Skip to main content
zenodoopen

Synth-Salience Choral Set

<p>The <strong>Synth-salience Choral Set</strong> (SSCS) is a publicly available dataset for voice assignment based on pitch salience.&nbsp;</p> <p>The dataset was created to support research on voice assignment based on pitch salience.&nbsp;By definition, an &ldquo;ideal&rdquo; pitch salience representation of a music recording is zero everywhere where there is no perceptible pitch, and has a positive value that reflects the pitches&rsquo; perceived energy at the frequency bins of the corresponding F0 values. In practice, for a normalized synthetic pitch salience function we assume a value equal to the maximum energy (salience), i. e., 1, in the time-frequency bins that correspond to the notes present in a song, and 0 elsewhere. We obtain such a synthetic pitch salience representation directly by processing the digital (MusicXML, MIDI) score of a music piece, using the desired time and frequency quantization, i. e., a time-frequency grid.&nbsp;</p> <p>To build the SSCS, we collect scores of four-part (SATB) a cappella choral music from the <a href="https://www.cpdl.org/wiki/index.php/Main_Page">Choral Public Domain Library (CPDL)</a>&nbsp;using their API. We assemble a collection of <strong>5381 scores</strong> in MusicXML format, which we subsequently convert into MIDI files for an easier parsing.</p> <p><br> Each song in the dataset comprises five CSV files: one with the polyphonic pitch salience representation of the four voices (*_mix.csv) and four additional files with the monophonic pitch salience representation of each voice separately (*_S/A/T/B.csv). In both cases, the asterisk refers to the name of the song, which is shared between all representations from the same song.<br> Besides the pitch salience files, we provide a metadata CSV file (sscs_metadata.csv) which indicates the associated CPDL URL for each song in the dataset.&nbsp;Note that this dataset contains the input/output features used in the cited&nbsp;study, i.e., salience functions, and not audio files nor scores. However, the accompanying&nbsp;metadata file allows researchers to access the associated open access scores for each example in the dataset.</p> <p>When using this dataset for your research, please cite:</p> <p>Helena Cuesta and Emilia G&oacute;mez (2022).&nbsp;<strong>Voice Assignment in Vocal Quartets using Deep Learning Models based on Pitch Salience</strong>. Transactions of the International Society for Music Information Retrieval (TISMIR).&nbsp;<em>To appear.</em></p> <p>Helena Cuesta (2022). <strong>Data-driven Pitch Content Description of Choral Singing Recordings</strong>. PhD thesis. Universitat Pompeu Fabra, Barcelona.</p> <p>&nbsp;</p>

ShareScore

36/100

Overall dataset sharing score

Score breakdown

These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
4
Harmonization
4
Access
16
Reuse readiness
8
Engagement
4