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134 results for “etruscan”
Etruscan Column Krater
Item held in the Hellenic and Roman Library at the Institute of Classical Studies in London, bequethed by Victor Ehrenberg. Dated to the early 3rd century BC. Height of 235 mm. ©Alicia Walsh and the Institute of Classical Studies Source: Objaverse 1.0 / Sketchfab
Etruscan Amphoriskos
"Etruscan Amphoriskos from the Castello Banfi Collection Amphoriskos with biconical body. Brown impasto. Vertical grooves on shoulder. Type is known from the repertoire of Lazio and Campania. 7th-6th c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 24. Bischeri 2022: n. cat. 34. Processed in Reality Capture from 296 images. GDH ID C5_024 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan bronze tubular element with bird
Etruscan bronze tubular element with bird from the Necropoli del Poggione, Asciano, Tuscany. Bronze tubular element, probably used to pull a chariot carrying perfumes with a bird-shaped end. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989. Processed in Reality Capture from 290 images. GDH ID No. C30_108882_b This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. Source: Objaverse 1.0 / Sketchfab
Etruscan small plate
"Etruscan small plate from the Castello Banfi Collection Small plate. Pinkish orange clay. Widespread in Etruria and the Tiber area. End of 6th – 2nd c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 131. Bischeri 2022: n. cat. 208. Processed in Reality Capture from 217 images. GDH ID C5_131 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan small plate
"Etruscan small plate from the Castello Banfi Collection Small plate. Pinkish-orange clay. Widespread in Etruria and the Tiber area. End of 6th – 2nd c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 123. Bischeri 2022: n. cat. 214. Processed in Reality Capture from 217 images. GDH ID C5_123 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan bronze basin
Etruscan bronze basin from the Necropoli del Poggione, Asciano, Tuscany. Large bronze basin with two horizontal handles, usually used during funerary banquets. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989. Processed in Reality Capture from 311 images. GDH ID No. C30_108813 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. Source: Objaverse 1.0 / Sketchfab
Etruscan small plate
"Etruscan small plate from the Castello Banfi Collection Small plate. Orange clay. Widespread in Etruria and the Tiber area. End of 6th – 2nd c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 173. Bischeri 2022: n. cat. 222. Processed in Reality Capture from 303 images. GDH ID C5_173 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Volterra- Etruscan Arch
Source: Objaverse 1.0 / Sketchfab
Etruscan bone object
Etruscan bone object from the Necropoli del Poggione, Asciano, Tuscany. Bone object, circular shape, perforated, with decorative engraved bands, function is unknown. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989. Processed in Reality Capture from 300 images. GDH ID No. C30_108808 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. Source: Objaverse 1.0 / Sketchfab
Etruscan bronze oinochoe
"Etruscan bronze oinochoe from the Castello Banfi Collection Bronze oinochoe with trefoil mouth and handle with palmette. 6th c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 206. Bischeri 2022: n. cat. 247. Processed in Reality Capture from 304 images. GDH ID C2_206 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan oinochoe
"Etruscan oinochoe from the Castello Banfi Collection Oinochoe with wide trefoil mouth. Black bucchero. Horizontal grooves on neck and ridge on its base. Widespread in Etruria. 7th c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 251. Bischeri 2022: n. cat. 72. Processed in Reality Capture from 337 images. GDH ID C1_251 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan loom weight, Tumulus of Molinello
"Etruscan loom weight from the Tumulus of Molinello, Asciano, Tuscany. Loom weight for tablet weaving, in bucchero, with stamps on either end. Part of group of 5 loomweights. Orientalizing period, late 7th - early 6th c. BCE. Tomb E, Tumulus of Molinello, Asciano. Unpublished. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Processed in Reality Capture from 275 images. GDH ID No. Case26_9D, Inventory No. This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. We also acknowledge Dr. Mangani, the excavator of the Tumulus, for providing access to the unpublished catalogue of the objects." Source: Objaverse 1.0 / Sketchfab
Etruscan bucchero askos
Etruscan bucchero askos from the Necropoli del Poggione, Asciano, Tuscany. Circular askos in bucchero (in three fragments). Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989. Processed in Reality Capture from 350 images. GDH ID No. C31_108762_b This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. Source: Objaverse 1.0 / Sketchfab
Etruscan small plate
"Etruscan small plate from the Castello Banfi Collection Small plate. Orange clay. Widespread in Etruria and the Tiber area. End of 6th – 2nd c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 126. Bischeri 2022: n. cat. 212. Processed in Reality Capture from 217 images. GDH ID C5_126 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Etruscan loom weight
Etruscan loom weight from the Necropoli del Poggione, Asciano, Tuscany. Loom weight for tablet wieving, in bucchero, with stamps on either end. Orientalizing period, late 7th-early 6th century BCE. Tomb A, Necropolis of Poggione, Castelnuovo Berardenga. Displayed at the Civic Museum of Archaeology and Sacred Art at Palazzo Corboli, Asciano. Mangani 1988-1989. Processed in Reality Capture from 300 images. GDH ID No. C30_109008_d This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage and the Municipality of Asciano. We thank all the staff from Palazzo Corboli for making the collection accessible and for providing an excellent work environment. Source: Objaverse 1.0 / Sketchfab
The Motion Capture of Dress in Etruscan Dance: preliminary tests
<p>The process or technique of recording patterns of movement digitally is now regularly used for different human movements, such as dance. But what about textiles? Recording textiles presents several challenges, notably due to the lack of a fixed structure and the great variability of the material. But there would be also opportunities. The Motion Capture system has been used to record body movements of specific spinning and weaving process (see the experiments at the Centre for Textile Research, University of Copenhagen, Denmark). But in which extent can it be used for textiles themselves? What would be the possibilities offered by this technic? Can the challenges be solved? How and in which extent this technic could produce new information about ancient clothing and society?<br><br>The two preliminary MoCap tests published here present the case of ancient clothes that were used in performative rituals during pre-Roman Antiquity. They specifically build on the results of the Marie Curie project TEXDANCE (ID n° 839799) that aimed at studying dress in Etruscan dance. One of the objectives was to study dress movement in dance. Clothes give indeed complementary information to the body movements, which permit to better understand the kind of dance represented in Etruscan iconography.<br><br>The preliminary tests were performed with a skirt in viscose. The aim was to remove existing doubts about the possibility or not of digitally capturing the movements of dress, and to determine what were the difficulties to be solved when working with objects as unstable as textiles. The tests were carried out on the FR-SCV digital platform, with Laurence Willard Delbarre, instrumentation and experimental techniques engineer.<br><br>Test 1: the first phase of the experimentation, which consists of placing the different sensors on the cloth, is crucial. It was decided to resolve as much as possible the problem of variability between two sensors, by multiplying the sensors over the area to be recorded, and by placing them very close to each other. The aim was to keep as much of a continuous trace in the structure as possible. We began the investigation by focusing on the movement produced by the lower part of the garment selected for the experiment. The aim was to see how it behaved in relation to the movements of the dancing body. Thus, a Velcro strip was stuck all over the garment, to which the sensors were attached. This resulted in a horizontal strip of sensors in the lower part of the skirt. And in order to give the garment an orientation, we placed two sensors vertically on the front part. The next phase of the experiment was to record the movement of the skirt. This skirt (worn by the author) was positioned in the centre of the MoCap system, and therefore was surrounded by multiple high-speed cameras. To set the fabric in motion, the movements performed were as follows: 1. walk; 2. turn around; 3. turn from side to side; 4. alternating walk and lift of each leg; 5. alternating jump and lift of each leg. The first results were very satisfying since we were able to follow the different movements of the fabric. Some sensors tended to sometimes disappear from the capture, notably during the first four seconds of the recording, then occasionally during the recording. This is due to minor issues with calibration and placement of the cameras around the body. Despite these minor issues, we can track and calculate the movement of the cloth.<br><br>Test 2: with test 1, we discovered that we were missing information regarding the cloth's height, its overall movement, and its movement relative to the upper body. So, we decided to add vertical lines of sensors on the right and left sides of the fabric, and the wearer put on the MoCap upper jacket with sensors placed on several crucial articulation points. Subsequent testing and recording, based on a similar sequence of movements, yielded more results on the overall trajectory of the garment, on the relationship between the fabric and the moving body, on fabric behaviour, and ergonomics.<br><br>These MoCap tests are possible thanks to the support of the CPER ENHANCE and the Research Federation Visual Sciences and Cultures (University of Lille, France).</p>
The Motion Capture of Etruscan Dance: the castanet player
<p>Hypothesis of reconstruction of the movement possibly performed by the Etruscan castanet player. Motion capture achieved at the Research Federation Visual Sciences and Cultures (University of Lille, France), with the CPER ENHANCE, based of the PhD thesis completed by Audrey Gouy in 2017 (PSL-EPHE Paris, France, and University Ca' Foscari of Venice, Italy).</p>
Etruscan Tomb
Source: Objaverse 1.0 / Sketchfab
Etruscan Olla
"Etruscan Olla from the Castello Banfi Collection Olla. Orange clay with white slip. Production of the Hellenistic period, widespread in the area of Chiusi and Perugia, generally used as an urn. 3rd – 2nd c. BCE. Montalcino, Poggio alle Mura (Castello Banfi), n. inv. 189. Bischeri 2022: n. cat. 159. Processed in Reality Capture from 318 images. GDH ID C7_189 This project was done under the authority of the Soprintendenza Archeologia, belle arti e paesaggio per le province di Siena Grosseto e Arezzo in collaboration with Global Digital Heritage. We thank Elizabeth Koenig, Hospitality Project Director at Castello Banfi and President of the Scientific Committe of Fonadazione Banfi, for coordinating this project and making the collection accessible. The catalog of the Banfi collection was created by Dr. Matteo Bischeri (2022)." Source: Objaverse 1.0 / Sketchfab
Anonymous Etruscan Tomb
Necropolis of the Banditaccia The most famous attraction of Cerveteri is the Necropoli della Banditaccia, which has been declared by UNESCO as a World Heritage Site together with the necropolis in Tarquinia. It covers an area of 400 hectares (990 acres), of which 10 hectares (25 acres) can be visited, encompassing a total of about 1,000 tombs often housed in characteristic mounds. It is the largest ancient necropolis in the Mediterranean area. The name Banditaccia comes from the leasing (bando) of areas of land to the Cerveteri population by the local landowners. The tombs date from the 9th century BC (Villanovan culture) to the later Etruscan period (third century BC). The earliest tombs are in the shape of a pit, in which the ashes of the dead were housed; also, simple potholes are present. Wikipedia Photogrammetry high iso test Source: Objaverse 1.0 / Sketchfab
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