[IO Islamic 468] كلّيّات فقير
<ul> <li>Kulliyyât-i-Faḳîr</li> <li>This manuscript is now IO Islamic 1710 in the India Office collections.</li> <li>[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 468 here with notations and hyperlinks].</li> </ul> <p><span>1710</span></p> <p><span>Kulliyyât-i-Fa</span><span>ḳîr (</span><span><span><span><span><span>كلّيّات فقير</span></span></span></span></span><span>).</span></p> <p><span>The poetical works of Mîr Shams-aldin Faḳîr </span><span><span>‘</span></span><span>Abbâsî, who was born at Shâhjahânâbâd A.H. 1115 (A.D. 1703, 1704), and perished A.H. 1180, according to one tadhkirah only A.H. 1181 (A.D. 1766, 1767), by shipwreck while on his pilgrimage to Makkah, see A. Sprenger, Catal., pp. 158, 223, and 394-396; Khazâna-i-</span><span><span>’</span></span><span>âmirah, No. 95 (Bodleian Cat., col. 258); Khulâṣat-alkalâm, No. 52 (ib., col. 299); Khulâṣat-alafkâr, No. 202 (ib., col. 309); and Makhzan-algharâ</span><span><span>’</span></span><span>ib, No. 1993 (ib., col. 362). Besides the works contained in these so-called </span><span><span><span><span><span>كلّيّات</span></span></span></span></span><span>, </span><span>Fa</span><span>ḳîr</span><span> wrote two mathnawîs, viz. the </span><span><span><span><span><span>واله و سلطان</span></span></span><span> </span></span></span><span>(see the following copy) and the </span><span><span><span><span><span>شمس الضّحى</span></span></span></span></span><span>, the noon-sun, in praise of the Imâms, also styled </span><span><span><span><span><span>معجزات </span></span></span><span><span><span>چ</span></span></span><span><span><span>هارده معصوم</span></span></span><span> </span></span></span><span>(see A. Sprenger, Catal., p. 395); various prose-treatises on prosody, rhetorical art, etc., for instance, the </span><span><span><span><span><span>وافية فى علم العروض و القافية</span></span></span></span></span><span>, on metres and rhyme, in a </span><span><span><span><span><span>مقدّمه</span></span></span></span></span><span>, two </span><span><span><span><span><span>ركن</span></span></span></span></span><span>, and a </span><span><span><span><span><span>خاتمه</span></span></span></span></span><span>, and the </span><span><span><span><span><span>خلاصة البديعى</span></span></span></span></span><span>, on tropical figures, in a </span><span><span><span><span><span>مقدّمه</span></span></span></span></span><span>, two </span><span><span><span><span><span>فصل</span></span></span></span></span><span>, and a </span><span><span><span><span><span>خاتمه</span></span></span><span> </span></span></span><span>(see W. Pertsch, Berlin Cat., p. 623), and some Rekhta verses. According to A. Sprenger, loc. cit., and the Makhzan-algharâ</span><span><span>’</span></span><span>ib, he used originally the takhallu</span><span>ṣ Maftûn.</span></p> <p><span>Contents:</span></p> <p><span>I.Dîwân, consisting of</span></p> <p><span>1.Ḳaṣîdas, tarjî</span><span><span>’</span></span><span>s, and tarkîbbands, on fol. 1</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>اى غم عشق تو شورى در جهان انداخته</span></span></span></p> <p><span><span><span>طشت عاشق را زبام آسمان انداخته</span></span></span></p> <p><span>2.Ḳiṭ’as and chronograms, on fol. 46</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>سؤالى كرد با من نكته دانى</span></span></span></p> <p><span><span><span>كه اى جانت بسرّ غيب همدم</span></span></span></p> <p><span>3.Ghazals, in alphabetical order, on fol. 54</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>اى در طلب نام تو آواره نشانها</span></span></span></p> <p><span><span><span><span><span>گ</span></span></span><span><span><span>م كرده ره معنئ وصف تو بيانها</span></span></span></span></span></p> <p><span>4.Rubâ</span><span><span>’</span></span><span>îs, on fol. 155</span><sup><span>b</span></sup><span>, beginning:</span><span><span><span><span><span>اسم الله كه هست سرماي</span></span></span><span><span>ۀ </span></span><span><span><span>جان الخ</span></span></span><span> </span></span></span><span>.</span></p> <p><span>II.Mathnawîs, viz.:</span></p> <p><span>5.Durr-i-maknûn (</span><span><span><span><span><span>درّ مكنون</span></span></span></span></span><span>), the hidden pearl, or the story of the daughter of the </span><span>Ḳaiṣar of Rûm, </span><span><span><span><span><span>مليكه </span></span></span><span> </span></span></span><span>or </span><span><span><span><span><span>نرجس خاتون</span></span></span></span></span><span>, and the Imâm </span><span>Ḥ</span><span>asan </span><span><span>‘</span></span><span>Askari, composed A.H. 1169 (A.D. 1755, 1756), beginning, on fol. 167</span><sup><span>b</span></sup><span>:</span></p> <p><span><span><span><span><span>خداوندا ره تفريد بنما </span></span></span><span><span>–</span></span><span><span><span> بروى من در توحيد ب</span></span></span><span><span><span>گ</span></span></span><span><span><span>شا</span></span></span></span></span></p> <p><span>In A. Sprenger, Catal., p. 396, this mathnawî is called </span><span><span><span><span><span>مولود امام مهدى</span></span></span></span></span><span>, the birth and miracles of Imâm Mahdî.</span></p> <p><span>6.Tu</span><span>ḥfat-alshabâb (</span><span><span><span><span><span>تحفة الشباب</span></span></span></span></span><span>), the present of youth, on fol. 281</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>مرحبا اى صبح ايّام وصال </span></span></span><span><span>–</span></span><span><span><span> مرحبا اى آفتاب بيزوال</span></span></span></span></span></p> <p><span>composed A.H. 1163 (A.D. 1750).</span></p> <p><span>7.Mathnawî dar wâ</span><span>ḳi</span><span><span>’</span></span><span>a-i-jânsûz-i-Karbalâ (</span><span><span><span><span><span>مثنوى در واقع</span></span></span><span><span>ۀ </span></span><span><span><span>جانسوز كربلا</span></span></span><span> </span></span></span><span>), the heart-burning calamity of Karbalâ, on fol. 286</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>باز از ماه محرّم در جهان </span></span></span><span><span>–</span></span><span><span><span> تازه شد داغ مصيبت دوستان</span></span></span></span></span></p> <p><span>8.Mathnawî darta</span><span><span>’</span></span><span>rîf-i-daulatkhâna-i-Nawwâb Amîr-alumarâ Sâdâtkhân Bahâdur (</span><span><span><span><span><span>مثنوى در تعريف دولتخان</span></span></span><span><span>ۀ </span></span><span><span><span>نوّاب امير الامرا ساداتخان بهادر</span></span></span></span></span><span>), description of the palace of the Nawwâb Sâdâtkhân Bahâdur, on fol. 289</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>د</span></span></span><span><span><span>گ</span></span></span><span><span><span>ر بر روى طبع نكته </span></span></span><span><span><span>پ</span></span></span><span><span><span>رداز</span></span></span></span></span></p> <p><span><span><span><span><span>درى </span></span></span><span><span><span>گ</span></span></span><span><span><span>رديده از فيض سخن باز</span></span></span></span></span></p> <p><span>9.Ta</span><span>ṣwîr-i-maḥabbat (</span><span><span><span><span><span>تصوير محبّت</span></span></span></span></span><span>), the image of love, or the story of Râm</span><span><span>ć</span></span><span>and the son of the Betel seller, on fol. 294</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>خداوندا دلى ده شعله سانم</span></span></span></p> <p><span><span><span>كه از سوزش فتد آتش بجانم</span></span></span></p> <p><span>Composed A.H. 1156 (A.D. 1743), the title being a chronogram.</span></p> <p><span>Dated the 22nd of </span><span>Dhû-alḥijjah, A.H. 1184 (A.D. 1771, April 8), </span><span>by Mu</span><span>ḥammad Ḥ</span><span>usain Ghûrî.</span></p> <p><span>No. 468, ff. 323, 2 coll., each ll. 15; clear and distinct </span><span>Nasta’lîḳ; size, 8</span><sup><span>1/2</span></sup><span> in. by 4</span><sup><span>7/8</span></sup><span> in.</span></p> <p> </p>
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32/100
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- 8
- Harmonization
- 4
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- Reuse readiness
- 4
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