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Fig. 21 in Taxonomic review of Rhyacobates Esaki, 1923, with descriptions of three new species (Hemiptera: Heteroptera: Gerridae)
Fig. 21. Photographs of Rhyacobates abdominalis Andersen & Chen, 1995 and relevant labels. A–B. Holotype, apterous female (NKUM). A. Habitus, dorsal view. B. Labels. C–D. Paratype, apterous male (NKUM). C. Habitus, dorsal view. D. Labels. Scale bar: A, C = 3 mm.
Simulation data of Schmidt et al., A three-dimensional finite element formulation coupling electrochemistry and solid mechanics on resolved microstructures of all-solid-state lithium-ion batteries, DOI: https://doi.org/10.1016/j.cma.2023.116468
<p>This data set includes the simulation results of the relevant simulations published in the paper: "Schmidt et al., A three-dimensional finite element formulation coupling electrochemistry and solid mechanics on resolved microstructures of all-solid-state lithium-ion batteries, DOI: https://doi.org/10.1016/j.cma.2023.116468".</p> <p>Please refer to the paper for the details of the model as well as the parameterization of the model for the respective simulations.</p> <p>The provided lzip archive is structured into separate folders, one per simulation. Each folder contains the output data and a short README.txt with further hints. For information on the compression algorithm and how to uncompress it lzip please refer to https://en.wikipedia.org/wiki/Lzip.</p>
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12
Genome sequencing of three Orestias species and the analysis of their phylogenetic relationships within the Cyprinodontiformes order
<p>Relevant files and datasets for the paper: <em>"Genomes of the Orestias pupfish from the Andean Altiplano shed light on their evolutionary history and phylogenetic relationships within Cyprinodontiformes." </em>by Morales <em>et al</em>.</p>
Figure 6 in Description of three new species of dwarf Glossogobius from New Guinea and northern Australia
Figure 6. – Live individuals of Glossogobius gnomus. A: Etna Bay, Photo G. Allen; B: Aru Islands, Photo R. Hadiaty.
Figure 18 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 18. – Third vertebra: cranial (A-C) and left lateral (D-F) view of the third vertebra of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 13 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 13. – Supracleithrum: lateral view of the left supracleithrum of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 15 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 15. – Vomer: dorsal (A-C) and ventral (D-F) view of the vomer of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 3 in Description of three new species of dwarf Glossogobius from New Guinea and northern Australia
Figure 3. – Diagrammatic sketch of mental fraenum. A: Rounded fraenum; B: Truncate fraenum; C: Broad fraenum with short lateral lobes. Scale bar = 5 mm.
Figure 12 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 12. – Cleithrum: medial (A-C), lateral (D-F) and anterior (G-I) view of the left cleithrum of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 5 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 5. – Lacrimal: medial (A-C) and lateral (D-F) view of the left lacrimal of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 14 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 14. – Urohyal: dorsal (A-C), left lateral (D-F) and cranial (G-I) Figure 16. – First vertebra: cranial (A-C) and left lateral (D-F) view of the left urohyal of S. galilaeus, O. niloticus and C. zillii. Scale view of the first vertebra of S. galilaeus, O. niloticus and C. zilbar = 1 cm. lii. Scale bar = 1 cm.
Figure 1 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 1. – Premaxilla: medial (A-C), lateral (D-F), cranial (G-I) and ventral (J-L) view of the left premaxilla of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Figure 2 in Comparative osteological study of three species of distinct genera of Haplotilapiini (Cichlidae)
Figure 2. – Dentary: medial (A-C), lateral (D-F) and dorsal (G-I) view of the left dentary of S. galilaeus, O. niloticus and C. zillii. Scale bar = 1 cm.
Three Approaches to Glucose Monitoring in Non-insulin Treated Diabetes
ClinicalTrials.gov study NCT02033499. IPD Sharing: YES. Countries: 1. Publications: 10.
Study Comparing Three Doses of MDMA Along With Therapy in Veterans With Posttraumatic Stress Disorder
ClinicalTrials.gov study NCT01211405. IPD Sharing: YES. Countries: 1. Publications: 4.
Novel fusarium wilt resistance genes uncovered in natural and cultivated strawberry populations are found on three non-homoeologous chromosomes
Open the record for dataset details and reuse information.
High quality, chromosome-scale genome assemblies: Comparisons of three Diaphorina citri (Asian Citrus Psyllid) geographic populations
Open the record for dataset details and reuse information.
Phylogenomics and biogeography of Torreya (Taxaceae) – Integrating data from three organelle genomes, morphology, and fossils and a practical method for reducing missing data from RAD-seq
Open the record for dataset details and reuse information.
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Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.