></p> <p>&nbsp;</p>

ShareScore

32/100

Overall dataset sharing score

Score breakdown

These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
8
Harmonization
4
Access
16
Reuse readiness
4
Engagement
0

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