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[IO Islamic 468] كلّيّات فقير

<ul> <li>Kulliyy&acirc;t-i-Faḳ&icirc;r</li> <li>This manuscript is now IO Islamic 1710 in the India Office collections.</li> <li>[metadata: Hermann Eth&eacute;, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 468 here with notations and hyperlinks].</li> </ul> <p><span>1710</span></p> <p><span>Kulliyy&acirc;t-i-Fa</span><span>ḳ&icirc;r (</span><span><span><span><span><span>كلّيّات فقير</span></span></span></span></span><span>).</span></p> <p><span>The poetical works of M&icirc;r Shams-aldin Faḳ&icirc;r </span><span><span>&lsquo;</span></span><span>Abb&acirc;s&icirc;, who was born at Sh&acirc;hjah&acirc;n&acirc;b&acirc;d A.H. 1115 (A.D. 1703, 1704), and perished A.H. 1180, according to one tadhkirah only A.H. 1181 (A.D. 1766, 1767), by shipwreck while on his pilgrimage to Makkah, see A. Sprenger, Catal., pp. 158, 223, and 394-396; Khaz&acirc;na-i-</span><span><span>&rsquo;</span></span><span>&acirc;mirah, No. 95 (Bodleian Cat., col. 258); Khul&acirc;ṣat-alkal&acirc;m, No. 52 (ib., col. 299); Khul&acirc;ṣat-alafk&acirc;r, No. 202 (ib., col. 309); and Makhzan-alghar&acirc;</span><span><span>&rsquo;</span></span><span>ib, No. 1993 (ib., col. 362). Besides the works contained in these so-called </span><span><span><span><span><span>كلّيّات</span></span></span></span></span><span>, </span><span>Fa</span><span>ḳ&icirc;r</span><span> wrote two mathnaw&icirc;s, viz. the </span><span><span><span><span><span>واله و سلطان</span></span></span><span> </span></span></span><span>(see the following copy) and the </span><span><span><span><span><span>شمس الضّحى</span></span></span></span></span><span>, the noon-sun, in praise of the Im&acirc;ms, also styled </span><span><span><span><span><span>معجزات </span></span></span><span><span><span>چ</span></span></span><span><span><span>هارده معصوم</span></span></span><span> </span></span></span><span>(see A. Sprenger, Catal., p. 395); various prose-treatises on prosody, rhetorical art, etc., for instance, the </span><span><span><span><span><span>وافية فى علم العروض و القافية</span></span></span></span></span><span>, on metres and rhyme, in a </span><span><span><span><span><span>مقدّمه</span></span></span></span></span><span>, two </span><span><span><span><span><span>ركن</span></span></span></span></span><span>, and a </span><span><span><span><span><span>خاتمه</span></span></span></span></span><span>, and the </span><span><span><span><span><span>خلاصة البديعى</span></span></span></span></span><span>, on tropical figures, in a </span><span><span><span><span><span>مقدّمه</span></span></span></span></span><span>, two </span><span><span><span><span><span>فصل</span></span></span></span></span><span>, and a </span><span><span><span><span><span>خاتمه</span></span></span><span> </span></span></span><span>(see W. Pertsch, Berlin Cat., p. 623), and some Rekhta verses. According to A. Sprenger, loc. cit., and the Makhzan-alghar&acirc;</span><span><span>&rsquo;</span></span><span>ib, he used originally the takhallu</span><span>ṣ Maft&ucirc;n.</span></p> <p><span>Contents:</span></p> <p><span>I.D&icirc;w&acirc;n, consisting of</span></p> <p><span>1.Ḳaṣ&icirc;das, tarj&icirc;</span><span><span>&rsquo;</span></span><span>s, and tark&icirc;bbands, on fol. 1</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>اى غم عشق تو شورى در جهان انداخته</span></span></span></p> <p><span><span><span>طشت عاشق را زبام آسمان انداخته</span></span></span></p> <p><span>2.Ḳiṭ&rsquo;as and chronograms, on fol. 46</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>سؤالى كرد با من نكته دانى</span></span></span></p> <p><span><span><span>كه اى جانت بسرّ غيب همدم</span></span></span></p> <p><span>3.Ghazals, in alphabetical order, on fol. 54</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>اى در طلب نام تو آواره نشانها</span></span></span></p> <p><span><span><span><span><span>گ</span></span></span><span><span><span>م كرده ره معنئ وصف تو بيانها</span></span></span></span></span></p> <p><span>4.Rub&acirc;</span><span><span>&rsquo;</span></span><span>&icirc;s, on fol. 155</span><sup><span>b</span></sup><span>, beginning:</span><span><span><span><span><span>اسم الله كه هست سرماي</span></span></span><span><span>ۀ </span></span><span><span><span>جان الخ</span></span></span><span> </span></span></span><span>.</span></p> <p><span>II.Mathnaw&icirc;s, viz.:</span></p> <p><span>5.Durr-i-makn&ucirc;n (</span><span><span><span><span><span>درّ مكنون</span></span></span></span></span><span>), the hidden pearl, or the story of the daughter of the </span><span>Ḳaiṣar of R&ucirc;m, </span><span><span><span><span><span>مليكه </span></span></span><span> </span></span></span><span>or </span><span><span><span><span><span>نرجس خاتون</span></span></span></span></span><span>, and the Im&acirc;m </span><span>Ḥ</span><span>asan </span><span><span>&lsquo;</span></span><span>Askari, composed A.H. 1169 (A.D. 1755, 1756), beginning, on fol. 167</span><sup><span>b</span></sup><span>:</span></p> <p><span><span><span><span><span>خداوندا ره تفريد بنما </span></span></span><span><span>&ndash;</span></span><span><span><span> بروى من در توحيد ب</span></span></span><span><span><span>گ</span></span></span><span><span><span>شا</span></span></span></span></span></p> <p><span>In A. Sprenger, Catal., p. 396, this mathnaw&icirc; is called </span><span><span><span><span><span>مولود امام مهدى</span></span></span></span></span><span>, the birth and miracles of Im&acirc;m Mahd&icirc;.</span></p> <p><span>6.Tu</span><span>ḥfat-alshab&acirc;b (</span><span><span><span><span><span>تحفة الشباب</span></span></span></span></span><span>), the present of youth, on fol. 281</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>مرحبا اى صبح ايّام وصال </span></span></span><span><span>&ndash;</span></span><span><span><span> مرحبا اى آفتاب بيزوال</span></span></span></span></span></p> <p><span>composed A.H. 1163 (A.D. 1750).</span></p> <p><span>7.Mathnaw&icirc; dar w&acirc;</span><span>ḳi</span><span><span>&rsquo;</span></span><span>a-i-j&acirc;ns&ucirc;z-i-Karbal&acirc; (</span><span><span><span><span><span>مثنوى در واقع</span></span></span><span><span>ۀ </span></span><span><span><span>جانسوز كربلا</span></span></span><span> </span></span></span><span>), the heart-burning calamity of Karbal&acirc;, on fol. 286</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>باز از ماه محرّم در جهان </span></span></span><span><span>&ndash;</span></span><span><span><span> تازه شد داغ مصيبت دوستان</span></span></span></span></span></p> <p><span>8.Mathnaw&icirc; darta</span><span><span>&rsquo;</span></span><span>r&icirc;f-i-daulatkh&acirc;na-i-Naww&acirc;b Am&icirc;r-alumar&acirc; S&acirc;d&acirc;tkh&acirc;n Bah&acirc;dur (</span><span><span><span><span><span>مثنوى در تعريف دولتخان</span></span></span><span><span>ۀ </span></span><span><span><span>نوّاب امير الامرا ساداتخان بهادر</span></span></span></span></span><span>), description of the palace of the Naww&acirc;b S&acirc;d&acirc;tkh&acirc;n Bah&acirc;dur, on fol. 289</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span><span><span>د</span></span></span><span><span><span>گ</span></span></span><span><span><span>ر بر روى طبع نكته </span></span></span><span><span><span>پ</span></span></span><span><span><span>رداز</span></span></span></span></span></p> <p><span><span><span><span><span>درى </span></span></span><span><span><span>گ</span></span></span><span><span><span>رديده از فيض سخن باز</span></span></span></span></span></p> <p><span>9.Ta</span><span>ṣw&icirc;r-i-maḥabbat (</span><span><span><span><span><span>تصوير محبّت</span></span></span></span></span><span>), the image of love, or the story of R&acirc;m</span><span><span>ć</span></span><span>and the son of the Betel seller, on fol. 294</span><sup><span>b</span></sup><span>, beginning:</span></p> <p><span><span><span>خداوندا دلى ده شعله سانم</span></span></span></p> <p><span><span><span>كه از سوزش فتد آتش بجانم</span></span></span></p> <p><span>Composed A.H. 1156 (A.D. 1743), the title being a chronogram.</span></p> <p><span>Dated the 22nd of </span><span>Dh&ucirc;-alḥijjah, A.H. 1184 (A.D. 1771, April 8), </span><span>by Mu</span><span>ḥammad Ḥ</span><span>usain Gh&ucirc;r&icirc;.</span></p> <p><span>No. 468, ff. 323, 2 coll., each ll. 15; clear and distinct </span><span>Nasta&rsquo;l&icirc;ḳ; size, 8</span><sup><span>1/2</span></sup><span> in. by 4</span><sup><span>7/8</span></sup><span> in.</span></p> <p>&nbsp;</p>

ShareScore

32/100

Overall dataset sharing score

Score breakdown

These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
8
Harmonization
4
Access
16
Reuse readiness
4
Engagement
0

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