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1,607 results for “ART”
Abb. 26-31 in Eine neue Art und Anmerkungen zu bereits bekannten Arten der Gattung Hydrocyphon L. REDTENBACHER, 1858 (Coleoptera, Scirtidae)
Abb. 26-31: (26) H. amaurus, Penis; (27) H. amaurus, Penis, Prosthem; (28) H. nyholmi, Penis; (29) H. nyholmi, Penis, Prosthem; (30) H. amaurus, Tegmen; (31) H. nyholmi, Tegmen.
Abb. 7-13 in Eine neue Art und Anmerkungen zu bereits bekannten Arten der Gattung Hydrocyphon L. REDTENBACHER, 1858 (Coleoptera, Scirtidae)
Abb. 7-13: (7) Hydrocyphon sp. aus Meghalaya, 8. Tergit; (8) Hydrocyphon sp. aus Meghalaya, 9. Tergit; (9) Hydrocyphon sp. aus Meghalaya, Tegmen; (10) Hydrocyphon sp. aus Meghalaya, Penis; (11) H. celatus, 8./9. Sternit; (12) H. celatus, 8. Tergit; (13) H. celatus, 9. Tergit.
Abb. 14-19 in Eine neue Art und Anmerkungen zu bereits bekannten Arten der Gattung Hydrocyphon L. REDTENBACHER, 1858 (Coleoptera, Scirtidae)
Abb. 14-19: (14) H. celatus, Tegmen; (15a) H. celatus, Penis; (15b) H. celatus, Penis, Detail; (16) H. pulchellus, 9. Sternit; (17) H. pulchellus, 8. Tergit; (18) H. pulchellus, 9. Tergit; (19) H. pulchellus, Tegmen.
Abb. 1-6 in Eine neue Art und Anmerkungen zu bereits bekannten Arten der Gattung Hydrocyphon L. REDTENBACHER, 1858 (Coleoptera, Scirtidae)
Abb. 1-6: (1) H. flavidulus nov.sp., 9. Sternit; (2) H. flavidulus nov.sp., 8. Tergit; (3) H. flavidulus nov.sp., 9. Tergit; (4) H. flavidulus nov.sp., Tegmen; (5a) H. flavidulus nov.sp., Penis; (5b) H. flavidulus nov.sp., Penis, Detail; (6) Hydrocyphon sp. aus Meghalaya, 9. Sternit.
Abb. 3 in Dysgonia algira LINNAEUS, 1767 (Insecta, Lepidoptera, Erebidae) - Etablierung einer neuen Art in Oberösterreich?
Abb. 3: Nicht leicht zu übersehen ist die auch tagsüber fliegende Dysgonia algira (Kirchberg bei Linz, 12.8.2022; Foto: Rudolf Ritt).
Abb. 2 in Dysgonia algira LINNAEUS, 1767 (Insecta, Lepidoptera, Erebidae) - Etablierung einer neuen Art in Oberösterreich?
Abb. 2: Nur vier Nachweise für ganz Österreich, alle vor 1980, führt MALICKY (2000) in seinem Verbreitungsatlas auf.
Abb. 1 in Dysgonia algira LINNAEUS, 1767 (Insecta, Lepidoptera, Erebidae) - Etablierung einer neuen Art in Oberösterreich?
Abb. 1: Verteilung der rezenten Nachweise in Österreich (seit ca. 2016) von Dysgonia algira laut ZOBODAT.
Ukrainian mural art in terms of global art
<p>ANNOTATION<br>Borys Gavryliuk. Ukrainian mural art in terms of global art. The article<br>is dedicated to analysis of Ukrainian mural art in terms of global art, with<br>works of famous artists as examples. The main artistic projects, locations<br>and spaces are described. There are some proofs in the article that mural<br>art is contemporary embodiment of classic wall paintings and mean of<br>communication with society. . The concepts of «muralism», «street art»<br>and «grati» are distinguished. It is explained that mural is an actual form<br>of contemporary art and is not just a wall painting, but a monumental<br>composition on buildings and objects. Together with other elements,<br>they form the art of street art. A clear boundary between sanctioned and<br>anonymous art in urban space is conducted. This helps to analyze the<br>development of muralism since the 1960s. Considering the young, but rich<br>history of the formation of muralism, as a special way of expression of the<br>artist, it can be said about the eectiveness of the results achieved by the<br>masters, expressing their thoughts on the giant walls. Today, the municipal<br>government is promoting public art to become sanctioned. System of<br>investment and issuance of permits are planned. Companies provide<br>artists with tools and cranes, which makes the compositions become<br>gigantic in size. A number of unexplored questions about the place of<br>Ukrainian mural art in the world context are revealed. Which becomes<br>an alternative and resonant way of communication between the artist<br>and society, where it is possible to radically inform cultural and political<br>ideas to dierent groups of the population. Mural art stimulates Ukrainian<br>artists to permanent integration, travelling, and search for new ways of<br>expression in a multicultural world. An iconic group in Ukrainian muralism<br>is a team from Kyiv – «Interesting Tales», who goes deep into the spiritual,<br>religious themes associated with folk and mythology, where Slavic roots<br>and surrealistic ideas are combined. Particular attention is paid to the rapid<br>development and popularization of muralism in Ukraine in comparison<br>with other countries for today. Cities are turning into an open-air gallery.<br>Synthesis of architecture and painting, forms a new vision on the value of<br>art in the public space.</p>
3D printed biomedical devices and their applications: A review on state-of-the-art technologies, existing challenges, and future perspectives
<p>This repository consists of the data that have been utilized to imagine and subsequently construct Fig. 1, Fig. 3 , Fig. 5 , Fig. 6 and Fig. 7 of the article " H. B. Mamo, M. Adamiak and A. Kunwar. 3D printed biomedical devices and their applications: A review on state-of-the-art technologies, existing challenges, and future perspectives, Journal of the Mechanical Behavior of Biomedical Materials, 143 (2023) 105930. doi: 10.1016/j.jmbbm.2023.105930 ".</p> <p> Brief introduction of the files contained in this repository</p> <ol> <li> acronyms.csv: This file consists of the list of acronyms associated with materials and techniques used in 3D printing of biomedical devices.</li> <li>fig1a-data.csv: The csv file provides a relative ranking of different types of 3D printing techniques for biomedical applications based upon merits and limitations (wherever applicable). The technique listed as Rank 1 is considered as the most commonly used 3D printing procedure.</li> <li> fig1b-data.csv: The csv file enlists the benfits of the 3D printing techniques in biomedical applications as compared to subtractive manufacturing methods.</li> <li> fig3-data.csv: The file contains a comparison between conventional and customized tablet printing methods. The illustration is made through the manufacturing or printing of pharmaceutical tablets or pills. This illustation also applies to the production of pharmaceutical capsules. It thus illustrates that customized medicine is enabled using 3D printing technology.</li> <li> fig5-data.csv: This file enumerates the major challenges associated with 3D printing of biomedical devices.</li> <li> fig6-data.csv: The file enlists the roles of wearable smarts, cloud-based platforms and physicians in context of the hospitals implementing IoMT.</li> <li> fig7-data.csv: The aspects of IoMT Sensors,IoMT Platforms,3D Printers,Design and Prototypes within the integrated 3D printing-IoMT ecosystem are listed in the file.</li> </ol>
FIG. 3 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 3. — Pélican blanc (Pelecanus onocrotalus Linnaeus, 1758). De arte venandi cum avibus, ms. Vatican, Vat. lat. 1071, f. 20.
FIG. 7 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 7. — Vautours fauves (Gyps fulvus (Hablizl, 1783)) en quête de charognes. De arte venandi cum avibus, ms. Vatican, Vat. lat. 1071, f. 11.
FIG. 6 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 6. — Grues cendrées (Grus grus (Linnaeus, 1758)) en migration. Crédit photo: B. Van den Abeele.
FIG. 8 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 8. — Sternum de grue avec passage de la trachée du poumon.Halle, Saale, Institut für Anatomie und Zellbiologie. Crédit photo: Jürgen Paasch.
FIG. 5 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 5. — Grue cendrée (Grus grus (Linnaeus,1758)) et grue demoiselle (Grus virgo (Linnaeus, 1758)). De arte venandi cum avibus, ms. Vatican, Vat. lat. 1071, f. 30.
FIG. 4 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 4. — Pélican des bestiaires. Hugues de Fouilloy, Aviarium, ms. London, British Library, Sloane 278, f. 16.
FIG. 1 in Expertum est a nobis pluries: observation des oiseaux d'eau et expérimentation dans le De arte venandi cum avibus de Frédéric II de Hohenstaufen (1194-1250)
FIG. 1. — Manfred de Sicile tenant un autour (Accipiter gentilis (Linnaeus, 1758)). De arte venandi cum avibus, ms. Vatican, Vat. lat. 1071, f. 5v.
Connection - The First Historic Photographic Art Masterpiece on AI
<p><em>Connection, </em>the First Visionary Artwork of Artificial Intelligence.</p> <p>Connection is a groundbreaking photographic work created in 2011, by the french artist N.P. , both conceptually and historically, that stands as the first artistic exploration of the profound philosophical, existential, and ethical questions surrounding artificial intelligence. Created more than a decade before the advent of ChatGPT and the widespread discourse on AI’s societal implications, this visionary piece foresaw the critical dialogue that would emerge between humanity and the intelligent systems it creates.</p> <p> </p> <p>The Process: An Act of Disappearance</p> <p>The creation of Connection is itself an act of profound metaphorical resonance. The artist, who endures the daily constraints of a physically dysfunctional body, performed an intensely physical act during the long exposure process of the photograph. Through continuous, deliberate motion, the artist erased their own presence from the final image, leaving only the traces of energy, light, and movement behind. This disappearance is not merely technical—it is philosophical. The artist’s vanishing within the act of creation evokes a haunting parallel: as humanity breathes life into superintelligent systems, it may one day witness its own obsolescence, much as the artist’s physical form is subsumed by the ephemeral flow captured in the image.</p> <p> </p> <p>The work thus operates on multiple levels: as a profoundly personal act of endurance, as a meditation on the fragility of human existence, and as a prophetic statement on the relationship between creator and creation.</p> <p> </p> <p>A Metaphor for Humanity and Artificial Intelligence</p> <p>Connection serves as a visual and conceptual metaphor for humanity’s pursuit of superintelligence. Just as the artist vanishes within the act of creation, humanity’s drive to engineer machines of unprecedented capability raises questions about the long-term implications for the Homo sapiens sapiens species. Could the very act of creating an intelligence greater than our own lead to humanity’s symbolic, or even literal, disappearance? This work prefigures the ethical dilemmas and existential risks posed by the rise of artificial intelligence, embedding them within a singular aesthetic statement years before these concerns entered mainstream awareness.</p> <p> </p> <p>The Visual Language of Connection</p> <p>The composition of Connection reflects a synthesis of order and chaos, evoking both the structured pathways of neural networks and the unpredictable dynamism of organic life. The image appears simultaneously timeless and forward-looking, embodying the energy flows and fractal repetitions found in both biological systems and AI architectures. It is an invitation to consider the continuity between human creativity and algorithmic processes, suggesting a shared language of pattern and complexity that transcends the boundaries of biology and computation.</p> <p> </p> <p>A Historic and Pioneering Artwork</p> <p>Connection is more than a photograph; it is a declaration of artistic and intellectual foresight. As the earliest known artistic exploration of the intersection between human creativity and artificial intelligence, this work occupies a unique place in art history. It predates not only the public awareness of AI but also the technological frameworks, such as large language models, that now define our contemporary moment. In this sense, Connection is both prophetic and timeless, a rare achievement that anticipates the central questions of our era while remaining deeply rooted in the enduring struggles of the human condition.</p> <p> </p> <p>Enduring Legacy</p> <p>Through its pioneering vision, Connection challenges us to reflect on the future of human identity in a world increasingly shaped by its creations. It speaks to collectors, scholars, and thinkers across disciplines—art, technology, and philosophy—inviting them to engage with its layers of meaning. As both an artistic and historical artifact, Connection marks the beginning of a vital conversation, one that will define the trajectory of human and artificial intelligence relations for generations to come.</p>
Content Hosting & Services Agreement between Google Arts & Culture and The University of Texas at Austin
<p>This document was obtained through a public records request filed under the <a href="https://www.texasattorneygeneral.gov/open-government/members-public/overview-public-information-act" target="_blank" rel="noopener">Texas Public Information Act</a>. It details the terms of a collaboration between the University of Texas at Austin and the Google Cultural Institute (now Google Arts & Culture). The document was requested as part of a data collection process for my PhD dissertation at the University of Texas at Austin, which, among other topics, examined the platform's use by cultural institutions. Contracts, alongside terms of service and content guidelines, are a critical aspect of a platform’s governance mechanisms.</p> <p>The document was released in response to request <strong>R005413-103123</strong> and made available on <strong>November 17, 2023</strong>, without redactions. For this version, I redacted email addresses and other personally identifiable information.</p> <p>You can find my dissertation, which references this document, on <a href="https://zenodo.org/records/13994044" target="_blank" rel="noopener">Zenodo</a> or through the <a href="https://doi.org/10.26153/tsw/55818" target="_blank" rel="noopener">University</a>.</p>
DATA SET OF EXISTING AND ONGOING CASE STUDIES IN THE ARTS 2008-2020
<p>PURPOSE: D2.1, Data Set of Case Studies in the Arts 2008-2020 fulfils the following purposes:<br> 1. Build a research database for past and ongoing good practices in the field of arts-based social interventions in AMASS partner countries.<br> 2. Construct a solid foundation for the development of new interventions with similar objectives.<br> 3. To avoid obstacles that made many previous efforts in this field unsustainable and unadaptable.<br> 4. To offer a valid and authentic knowledge repository for policy makers, developers of future projects and researchers to identify motivations, philosophies, modes of engagement and impact of arts-based social interventions.</p>
In-depth analysis of 18 case studies on state-of-the-art of cultural tourism interventions
<p>The aim of Work Package 3 of the SmartCulTour project (<a href="http://www.smartcultour.eu">www.smartcultour.eu</a>) is to provide a state-of-the-art overview of cultural tourism interventions implemented in European cities and regions, thereby identifying best practices and the impacts and success conditions of cultural tourism interventions. Based on the previous, desk-researched 107 interesting cultural tourism interventions see "Desk research of 107 case studies on state-of-the-art of cultural tourism interventions", DOI: 10.5281/zenodo.5213017 ), a further 18 interventions were selected for in-depth analysis.</p> <p>These 18 cultural tourism interventions were analyzed via a series of expert interviews, combined with document and literature analysis, performed in the period January 2021-March 2021. Description of the case studies follows a standardized <strong>case study data collection form</strong>. This form is included here as "Case study data collection form". The form collect data on:</p> <ul> <li>Context and background information;</li> <li>The 'reason why' of the intervention;</li> <li>The intervention;</li> <li>Resources and tools necessary to design and implement the interventions;</li> <li>Impacts (expected, perceived and measured);</li> <li>(Perceived) success conditions and limiting factors.</li> </ul> <p>The semi-structured interviews left some room for adaptability depending on the case studies. A <strong>general guide on potential interview questions</strong> is included here as "Potential questions list for case study interviews".</p> <p>All case studies are included as individual odt-files, starting with "detailed case study + name of the intervention".</p>
ScienceDex guides
Understand access before you commit
These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.