Find research datasets worth reusing

opencc-by-4.0Aug 2023View details →

Online Data: Evolution of dusty quiescent galaxies over the last six billion years from the hCOSMOS survey

The dataset contains the physical and structural parameters of 545 dusty quiescent galaxies presented in Donevski et al. (2023, A&A accepted, arXiv:2304.05842). The galaxies are observed at intermediate redshifts (0.1 < z < 0.6) as part of the hCOSMOS spectroscopic survey. The dataset contains the physical parameters (redshift, D4000, gas-phase metallicities) estimated from optical spectra, as well as SED-derived specific dust masses and stellar masses.

opencc-by-4.0Aug 2023View details →

Tallo database with World Flora Online taxonomic matches, also including information on presence in the TreeGOER and GlobalUsefulNativeTrees databases

The Tallo database (v 1.0.0) provides tree measurements for 5,163 tree species and 61,856 globally distributed sites. The database can be accessed via <a href="https://zenodo.org/record/6637599">https://zenodo.org/record/6637599</a> and has been fully described in Jucker et al. 2022. Tallo: A global tree allometry and crown architecture database. Global Change Biology, 28, 5254–5268. <a href="https://doi.org/10.1111/gcb.16302">https://doi.org/10.1111/gcb.16302</a>. Data provided in this archive show the taxonomic matches with <a href="https://www.worldfloraonline.org/">World Flora Online</a> (Borsch et al. <a href="https://onlinelibrary.wiley.com/doi/10.1002/tax.12373">2020</a>) for two versions of its taxonomic backbone data set. The first version (<a href="https://www.worldfloraonline.org/downloadData">v. 2021.12</a>) was used also to standardize species names for the latest version of the <a href="https://www.worldagroforestry.org/output/agroforestry-species-switchboard-30">Agroforestry Species Switchboard</a> and during the compilation of the TreeGOER (<a href="https://zenodo.org/record/8052331">Tree Globally Observed Environmental Ranges</a>; Kindt <a href="https://onlinelibrary.wiley.com/doi/10.1111/gcb.16914">2023</a>) and GlobalUsefulNativeTrees (<a href="https://worldagroforestry.org/output/globalusefulnativetrees">GlobUNT</a>; Kindt et al. <a href="https://www.nature.com/articles/s41598-023-39552-1">2023</a>) databases. The second version (<a href="https://www.worldfloraonline.org/downloadData">v. 2023.03</a>) was the most recent version available online. Taxonomic matching was done via the <a href="https://cran.r-project.org/package=WorldFlora">WorldFlora</a> R package (Kindt <a href="https://bsapubs.onlinelibrary.wiley.com/doi/10.1002/aps3.11388">2020</a>, see example scripts for a different taxonomic matching exercise <a href="https://rpubs.com/Roeland-KINDT/996500">here</a>). Taxonomic matching was achieved for all taxa listed in the Tallo database, except for Lithocarpus orocola. Presence of a taxon in the TreeGOER and GlobalUsefulNativeTrees databases has been flagged by showing the number of records used in TreeGOER to calculate ranges for environmental variable bio01 and by the number of native countries in GlobUNT, respectively. The development of this archive was supported by the Darwin Initiative to project DAREX001 of Developing a Global Biodiversity Standard certification for tree-planting and restoration, by Norway’s International Climate and Forest Initiative through the Royal Norwegian Embassy in Ethiopia to the Provision of Adequate Tree Seed Portfolio project in Ethiopia, and by the Green Climate Fund through the IUCN-led Transforming the Eastern Province of Rwanda through Adaptation project.

opencc-by-4.0Sep 2023View details →

First results of online compression of HEP data using Baler

Within the framework of the HiDA Trilateral Data Science Exchange Program, this internship project unveils preliminary findings on online compression using Baler. It involved the examination of various datasets of different sizes from the High Energy Physics (HEP) domain to evaluate compression performance. All datasets used are subsets of the jet data recorded by the CMS experiment at the LHC in 2012, released as open data under the Creative Commons CC0 waiver (see references). The data is modified (flattened, truncated, formatted, etc.) and packaged in a way that makes it easy for others to reproduce the results. The provided files in this page include comprehensive instructions for replicating the project's results, as well as datasets and outcomes. Below, you'll find a brief overview of the project's folder structure, categorized by the dataset utilized (small dataset/example CMS data/larger CMS data), the online/offline compression method, and resource utilization, particularly regarding GPU usage. Presentations summarizing this project's results can be found here: https://zenodo.org/record/8326707. Project's folders: <ol> <li> Reproduction Instructions: This folder houses all files that offer detailed guidelines for replicating the project's presented results. These files serve as a reference for accessing relevant materials. </li> <li> GPU with Example CMS Data.zip: This directory contains all files related to offline compression of the approximately 100MB example CMS dataset provided by Baler. GPU resources were employed in the model training process. </li> <li> GPU with Larger CMS Data (1).zip: In this section, you'll find files associated with the compression of a larger CMS dataset, approximately 1.4GB in size. It includes results of offline compression and a split of the dataset into a 50/50 ratio for training and testing, with results provided for various epochs. </li> <li> GPU with Larger CMS Data (2): This folder holds the larger dataset, divided into two halves, with the first half's array values in one file and the second half's in another. </li> <li> Offline/Online on Small Dataset: Here, you'll find files related to both offline and online compression of a small dataset, roughly 100KB in size, extracted from the example CMS dataset provided by Baler. </li> <li> Modifications of Small Dataset: This section comprises variations of the small dataset, including both normalized and un-normalized datasets. </li> <li> Materials: This folder includes fundamental papers and summaries to enhance your understanding of the project. </li> <li> HiDA: Within this directory, you'll find a printed webpage from the HiDA program. </li> </ol>

opencc-by-4.0Oct 2023View details →

Datasets and Supporting Materials for the IPIN 2023 Competition Track 4 (Foot-Mounted IMU based Positioning, offsite-online)

This package contains the datasets and supplementary materials  used in the IPIN 2023 Competition. Contents: - IPIN2023_Track4_CallForCompetition_v2.2.pdf: Call for competition including the technical annex describing the competition - 01-Logfiles: This folder contains 2 files for each Trials (Testing, Scoring01, Scoring02)            - IPIN2023_T4_xxx.txt : data file containing ACCE, ROTA, MAGN, PRES, TEMP, GSBS, GOBS, POSI frames            - IPIN2023_T4_xxx_gnss_ephem.nav : for trajectory estimation.             - 02-Supplementary_Materials: This folder contains the datasheet files of the different sensors, a static logfile of about 12 hours that can be used for sensors bias estimation (Allan Variance) and a logfile of about 1 minute that can be used to calibrate the magnetometer sensor (Magnetometer Calibration). - 03-Evaluation: This folder contains the scripts used to calculate the competition metric, the 75th percentile on all evaluation points. It requires Matlab Mapping Toolbox. We also provide ground truth of the 2 scoring trials as 2 MAT and KML files. It contains samples of reported estimations and the corresponding results. Just run script_Eval_IPIN2023.mat We provide additional information on the competition at: https://evaal.aaloa.org/2023/call-for-competition   Citation Policy: Please, cite the following works when using the datasets included in this package: Ortiz, M.; Zhu, N.; Ziyou L. ; Renaudin, V. Datasets and Supporting Materials for the IPIN 2023 Competition Track 4 (Foot-Mounted IMU based Positioning, offsite-online), Zenodo 2023 <a href="https://doi.org/10.5281/zenodo.8399764">https://doi.org/10.5281/zenodo.8399764</a> Check the citation policy at: <a href="https://doi.org/10.5281/zenodo.8399764">https://doi.org/10.5281/zenodo.8399764</a>   Contact: For any further questions about the database and this competition track, please contact:     Miguel Ortiz (<a href="mailto:miguel.ortiz@univ-eiffel.fr">miguel.ortiz@univ-eiffel.fr</a>) at the University Gustave Eiffel, France.     Ni Zhu (<a href="mailto:ni.zhu@univ-eiffel.fr">ni.zhu@univ-eiffel.fr</a>) at the University Gustave Eiffel, France.   Acknowledgements: We thank Maximilian Stahlke and Christopher Mutschler at Fraunhofer ISS, as well as Joaquín Torres-Sospedra from Universidade do Minho and Francesco Potortì and Antonino Crivello from ISTI-CNR Pisa, for their support in collecting the datasets. We extend our appreciation to the staff at the Museum for Industrial Culture (Museum Industriekultur) for their unwavering patience and invaluable support throughout our collection days.

opencc-by-4.0Sep 2022View details →

Short Online Reviews, and Movie Information from Douban(covering 224 movies released in China)

This dataset contains 3 part: <table> <tbody> <tr> <th>Filename (3 files)</th> <th>Size</th> <th>Description </th> </tr> <tr> <td>douban.movies.json</td> <td>147 kB</td> <td>Movie information from Douban, including a movie's Douban ID, name, rating, staff list, release time, type, box office result, ratings, and amount of official reports mentioned it.</td> </tr> <tr> <td>index.json</td> <td>123 kB</td> <td>The index mentioned in the paper.</td> </tr> <tr> <td>original_comments.json</td> <td>46 MB</td> <td>Original Chinese reviews, including release time and "useful" count until Sept, 2022.</td> </tr> </tbody> </table>

"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19

"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17

"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18

"The sound comes from a meadow in the Sierra Nevada Mountains in California. The meadow is at an elevation of 2400 meters near a mountain named Olancha Peak, which is 3700 meters in altitude. Ihave a group of friends with which Ibackpack (trek) into the mountains. Our goal was to spend some time in the mountains and hike to the top of Olancha Peak (…) By the time we reached the meadow, we were in a forest and there was still snow on the ground in some places. We took the trip in June of 2006. The Sierra Nevada Mountains are a large mountain range. Much of the range is protected by national parks or preserved areas we call 'wilderness areas' (…) Ihave been backpacking for nearly 40 years and Iwill hopefully continue with this challenging activity for 40 years more! Many of my friends are much younger than Iam and it gives me much satisfaction to be able to have as much or more stamina for this activity than they have! When we are on these trips, we hike up peaks, catch fish, drink some whiskey around campfires and enjoy our time in the beautiful solitude. My memories of this trip were of the steep, hot hike from the desert to the cool meadow; the overall beauty of the nature, the absolute solitude of our campsite near the meadow; the strenuous hike to the top of Olancha Peak; the camaraderie of my friends; and, of course the sound of the frogs in the meadow. The frog sounds were astounding to me and Iwould listen in awe of the creature's instinctual desire to reproduce and continue the existence of their kind. Surely there were different species in the meadow for some of the frog sounds were different than others. The sounds only occurred after the Sun went down for the evening. Istood next to the creek in the meadow and recorded the sounds using my digital camera." [Peter/plentz1960]16 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"The sound comes from a meadow in the Sierra Nevada Mountains in California. The meadow is at an elevation of 2400 meters near a mountain named Olancha Peak, which is 3700 meters in altitude. Ihave a group of friends with which Ibackpack (trek) into the mountains. Our goal was to spend some time in the mountains and hike to the top of Olancha Peak (…) By the time we reached the meadow, we were in a forest and there was still snow on the ground in some places. We took the trip in June of 2006. The Sierra Nevada Mountains are a large mountain range. Much of the range is protected by national parks or preserved areas we call 'wilderness areas' (…) Ihave been backpacking for nearly 40 years and Iwill hopefully continue with this challenging activity for 40 years more! Many of my friends are much younger than Iam and it gives me much satisfaction to be able to have as much or more stamina for this activity than they have! When we are on these trips, we hike up peaks, catch fish, drink some whiskey around campfires and enjoy our time in the beautiful solitude. My memories of this trip were of the steep, hot hike from the desert to the cool meadow; the overall beauty of the nature, the absolute solitude of our campsite near the meadow; the strenuous hike to the top of Olancha Peak; the camaraderie of my friends; and, of course the sound of the frogs in the meadow. The frog sounds were astounding to me and Iwould listen in awe of the creature's instinctual desire to reproduce and continue the existence of their kind. Surely there were different species in the meadow for some of the frog sounds were different than others. The sounds only occurred after the Sun went down for the evening. Istood next to the creek in the meadow and recorded the sounds using my digital camera." [Peter/plentz1960]16

"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15

"I was on vacation in Mala, living in a self-catering holiday cottage, together with my girlfriend (we're together for 11 years now), recovering from a heavy workload in the second half of 2008. We were sitting outside, probably sipping a beer, when we heard the sound of bells approaching. Stepping on the stones that enclose the little forecourt of the cottage, we could just see the goat herd being driven by. Idashed for my R09 (recording equipment) to get that impression – but too slowly too late, it seemed, the herd had disappeared and with it the sound. When Iwas about to pack my R09 again the sound appeared to come back, so Idashed down the driveway, just in time to see the herd pass, and then Ifollowed it a couple of hundred meters, walking behind the herd, trying not to breathe or make stepping sounds, eventually, when dogs started barking and a car approached from behind, I stopped and let the goats go on, the car passes, honks ... and Icut the recording and walk back to the cottage." [Peter/ptroxler]13 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"I was on vacation in Mala, living in a self-catering holiday cottage, together with my girlfriend (we're together for 11 years now), recovering from a heavy workload in the second half of 2008. We were sitting outside, probably sipping a beer, when we heard the sound of bells approaching. Stepping on the stones that enclose the little forecourt of the cottage, we could just see the goat herd being driven by. Idashed for my R09 (recording equipment) to get that impression – but too slowly too late, it seemed, the herd had disappeared and with it the sound. When Iwas about to pack my R09 again the sound appeared to come back, so Idashed down the driveway, just in time to see the herd pass, and then Ifollowed it a couple of hundred meters, walking behind the herd, trying not to breathe or make stepping sounds, eventually, when dogs started barking and a car approached from behind, I stopped and let the goats go on, the car passes, honks ... and Icut the recording and walk back to the cottage." [Peter/ptroxler]13

"The place where Idid record the sound "saunan lämmitys" is our family's summerhouse. My father bought it year 1955. He was born nearby in Virojoki village in 1911 and passed away in 2003. As you know Sauna a is very relaxing and important thing to Finns. We like the warm and silence of sauna atmosphere and heating the sauna is almost religious to us. For me it is remembering moments Ispent with my dead father and other relatives. Iam 56 years old internist and living 600 km away from that place but still I visit there for about 2 months yearly." [Timo/timofei]14 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"The place where Idid record the sound "saunan lämmitys" is our family's summerhouse. My father bought it year 1955. He was born nearby in Virojoki village in 1911 and passed away in 2003. As you know Sauna a is very relaxing and important thing to Finns. We like the warm and silence of sauna atmosphere and heating the sauna is almost religious to us. For me it is remembering moments Ispent with my dead father and other relatives. Iam 56 years old internist and living 600 km away from that place but still I visit there for about 2 months yearly." [Timo/timofei]14

"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice

"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12

Impact of Online Ordering on Low-Income Adults' Food Security in Online Food Pantry Settings

ClinicalTrials.gov study NCT05752721. IPD Sharing: YES. Countries: 1. Publications: 1.

Online Food and Beverage Labels and Vending Machine Selections

ClinicalTrials.gov study NCT05432271. IPD Sharing: YES. Countries: 1. Publications: 1.

closedIPD-NOFeb 2026View details →

Evaluation Study of the Online High School Media Aware Program

ClinicalTrials.gov study NCT04035694. IPD Sharing: NO. Countries: 1. Publications: 1.

Sleep Goal-focused Online Access to Lifestyle Support

ClinicalTrials.gov study NCT05942326. IPD Sharing: YES. Countries: 1. Publications: 1.

Pilot Study of Peer-Supported Online Problem-Solving Program

ClinicalTrials.gov study NCT03555435. IPD Sharing: YES. Countries: 1. Publications: 1.