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Video no. 4  'A short exercise on body awareness - movement technique in working on music choreography' by Barbara Dutkiewicz

<p>The footage complements the publication by Barbara Dutkiewicz (2023) &sbquo;<em>Choreography of music. Process of creation according to the principles of plastique anim&eacute;e on the example of music by Henryk Mikołaj G&oacute;recki &#39;Kleines Requiem f&uuml;r eine Polka op. 66&rsquo;, choreography created by Barbara Dutkiewicz and Iga Eckert</em>&rsquo;, (DOI:<a href="https://doi.org/10.5281/zenodo.7789711">&nbsp;https://doi.org/10.5281/zenodo.7789711</a>), written as a part of the intellectual output of the project EURHYTHMICS IN EDUCATION AND ARTISTIC PRACTICE (ERASMUS+). implemented in 2020-2023. Workshop with students of The Karol Szymanowski Academy of Music in Katowice, Poland and Universit&auml;t f&uuml;r Musik und darstellende Kunst Wien, Austria took place during LTT, host Katowice 21-25.03.2022. Artistic direction: Associate Professor Barbara Dutkiewicz (PhD.hab) and Iga Eckert, MA.</p> <p>ISBN&nbsp; 978-83-963687-3-7</p> <p>The article is supplemented by photos and four videos:</p> <p>-&nbsp;Video no. 1&nbsp; &rsquo;Motif, phrase in working on music choreography&rsquo; by Barbara Dutkiewicz&nbsp;<a href="https://doi.org/10.5281/zenodo.7922029">https://doi.org/10.5281/zenodo.7922029</a></p> <p>-&nbsp;Video no 2. &rsquo;Exercises with polymetric structure in working on music choreography&rsquo; by Iga Eckert and Barbara Dutkiewicz&nbsp;<a href="https://doi.org/10.5281/zenodo.7916295">https://doi.org/10.5281/zenodo.7916295</a>&nbsp;</p> <p>-&nbsp;Video no. 3 &rsquo;Movement stylization and multi planarity in working on music choreography&rsquo; by Barbara Dutkiewicz&nbsp;<a href="https://doi.org/10.5281/zenodo.7922104">https://doi.org/10.5281/zenodo.7922104</a></p> <p>-&nbsp;Video no. 4&nbsp; &#39;A short exercise on body awareness - movement technique in working on music choreography&rsquo; by Barbara Dutkiewicz&nbsp;<a href="https://doi.org/10.5281/zenodo.7916598">https://doi.org/10.5281/zenodo.7916598</a></p> <p>This article and videos are published on the digital platform &quot;Atlas of Eurhythmics&quot;&nbsp;&nbsp;<a href="https://www.kmh.se/in-english/atlas-of-eurhythmics/results-from-the-project.html">https://www.kmh.se/in-english/atlas-of-eurhythmics/results-from-the-project.html</a>&nbsp;<em>&nbsp;</em>at modul:<em> <strong>&quot;Plastique anim&eacute;e - tradition and contemporary performing&quot;</strong></em><strong>.</strong>&nbsp;</p> <p>&nbsp;</p>

ShareScore

40/100

Overall dataset sharing score

Score breakdown

These five areas show where the dataset supports — or may limit — practical reuse.

Stewardship
8
Harmonization
4
Access
16
Reuse readiness
8
Engagement
4

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