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70 results for “Venice”
Graffiti on Cement Barrier, Venice Beach, CA
Taken while up in Venice Beach. There's a bunch of these cement barriers with graffiti on them. I used the LiDar mode in Trnio Plus. Source: Objaverse 1.0 / Sketchfab
Portrait of Four Tetrarchs (Venice, Italy)
"The first context of the column is unknown (perhaps first in Nicomedia). In a second phase it was used in Constantinople, probably as statues of the sons of Constantine embracing one another and made of porphyry' mentioned in the ancient sources on a place called after them Philadelphion. A part of the missing foot has been found in 1965 in the excavations of the rotunda near the Myrelaion church in Istanbul. With the loot of the fourth crusade of 1204 the group came to Venice and was inserted into the facade of San Marco." (Citation: https://www.thebyzantinelegacy.com/tetrarchs ) Photographed using a GoPro Hero4 in clear conditions. Source: Objaverse 1.0 / Sketchfab
Lion of Venice
A imponent statue of Lion of Venice, founded in a little park in Padua. The back was little difficult to shot so i cut it out totally. Source: Objaverse 1.0 / Sketchfab
St Marks Crucifixion Mosaic (Venice, Italy)
"When thinking about Saint Mark's Basilica, the first images that come to the minds of many people are those of the mosaics and their golden backgrounds. More than 8000 square metres of mosaic cover the walls, vaults and cupolas of the Basilica. Essentially Byzantine in its architecture, the Basilica finds in the mosaics its natural integrating element. The mosaic decorations were developed through some 8 centuries of the Basilica's history ... In the Basilica's mosaics can be found the most significant evidence of Venice's history, the ambitions, faith, languages and trends characterizing the evolution of its art. From its Greek-Byzantine origins to the local artistic expressions and the skills to represent and interpret other outside influences, up to the modern, quite difficult art of preservation and restoration of these precious and complicated works." (Citation: http://www.basilicasanmarco.it/basilica/mosaici/?lang=en ) Photographed using a GoPro Hero4 in a clear and overcast setting. Source: Objaverse 1.0 / Sketchfab
Venice statue
Photogrammetry of a statue in Venice with 39 photos and 3DF Zephyr Free Source: Objaverse 1.0 / Sketchfab
Venice well 3D Scan Asset
3D scanned model of venetian well. Game ready asset. Used for project set in medieval/renaissance historical period. Photogrametry done in Venice 2021. Source: Objaverse 1.0 / Sketchfab
Drunkenness of Noah (Bridge of Sighs - Venice)
"... The medieval sculpture of the Drunkenness of Noah forms part of the south-eastern corner of the Palazzo Ducale and may be the work of Filippo Calendario (d. 1355), who was one of its architects. The placing of almost life-size figures (Adam and Eve are depicted on the south-western corner) on the corners of a building was without precedent, either in Venice or elsewhere... The sculpture cleverly uses the two sides of the corner to dramatise (with a little license) this aspect of the story. Noah is depicted drunk on one side, while two of his sons are depicted on the other. We see a hand slipping surreptitiously round the corner to cover up the father's nakedness." (Citation: https://www.picturesfromitaly.com/venice/palazzo-ducale-the-drunkenness-of-noah ) Photographed using a GoProHero4 in busy conditions. Source: Objaverse 1.0 / Sketchfab
Fascade Basilica di San Marco, Venice, Italy
Fascade Basilica di San Marco, Venice, Italy Photogrametry from 11 picture!(https://www.google.com/maps/@45.4340672,12.3391673,162m/data=!3m1!1e3?hl=cs-CZ) Source: Objaverse 1.0 / Sketchfab
Apprenticeship in Early Modern Venice - Supporting data and code
<p>A dataset of contracts of apprenticeship from early modern Venice, along with R code to analyse them. These were used for a chapter on Apprenticeship in Early Modern Venice for the CUP. This work is part of the Garzoni project: https://garzoni.hypotheses.org.</p>
Particle size distribution of polycyclic aromatic hydrocarbons in the city of Venice
<p>Polycyclic aromatic hydrocarbons (PAHs) are important air contaminants, especially in urban areas, characterised by large emissions by road traffic, industries, and domestic heating. In air, PAHs can partition between the gas and the particulate phase because of their relative low vapor pressure.</p> <p>Previous studies focusing on the PAHs size distribution evidenced that PAHs tend to accumulate in fine particles (Hien et al., 2007; Li et al., 2019; Ren et al., 2017). The size of particles where a contaminant is mainly located is a key information for estimating the impact to human health. In fact, the smaller the particles, the deeper they can penetrate the respiratory system: nanoparticles (<100 nm) are small enough to pass from the pulmonary epithelium to the circulation, causing more sever damages on human health, with respect to those caused by fine and coarse particles.</p> <p>Several works studied the size distribution of PAHs in aerosol, but most of them focused on a small number of dimensional classes. Since PAHs have been identified as probable or possible carcinogenic compounds, deepening the knowledge about their size distribution becomes essential.</p> <p>In this work the particulate size distribution of PAHs was measured in Autumn 2020 using a cascade impactor MOUDI 110, obtaining twelve different dimensional classes of particles.</p> <p>PAHs were mainly distributed in fine particles (PM<sub>1</sub>). They showed a bi- or tri-modal distribution, with peaks in the coarse, in the accumulation, and in the Aitken modes (Figure 1). Passing from low to high molecular weight PAHs, peaks in the coarse and accumulation mode progressively reduce, and the peak in the Aitken mode increases. The same behaviour has been previously observed (Lv et al., 2016; Ren et al., 2017; Wu et al., 2006).</p> <p>Rarely in previous works a peak of PAHs at particle dimensions so close to nanoparticles has been measured. This can be due to the variety of releasing sources, particle aging processes, and meteorological conditions occurring in different places or to the different dimensional resolution of the conducted measurements. </p> <p>This means that a thorough investigation of the dimensional distribution of carcinogenic compounds can shed light on their actual danger, which depends not only on their concentration, but also on the size distribution. These preliminary results will be soon integrated with further samples in different seasons.</p> <p>We thank Giada D’Errico for her help in the experimental activities (sampling and analysis).</p> <p> </p>
Saverjus Venice Saint
Venice Statue - Venice Huma 5ps Realigned Uu 2mdec Video to image to pointcloud to mesh. Captured by iPhone7S Filmed and created: 2019 Source: Objaverse 1.0 / Sketchfab
Data from: Linking water to the bottom: eDNA study of benthic invertebrates and invasive species in the Venice lagoon
Open the record for dataset details and reuse information.
Images to accompany "A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520" by Éamonn Ó Carragáin
<p>A set of photographs chosen to illustrate the article <em><a href="https://doi.org/10.1484/m.sem-eb.5.119636">A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520</a> (https://doi.org/10.1484/m.sem-eb.5.119636)</em> by Éamonn Ó Carragáin. The photographs were taken by Éamonn Ó Carragáin between May 2015 and May 2017 in the church of <a href="https://en.wikipedia.org/wiki/San_Giovanni_Grisostomo,_Venice">San Giovanni Crisostomo, Venice</a>, Italy. </p> <p><strong>File List</strong></p> <p><em>Note: The numbering of files matches the numbering of figures in the published article. There is no Figure 1.</em></p> <p>1. Filename: figure_02.jpg <br> <em>Figure 2. The Modonna Greca, legacy of Giacomo de’ Bernabò, d. 1438; below, altarpiece by Tullio Lombardo, inserted 1506. </em></p> <p>2. Filename: figure_03.jpg<br> <em>Figure 3. The Bernabò Chapel and altarpiece; Pulpit donated by Ludovico Talenti; Monument to Talenti.</em> </p> <p>3. Filename: figure_04.jpg <br> <em>Figure 4. View of the Bernabò Chapel.</em> </p> <p>4. Filename: figure_05.jpg<br> <em>Figure 5. High altar, and Sebastiano Luciani's altarpiece. Note its framing pillars, and the steps leading to the altar area: these are echoed by the pillar, and the steps, in the painting. </em></p> <p>5. Filename: figure_06.jpg<br> <em>Figure 6. Nave of San Giovanni Crisostomo, showing steps and tiled floor, both echoed in the altarpiece.</em> </p> <p>6. Filename: figure_07.jpg<br> <em>Figure 7. Diletti Chapel (viewed from the Bernabò Chapel), showing the light from the side windows.</em> </p> <p>7. Filename: figure_08.jpg <br> <em>Figure 8. Diletti Chapel, showing St Christopher and St Louis of Toulouse standing inside the painted chancel, and looking across the nave towards the Bernabò Chapel. </em></p> <p>8. Filename: figures_with_captions.pptx <br> <em>A Microsoft Powerpoint document showing each of the figures in order with their captions.</em></p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Metamauco, Site 2, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2014.06.20</p> <p>Sampling Site: Tegnùa Metamauco</p> <p>Site Coordinates: 45.213665 N; 12.39562 E (DEG WGS84)</p> <p>Seabed Depth: 21.9 m</p> <p>Biogenic reef elevation: 2.6 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Chioggia, Site 3, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2013.11.04</p> <p>Sampling Site: Tegnùa Chioggia</p> <p>Site Coordinates: 45.230715 N; 12.489398 E (DEG WGS84)</p> <p>Seabed Depth: 22.2 m</p> <p>Biogenic reef elevation: 1.5 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Delfino Bianco, Site 2, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2013.10.16</p> <p>Sampling Site: Tegnùa Delfino Bianco</p> <p>Site Coordinates: 45.205271 N; 12.405652 E (DEG WGS84)</p> <p>Seabed Depth: 21.8 m</p> <p>Biogenic reef elevation: 2.5 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Nautilus, Site 2, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2015.05.25</p> <p>Sampling Site: Tegnùa Nautilus</p> <p>Site Coordinates: 45.212341 N; 12.387133 E (DEG WGS84)</p> <p>Seabed Depth: 21 m</p> <p>Biogenic reef elevation: 2.8 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Mestre, Site 1, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2014.10.14</p> <p>Sampling Site: Tegnùa Mestre</p> <p>Site Coordinates: 45.211557 N; 12.344188 E (DEG WGS84)</p> <p>Seabed Depth: 21.4 m</p> <p>Biogenic reef elevation: 2.6 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Mestre, Site 2, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2016.06.13</p> <p>Sampling Site: Tegnùa Mestre</p> <p>Site Coordinates: 45.210826 N; 12.384378 E (DEG WGS84)</p> <p>Seabed Depth: 21.4 m</p> <p>Biogenic reef elevation: 2.6 m</p>
Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore: Tegnùa Chioggia, Site 1, Rock samples
<p>Rock samples</p> <p>Research Activity: Geology of the Northern Adriatic Biogenic Reefs</p> <p>Project: Stratigraphy and genesis of the Biogenic Reefs in the Venice offshore </p> <p>Scientific coordinators: Sandra Donnici (CNR) and Luigi Tosi (CNR)</p> <p>Scientific Divers: Andrea Bergamasco (CNR), Luigi Tosi (CNR)</p> <p>Surface coordinator: Sandra Donnici (CNR)</p> <p>Sampling Date: 2013.09.13</p> <p>Sampling Site: Tegnùa Chioggia</p> <p>Site Coordinates: 45.230338 N; 12.489925 E (DEG WGS84)</p> <p>Seabed Depth: 22.2 m</p> <p>Biogenic reef elevation: 1.5 m</p>
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