Bag of pitch classes for Japanese enka songs
<p>This dataset is comprised of 827 songs, curated from the following publications:</p> <p>(a) Y. Goto (ed.), Grand Collection of Enka Songs by Female Singers 5th Ed. (in Japanese), Zen-on Music Co., 2016.<br> (b) Y. Goto (ed.), Grand Collection of Enka Songs by Male Singers 5th Ed. (in Japanese), Zen-on Music Co., 2016.</p> <p>Upon the use of this work, we kindly ask to explicitly cite/mention this paper, where the dataset was first used:</p> <p>[1] Eita Nakamura, Kentaro Shibata, Ryo Nishikimi, Kazuyoshi Yoshii, “Unsupervised melody style conversion,” Proc. 44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp. 196-200, May 2019.</p> <p>** Data **</p> <p>EnkaDataBagOfPitchClasses.tsv</p> <p>Each line represents a song.</p> <p>The first column indicates the song's location in the publications. For example, EnkaF-030_p027 indicates the 30th song on page 27 by a female artist in (a).</p> <p>From the second column to the 13th column, the numbers represent the counts for pitch classes from C to B. Tied notes were merged and counted only once.</p>
ShareScore
44/100
Overall dataset sharing score
Score breakdown
These five areas show where the dataset supports — or may limit — practical reuse.
- Stewardship
- 8
- Harmonization
- 8
- Access
- 20
- Reuse readiness
- 8
- Engagement
- 0