PoD_general_dataset: Dataset containing results from the research project Points of Discontinuity
<p>The complete datasets resulting from the research project <em>Points of Discontinuity</em> contain 23 datasets for the musical works or excerpts that were part of the online listening experiment, with each dataset containing seven or eight files (all audio files are stored in a dataset with restricted access), as well as this dataset containing five additional files:</p> <ul> <li>PoD_data_processing.pdf (explanation of the data evaluation process)</li> <li>PoD_global_data.xlsx (processed data for all 23 works/excerpts)</li> <li>PoD_global_data_ReadMe.pdf</li> <li>PoD_web_application.pdf (documentation of the online experiment)</li> <li>PoD_web_application_video.mp4 (introduction video to the online experiment)</li> </ul> <p>The individual datasets for the 23 works/excerpts can be accessed via the following links: </p> <ul> <li>Barrett, Natasha: Animalcules [excerpt]: <a href="https://doi.org/10.5281/zenodo.13981311" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13981311</a></li> <li>Berg, Alban: Vier Stücke für Klarinette und Klavier, Nr. 1: <a href="https://doi.org/10.5281/zenodo.13981574" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13981574</a> </li> <li>Boulez, Pierre: Le Marteau sans Maître, no. 7: <a href="https://doi.org/10.5281/zenodo.13982307" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13982307</a> </li> <li>Chen Yi: Ge Xu (Antiphony): <a href="https://doi.org/10.5281/zenodo.13982412" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13982412</a></li> <li>Feldman, Morton: Why Patterns?: <a href="https://doi.org/10.5281/zenodo.13982361" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13982361</a></li> <li>Ferneyhough, Brian: Time and Motion Study I: <a href="https://doi.org/10.5281/zenodo.13985098" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985098</a></li> <li>Furrer, Beat: spur: <a href="https://doi.org/10.5281/zenodo.13985111" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985111</a></li> <li>Harrison, Jonty: Klang [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985494" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985494</a></li> <li>Huber, Nicolaus A.: 6 Bagatellen für Kammerensemble, no. 6: <a href="https://doi.org/10.5281/zenodo.13985123" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985123</a></li> <li>Kurtág, György : Quartetto per archi op. 1, no. 4: <a href="https://doi.org/10.5281/zenodo.13985139" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985139</a></li> <li>Lachenmann, Helmut: Pression: <a href="https://doi.org/10.5281/zenodo.13985143" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985143</a></li> <li>Lim, Liza: The Heart’s Ear [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985156" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985156</a></li> <li>Roads, Curtis: Half-life: <a href="https://doi.org/10.5281/zenodo.13987914" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13987914</a></li> <li>Saariaho, Kaija: Lichtbogen: <a href="https://doi.org/10.5281/zenodo.13985390" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985390</a></li> <li>Schönberg, Arnold: Fünf Orchesterstücke op. 16, Nr. 1: <a href="https://doi.org/10.5281/zenodo.13985419" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985419</a></li> <li>Scelsi, Giacinto: Quartetto no. 4: <a href="https://doi.org/10.5281/zenodo.13985403" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985403</a></li> <li>Sciarrino, Salvatore: Sei capricci per violino, no. 1: <a href="https://doi.org/10.5281/zenodo.13985428" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985428</a></li> <li>Spahlinger, Mathias: furioso [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985439" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985439</a></li> <li>Stockhausen, Karlheinz: Gruppen [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985448" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985448</a> </li> <li>Stravinsky, Igor: Trois pièces pour quatuor à cordes, no. 2: <a href="https://doi.org/10.5281/zenodo.13985460" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985460</a></li> <li>Vande Gorne, Annette: Bois [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985492" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985492</a></li> <li>Varèse, Edgard: Ionisation [excerpt]: <a href="https://doi.org/10.5281/zenodo.13985468" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985468</a></li> <li>Xenakis, Iannis: Pithoprakta: <a href="https://doi.org/10.5281/zenodo.13985480" target="_blank" rel="noopener">https://doi.org/10.5281/zenodo.13985480</a></li> </ul>
ShareScore
36/100
Overall dataset sharing score
Score breakdown
These five areas show where the dataset supports — or may limit — practical reuse.
- Stewardship
- 4
- Harmonization
- 4
- Access
- 16
- Reuse readiness
- 8
- Engagement
- 4