Find research datasets worth reusing
Search datasets from major research repositories and use ShareScore to quickly assess how well each record supports discovery, access, and reuse.
80
datasets available to search
ShareScore release 0.9.0
Dataset results
80 results for “Opera”
Gli itinerari del sapere. Università e cultura nell'opera di Giovanni Botero
<p>Come Erasmo da Rotterdam, pur se in decenni più tardi e già molto diversi per la storia europea, anche Giovanni Botero, l'autore della <em>Ragion di stato</em> (1589), ebbe una formazione giovanile itinerante e visse la maturità in costante contatto con i principali poli culturali della penisola italiana: Roma, Milano e Torino in particolare. È evidente che egli, prima come aderente alla Compagnia di Gesù, quindi come abate e uomo di chiesa, acquisì le sue cognizioni per lo più al di fuori del circuito universitario; tuttavia non ne fu estraneo, sia per i numerosi contatti italiani ed europei, sia per l’attenzione al dato dell’istruzione che attraversa i suoi scritti.</p> <p>In questa presentazione, si focalizzerà l’attenzione sui riferimenti al mondo universitario e culturale sparsi da Botero nella sua opera più ambiziosa, le <em>Relazioni universali</em> (I ed. 1591). La presenza di università (di solito definite come ‘Studi’) nei maggiori centri urbani dell’Europa e del mondo di fine Cinquecento è infatti uno dei fattori di sviluppo posti in luce a proposito della prosperità di un paese e di un popolo.</p>
OPERA PROTEUS DSWx-HLS S.30 test dataset over Louisina and Mississipi
<p>This dataset is part of the PROTEUS - Parallelized Radar Optical Toolbox for Estimating dynamic sUrface water extentS software developed by Observational Products for End-Users from Remote Sensing Analysis (OPERA) project algorithm development team (ADT).</p> <p>It includes a subset of a Harmonized Landsat Sentinel-2 (HLS) product collected by the Sentinel-2 MSI instrument over Louisiana and Mississippi states (USA) on September 7, 2021, and the expected output DSWx-HLS product for testing PROTEUS Digital Surface Water eXtent from HLS (DSWx-HLS) workflow. The PROTEUS software is publicly available at:</p> <p>https://github.com/opera-adt/PROTEUS</p> <p><strong>License</strong></p> <p>Copyright (c) 2021 California Institute of Technology (“Caltech”). U.S. Government sponsorship acknowledged.</p> <p>All rights reserved.</p> <p>Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:</p> <ul> <li>Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.</li> <li>Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.</li> <li>Neither the name of Caltech nor its operating division, the Jet Propulsion Laboratory, nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.</li> </ul> <p>THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.</p>
18th century bench from Hungarian Opera House 2
This is a really special piece of furniture from the Hungarian State Opera House. This piece is from the waiting hall of the royal lodge. Source: Objaverse 1.0 / Sketchfab
18th century chair from Hungarian Opera House
This is a really special piece of furniture from the Hungarian State Opera House. This piece is from the waiting hall of the royal lodge. Source: Objaverse 1.0 / Sketchfab
an On-demand Program to EmpoweR Active Self-management (OPERAS)
ClinicalTrials.gov study NCT03404245. IPD Sharing: NO. Countries: 1. Publications: 2.
Five-years of ocrelizumab in relapsing multiple sclerosis: OPERA studies open-label extension
Open the record for dataset details and reuse information.
Tempo Data from Broadcast Performances of Giacomo Puccini's Turandot at the Metropolitan Opera, 1961 – 2009
<p>The works of well-known composers active as recording technology developed and as the recording industry emerged thus make ideal case studies. Giacomo Puccini is uniquely suited to a study of tradition through technological means: he has perhaps the best-documented relationship to advances in technology and the resulting shift in entertainment aesthetics of any composer of this era. Of his twelve operas, <i>Turandot</i> is the only major work whose premiere post-dates the advent of electronically captured and controlled sound recording, and thus position at the crossroads of technical practices and social aesthetics stemming from technological conditions in multimedia entertainment in the 1920s.</p> <p>Of the major opera houses in the world, New York's Metropolitan Opera has perhaps the most comprehensively documented performance history. The launch of "The Metropolitan Opera Archives" online with open access in 2005 made it the most accessible source of information for operatic performing history in any opera house in the world. By making this information publicly and readily available, the Met made significant strides in democratizing opera in a way similar to what recordings had done nearly a century earlier. With this new tool, fans now had the ability to deepen their learning and, because of this, their enjoyment of opera at the Met. Thus, by extending the social activity of learning about opera audiences to the digital (and therefore widely accessible) realm, the Met sought to thrust itself into the forefront of the operatic social sphere in addition to its broadcast offerings. Many recordings of these transmissions are available online through The Metropolitan Opera On Demand, while the Rodgers and Hammerstein Archive of Recorded Sound at the New York Public Library serves as the official repository for hard and digital copy recordings of the broadcasts.</p> <p>Within this opera, six moments are most appropriate for examination for both practical and dramaturgical reasons. Arias in Puccini's operas offer dramatic pauses for characters; they are moments of emotional exposition, or the result of reflecting on surrounding events. Both of these types of arias occur in <i>Turandot</i>. Liù's first aria, "Signore, ascolta!", exhibits both functions, as she reacts emotionally to Calaf's stated intent to answer <i>Turandot</i>'s riddles. Calaf's response, "Non piangere, Liù," gives him the opportunity to respond tenderly to Liù, and show concern for his father, Timur<i>, </i>by requesting she remain if the prince surrenders his life. Turandot's entrance aria (in Act II), "In questa reggia," recounts the reasons for her riddles and brutality – her desire for vengeance on behalf of her ancestress Lou-o-Ling. "Nessun dorma!" is Calaf's reflection on Turandot's commandment that no one in the realm shall sleep until she knows his name and shows his resolve in conquering the princess. Liù's suicide aria, "Tu che di gel sei cinta," reveals both her crumbling determination under the duress of torture and her desire for Calaf to win the hand of Turandot. In addition to these arias, one other moment of musical practicality and dramaturgical significance merit consideration for its performance traditions: the dramatic climax of acts II. In Act II's "Riddle scene," where Turandot poses each of her three riddles and Calaf successfully answers them, fermatas precede the statement of each riddle and Calaf's response to the first and third. The time performers devote to observing these fermatas in relationship to the surrounding musical fabric can indicate varying degrees of gravity, levity, or expediency as the opera's second dramatic conflict emerges from the resolution of its first.</p>
Opera Graslin - Nantes
Par Johan Boulay Source: Objaverse 1.0 / Sketchfab
Opera Graeca Adnotata
<p>This repository contains the <strong>largest</strong> multilayer corpus for Ancient Greek, <strong>Opera Graeca Adnotata </strong>(1,999 base texts/files and 40M+ tokens). The corpus can be queried by word form, lemma, author, work title, CTS URN, passage, work date, morphosyntax, and IPA transcription. For more information, read the README.md file accompanying the corpus.</p>
Firenze, Museo dell'Opera del Duomo. Stendardo processionale di Sant'Agata.
<p>Processional icon with St. Agatha. Firenze, Museo dell'Opera del Duomo, <em>circa</em> 1290.</p>
OPERA - Incorporating Robotic Surgery in Both Mastectomy and DIEP Flap Reconstruction
ClinicalTrials.gov study NCT06415526. IPD Sharing: NO. Countries: 1. Publications: 1.
Reducing HIV Risk in Urban Women: Soap Opera Videos on Video-Capable Cell Phones
ClinicalTrials.gov study NCT03330522. IPD Sharing: UNDECIDED. Countries: 1. Publications: 2.
Optiflow® to Prevent Post-Extubation Hypoxemia afteR Abdominal Surgery (the OPERA Trial)
ClinicalTrials.gov study NCT01887015. IPD Sharing: Not stated. Countries: 1. Publications: 2.
OPErA Orchestral Posture Egonomic Assessment
ClinicalTrials.gov study NCT06758349. IPD Sharing: NO. Countries: 1. Publications: 5.
Evaluating the Safety and Efficacy of Drug-Coated Autoperfusion Balloons Versus Conventional Drug-Coated Balloons Guided by IVUS-OCT Multimodal Imaging for Treating Acute Myocardial Infarction: OPERA-
ClinicalTrials.gov study NCT06794801. IPD Sharing: YES. Countries: 1. Publications: 19.
Tempo Data from Broadcast Performances of Giacomo Puccini’s Turandot at the Metropolitan Opera, 1961 – 2009
Open the record for dataset details and reuse information.
Anechoic recordings of Italian opera
<p>Multi-track recording of three opera excerpts:<br> G.Donizetti: “Come Paride vezzoso” from Elisir d'amore (Baritone, Choir and orchestra)<br> G. Verdi: “Di tale amor, che dirsi” from Il Trovatore (Soprano and orchestra)<br> G. Puccini: “Oh Mio Babbino Caro” from Gianni Schicchi (Soprano and orchestra)</p> <p> </p>
Opera streaming: perceived value as an explanatory factor for loyalty and intention to attend an opera in an opera house
<p>We tested our hypotheses with a questionnaire. This questionnaire was administered electronically, in three languages (French, English and German), to viewers of two major opera streaming platforms: <i>Staatsoperlive.com</i><a href="https://www.tandfonline.com/doi/full/10.1080/0267257X.2022.2105936#">Footnote2</a> and <i>Operavision</i>.<a href="https://www.tandfonline.com/doi/full/10.1080/0267257X.2022.2105936#">Footnote3</a> <i>Staatsoperlive.com</i> was the paid streaming service offered by the Vienna State Opera, launched in 2013. It broadcasted 50 live operas in HD every season, which made it the virtual opera house with the largest repertoire in the world. The platform also offered a video library of some 30 operas and its content was reviewed every month. The number of viewers for a live streamed performance was equivalent to a capacity audience at the Vienna State Opera. Viewers could access the service through a subscription or packages. They could also buy single live performances or videos on demand. <i>Operavision</i> is the digital platform of the European opera association, Opera Europa. It is the major stakeholder of free opera streaming. It broadcasts operas – mostly live – from its more than 25 partner opera houses, on its website and on YouTube. More than 40 operas per season are available for replay for several weeks or months. During a live broadcast, <i>Operavision</i> viewers can interact by taking part in a chat available on YouTube.</p><p>The links to the questionnaires were sent in the newsletters of both institutions. 213 responses were collected (153 for <i>Staatsoperlive.com</i> and 60 for <i>Operavision</i>). 60% of the surveyed people are men. The respondents are usually older and predominantly highly educated, as it is the case of the 'in-situ' opera audience (Agid & Tarondeau, <a href="https://www.tandfonline.com/doi/full/10.1080/0267257X.2022.2105936#">Citation2010</a>). 62% are over 60 years of age and 58% of them hold at least a bachelor's degree, while only 8% did not complete secondary education. Besides, more than half of the sample (56%) have taken music or singing lessons. On another level, a substantial majority of the respondents, three quarters of which watched the streamed performance alone, enjoy opera frequently; like the spectators of Live HD operas in cinemas as Villanueva Benito and Lacasa-Mas (<a href="https://www.tandfonline.com/doi/full/10.1080/0267257X.2022.2105936#">Citation2017</a>) detected and analysed. In all of the channels we considered, almost three quarters of respondents (73%) enjoy watching at least one opera per month and half of them enjoy more than 20 operas per year. The surveyed viewers are regular streamed opera patrons, since 60% of them watch an opera at least every two months. They are also mostly opera houses customers (92%): more than half of the sample (54%) attends more than 5 operas in a theatre each year</p>
MUSIQIY KOPOZITSION TENDANTSIYALARNING TARIXIY JARAYONLARDA NAMOYON BO'LISHI (OPERA VA BALET MISOLIDA)
Open the record for dataset details and reuse information.
Opera phenix - small data set example
<p>Opera phenix - small data set example</p>
ScienceDex guides
Understand access before you commit
These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.