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63 results for “S, Francesco”
Marco Antonio di Francesco Linarolo (l2240)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Marco Antonio di Francesco Linarolo<br><u>musiXplora-ID</u>: l2240<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/l2240">https://musixplora.de/mxp/l2240</a><br><u>Gender</u>: m<br><u>Date of Birth</u>: 1548<br><u>Place of Birth</u>: Undefined<br><u>Date of Death</u>: 1586<br><u>Place of Death</u>: Undefined<br><u>First Mentioned</u>: 1573<br><u>Sectors</u>: Instrumentenbau<br><u>Professions (Musical)</u>: Geigenbauer<br><u>Other Places of Activity</u>: Venedig<br><br><br><u>Herkunftsfamilie:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Eltern</td><td>Sohn</td><td>Francesco Linarolo</td><td><a href="https://musixplora.de/mxp/l2239">l2239</a></td></tr><tr><td>Geschwister</td><td>Bruder</td><td>Ventura Linarol</td><td><a href="https://musixplora.de/mxp/l1559">l1559</a></td></tr></tbody></table><br><u>Institutionen:</u><br><table><tbody><tr><th>Role</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Familie Linarol</td><td><a href="https://musixplora.de/mxp/3030949">3030949</a></td></tr></tbody></table><br><u>Titel/Medien:</u><br><table><tbody><tr><th>Role</th><th>Sigel</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Pio 2011</td><td>Viol & lute makers. Liuteria Veneziana. Venice 1490–1630</td><td><a href="https://musixplora.de/mxp/5020594">5020594</a></td></tr></tbody></table><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Francesco Linarolo (l2239)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Francesco Linarolo<br><u>musiXplora-ID</u>: l2239<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/l2239">https://musixplora.de/mxp/l2239</a><br><u>Gender</u>: m<br><u>Date of Birth</u>: 1502<br><u>Place of Birth</u>: Undefined<br><u>Date of Death</u>: 1567<br><u>Place of Death</u>: Undefined<br><u>First Mentioned</u>: 1527<br><u>Sectors</u>: Instrumentenbau<br><u>Professions (Musical)</u>: Geigenbauer<br><u>Other Places of Activity</u>: Venedig<br><br><br><u>Herkunftsfamilie:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Eltern</td><td>Vater</td><td>Ventura Linarol</td><td><a href="https://musixplora.de/mxp/l1559">l1559</a></td></tr><tr><td>Eltern</td><td>Vater</td><td>Marco Antonio di Francesco Linarolo</td><td><a href="https://musixplora.de/mxp/l2240">l2240</a></td></tr></tbody></table><br><u>Institutionen:</u><br><table><tbody><tr><th>Role</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Familie Linarol</td><td><a href="https://musixplora.de/mxp/3030949">3030949</a></td></tr></tbody></table><br><u>Titel/Medien:</u><br><table><tbody><tr><th>Role</th><th>Sigel</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Lütgendorff 1922</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. 2 Bände. Lüt2</td><td><a href="https://musixplora.de/mxp/5002059">5002059</a></td></tr><tr><td>Related</td><td>Lütgendorff 1990</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. Teil 3: Ergänzungsband. Erstellt von Thomas Drescher. Lüt3</td><td><a href="https://musixplora.de/mxp/5002060">5002060</a></td></tr><tr><td>Related</td><td>Pio 2011</td><td>Viol & lute makers. Liuteria Veneziana. Venice 1490–1630</td><td><a href="https://musixplora.de/mxp/5020594">5020594</a></td></tr></tbody></table><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Francesco Guadagnini (g2403)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Francesco Guadagnini<br><u>musiXplora-ID</u>: g2403<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/g2403">https://musixplora.de/mxp/g2403</a><br><u>Gender</u>: m<br><u>Date of Birth</u>: 1863<br><u>Place of Birth</u>: Turin<br><u>Date of Death</u>: 15 December 1948<br><u>Place of Death</u>: Turin<br><u>First Mentioned</u>: 1889<br><u>Sectors</u>: Geigenbau<br><u>Professions (Musical)</u>: Geigenbauer<br><u>Main Place of Activity</u>: Turin<br><br><br><u>Herkunftsfamilie:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Eltern</td><td>Sohn</td><td>Antonio Guadagnini</td><td><a href="https://musixplora.de/mxp/g2402">g2402</a></td></tr><tr><td>Großeltern</td><td>Enkelsohn</td><td>Gaetano Guadagnini</td><td><a href="https://musixplora.de/mxp/g2401">g2401</a></td></tr></tbody></table><br><u>Ausbildung:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>LehrerInnen und AusbilderInnen</td><td>Schüler</td><td>Antonio Guadagnini</td><td><a href="https://musixplora.de/mxp/g2402">g2402</a></td></tr></tbody></table><br><u>Portfolio:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Sortimente</td><td>Sortiment</td><td>Geige</td><td><a href="https://musixplora.de/mxp/2001463">2001463</a></td></tr></tbody></table><br><u>Titel/Medien:</u><br><table><tbody><tr><th>Role</th><th>Sigel</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Lütgendorff 1922</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. 2 Bände. Lüt2</td><td><a href="https://musixplora.de/mxp/5002059">5002059</a></td></tr><tr><td>Related</td><td>Lütgendorff 1990</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. Teil 3: Ergänzungsband. Erstellt von Thomas Drescher. Lüt3</td><td><a href="https://musixplora.de/mxp/5002060">5002060</a></td></tr></tbody></table><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Francesco Grancino (g2383)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Francesco Grancino<br><u>musiXplora-ID</u>: g2383<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/g2383">https://musixplora.de/mxp/g2383</a><br><u>Gender</u>: m<br><u>Confessions</u>: römisch-katholisch<br><u>First Mentioned</u>: 1660<br><u>Sectors</u>: Geigenbau<br><u>Professions (Musical)</u>: Geigenbauer<br><u>Other Places of Activity</u>: Mailand<br><br><br><u>Herkunftsfamilie:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Eltern</td><td>Sohn</td><td>Andrea Grancino</td><td><a href="https://musixplora.de/mxp/g2382">g2382</a></td></tr><tr><td>Geschwister</td><td>Bruder</td><td>Giovanni Battista Grancino</td><td><a href="https://musixplora.de/mxp/g1937">g1937</a></td></tr></tbody></table><br><u>Institutionen:</u><br><table><tbody><tr><th>Role</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Werkstatt Grancino</td><td><a href="https://musixplora.de/mxp/3030701">3030701</a></td></tr></tbody></table><br><u>Titel/Medien:</u><br><table><tbody><tr><th>Role</th><th>Sigel</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Lütgendorff 1990</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. Teil 3: Ergänzungsband. Erstellt von Thomas Drescher. Lüt3</td><td><a href="https://musixplora.de/mxp/5002060">5002060</a></td></tr></tbody></table><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Francesco Grancino (g2386)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Francesco Grancino<br><u>musiXplora-ID</u>: g2386<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/g2386">https://musixplora.de/mxp/g2386</a><br><u>Gender</u>: m<br><u>Confessions</u>: römisch-katholisch<br><u>Date of Birth</u>: 1670<br><u>Place of Birth</u>: Undefined<br><u>Date of Death</u>: 1746<br><u>Place of Death</u>: Undefined<br><u>First Mentioned</u>: 1697<br><u>Last Mentioned</u>: 1737<br><u>Sectors</u>: Geigenbau<br><u>Professions (Musical)</u>: Geigenbauer<br><u>Other Places of Activity</u>: Mailand<br><br><br><u>Herkunftsfamilie:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Eltern</td><td>Sohn</td><td>Giovanni Battista Grancino</td><td><a href="https://musixplora.de/mxp/g2384">g2384</a></td></tr><tr><td>Geschwister</td><td>Bruder</td><td>Giovanni Battista Grancino</td><td><a href="https://musixplora.de/mxp/g2385">g2385</a></td></tr></tbody></table><br><u>Arbeitsumfeld:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>VorgängerInnen</td><td>Vorgänger</td><td>Ferdinando Alberti</td><td><a href="https://musixplora.de/mxp/a1395">a1395</a></td></tr></tbody></table><br><u>Portfolio:</u><br><table><tbody><tr><th>Group</th><th>Role</th><th>Name</th><th>mXp-ID</th></tr><tr><td>Sortimente</td><td>Sortiment</td><td>Kontrabass</td><td><a href="https://musixplora.de/mxp/2001461">2001461</a></td></tr><tr><td>Sortimente</td><td>Sortiment</td><td>Violoncello</td><td><a href="https://musixplora.de/mxp/2001634">2001634</a></td></tr></tbody></table><br><u>Institutionen:</u><br><table><tbody><tr><th>Role</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Werkstatt Grancino</td><td><a href="https://musixplora.de/mxp/3030701">3030701</a></td></tr></tbody></table><br><u>Titel/Medien:</u><br><table><tbody><tr><th>Role</th><th>Sigel</th><th>Title</th><th>mXp-ID</th></tr><tr><td>Related</td><td>Lütgendorff 1922</td><td>Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart. 2 Bände. Lüt2</td><td><a href="https://musixplora.de/mxp/5002059">5002059</a></td></tr></tbody></table><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Francesco Faini (f1965)
<b>-- <a href="https://doi.org/10.5281/zenodo.11582199">Documentation</a> --</b><br><br><u>Name</u>: Francesco Faini<br><u>musiXplora-ID</u>: f1965<br><u>musiXplora-URI</u>: <a href="https://musixplora.de/mxp/f1965">https://musixplora.de/mxp/f1965</a><br><u>Gender</u>: m<br><u>First Mentioned</u>: 1791<br><u>Sectors</u>: Instrumentenbau<br><u>Professions (Historical)</u>: Cembalobauer<br><u>Professions (Musical)</u>: Tasteninstrumentenhersteller<br><u>Other Places of Activity</u>: Florenz<br><br><br><br><u>Changelog</u>:<br> - v0.0.1: Initial Upload.<br>
Lista delle fonti note per le opere di Francesco Pollini (1762–1846)
<p>La presente lista elenca tutte le fonti attualmente note per le composizioni di Francesco Pollini, manoscritte o a stampa, fino all'anno 1900 circa. Si tratta di un lavoro preparatorio per il progetto di un catalogo tematico in rete, elaborato all'interno del progetto <a href="https://www.hkb-interpretation.ch/projekte/francesco-pollini-and-the-early-italian-piano-tradition">Francesco Pollini and the early Italian piano tradition</a> sostenuto dal Fondo Nazionale Svizzero presso l'istituto interpretazione della Hochschule der Künste Bern (2019–2022). I dati raccolti sono frutto della ricerca della intera équipe, composta da Sara Andreacchio, Claudio Bacciagaluppi, Gigliola Di Grazia e Leonardo Miucci.</p> <p>Si prega di osservare le seguenti note per la consultazione.</p> <ul> <li>Nella colonna <strong>Tipologia</strong> le fonti sono classificate con COL (collezioni miscellanee a stampa), EDT (edizioni a stampa), MSR (manoscritti autografi o copie) e NNN (opere perdute o non identificate). Per le opere a stampa si riportano tutti gli esemplari noti delle prime edizioni. Di eventuali successive edizioni ottocentesche si riportano invece gli estremi bibliografici e la collocazione di un solo esemplare scelto come copia di riferimento.</li> <li>Sotto <strong>N. opus</strong> si trova l'eventuale numero d'opera, che Pollini ha attribuito a molte delle sue pubblicazioni. Sono rari i casi di numerazioni non originali oppure di ristampe che non riportino il numero d'opera corretto. In caso di simili divergenze si omette il numero non originale o si aggiunge il numero d'opera mancante.</li> <li>La colonna <strong>Titolo breve</strong> riporta una versione abbreviata del titolo, ma non si tratta di un titolo standardizzato secondo regole precise.</li> <li>L'<strong>editore</strong> è indicato soltanto per le fonti pubblicate a stampa, per i manoscritti il campo rimane vuoto.</li> <li>Nel campo <strong>Data</strong> è indicata la data accertata, approssimativa (es. 1807c), o il termine <em>ante </em>o <em>post quem</em> (es. 1805a, 1821p) di una specifica fonte (non della composizione).</li> <li>Nella colonna <strong>Biblioteca</strong> si utilizzano le sigle convenzionali RISM, eccetto alcuni casi dove una sigla non è (attualmente) attribuita.</li> <li>Sotto <strong>Segnatura</strong> l'informazione sulla collocazione è aggiornata al 2023.</li> <li>Nelle tre colonne <strong>RISM</strong>, <strong>SBN</strong> e <strong>Altri cataloghi</strong> sono riportati i link (ove possibile, permalink) alle schede bibliografiche delle fonti nei vari cataloghi in rete.</li> <li>Segue un campo di <strong>Note</strong> libere.</li> <li>La <strong>tonalità</strong> è indicata soltanto per le fonti di composizioni prive di data.</li> <li>Per finire nel campo <strong>FPC</strong> (Francesco Pollini - catalogo) è indicato il numero di catalogo della composizione contenuta in ciascuna fonte. Il numero di catalogo si compone di una lettera e di un numero. Le lettere indicano la tipologia delle opere:<br> A. composizioni per pianoforte<br> B. altre composizioni strumentali<br> C. composizioni vocali da camera<br> D. composizioni vocali-orchestrali<br> E. musica sacra<br> F. opere didattiche<br> G. opere perdute, arrangiamenti da parte di Pollini di opere altrui e arrangiamenti da parte di terzi di composizioni polliniane.<br> Il numero è progressivo e segue un ordinamento per data e, se questa è sconosciuta, per tonalità (salendo per gradi da Do maggiore).</li> </ul> <p>Trattandosi di un documento di lavoro è inevitabile la presenza di errori o incompletezze. Gli autori sono grati per ogni segnalazione. </p>
Busto Francesco Milizia
Francesco Milizia bust. Pictures taken in Lecce and edited with Metashape and Cinema 4D Source: Objaverse 1.0 / Sketchfab
Fig. 5. – Sheet number 39 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 5. – Sheet number 39 of the Cupani Herbarium containing one specimen of Rosa L. (Rosaceae).
Fig. 6. – Sheet number 17 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 6. – Sheet number 17 of the Cupani Herbarium.
Fig. 1 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 1. – Spine and inventory label of the Cupani Herbarium.
Fig. 3. – Sheet number 6 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 3. – Sheet number 6 of the Cupani Herbarium.
Fig. 4 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 4. – First page of the index of the Cupani Herbarium.
Fig. 7. – Sheet number 1 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 7. – Sheet number 1 of the Cupani Herbarium.
Fig. 2 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 2. – Title page of the Cupani Herbarium.
Meet our researchers: Francesco La Via
<p>This video is part of the "Meet our reserachers" series that aims to introduce the researchers involved in the SiC nano for PicoGeo project. In the video we introduce the project coordinator, Dr. Francesco La Via from CNR-IMM. </p>
Statua di Francesco Gonzaga
Statua in marmo, raffigurante il principe Francesco Gonzaga (1577-1616), attualmente conservata all'interno del Palazzo Bondoni Pastorio a Castiglione delle Stiviere. Source: Objaverse 1.0 / Sketchfab
Firenze, Basilica di Santa Croce. Vita di S, Francesco.
<p>Firenze, Basilica di Santa Croce. Vita di S, Francesco, detail. St. Francis preaching to muslims in the presence of the sultan.</p>
San Francesco - Sculpture
San Francesco di Assisi - Sculpture Location: Eremo di Val di Sasso - Fraz. Valleremita - Fabriano (AN) -Italy Source: Objaverse 1.0 / Sketchfab
Francesco Totti's mural in Rome, rione Monti
41.894153181876156, 12.490037456159824 Source: Objaverse 1.0 / Sketchfab
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