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733 results for “Inscription”
Bodhgayā, Bihār. Railing pillars, one with an inscription and incised images of Durgā and Tārā.
<p>Bodhgayā, Bihār. Railing pillars, one with an inscription and incised images of Durgā and Tārā.</p>
Sealing. Circular sealing in terracotta with a one-line inscription on one side in an ovid catouche and an abraded two-line inscription on the other. String impressions on one face.
<p>Sealing. Circular sealing in terracotta with a one-line inscription on one side in an ovid catouche and an abraded two-line inscription on the other. String impressions on one face. British Museum 2005,0814.18.</p>
Sealing. Oval sealing in terracotta with a trident before a short one-line inscription in an oval catouche on one side, on the other a small trident with a one-line inscription below, also in an oval cartouche. String impression on the edge.
<p>Sealing. Oval sealing in terracotta with a trident before a short one-line inscription in an oval catouche on one side, on the other a small trident with a one-line inscription below, also in an oval cartouche. String impression on the edge. British Museum 2005,0814.19.</p>
Sealing. Oval sealing in terracotta with a one line inscription.
<p>Sealing. Oval sealing in terracotta with a one line inscription. British Museum 2005,0814.26.</p> <p> </p> <p> </p>
Sealing. Oval sealing in terracotta with a three line inscription going in different directions.
<p>Sealing. Oval sealing in terracotta with a three line inscription going in different directions. British Museum 2005,0814.27.</p> <p> </p>
Sealing. Oval sealing in terracotta with a one line inscription. Fire damaged.
<p>Sealing. Oval sealing in terracotta with a one line inscription. Fire damaged. British Museum 2005,0814.30.</p>
Text Reuse in the Medieval Chinese Public Inscriptions (618-907)
<p>It is commonly known that Chinese premodern authors preferred using a number of allusions originating from classics in their own works, which is certainly a way of text reuse. They sometimes quoted original texts directly, while sometimes substituted some characters or inverted grammatical constructions without changing the original meaning. What I want to study in this paper is to find the network of text reuse covering all the public inscriptions, including those inscribed on steles, walls or bells to which the public had access, in the Tang Dynasty China (618-907). A database including more than 1,000 inscriptions with about 1,000,000 Chinese characters / words has been built as the base of this project. Metadata such as authors, dates and places, have been manually added to each inscription. Based on the metadata, temporal and spatial distribution of the inscriptions will be visually displayed. According to my pilot studies, Confucian canons, especially the Five Classics, were quoted most frequently in the inscriptions. Based on close reading experience, history books and religious canons had great influence on medieval Chinese literati’s writing as well. So I would like to discover the network which reflects how public inscriptions reused Chinese Confucian classics, prestigious history books, Buddhist and Daoist canons.<br> Beyond finding the network of text reuse, I also want to find out whether one author had preferences to some specific classical allusions, and which books were referred to the most frequently in different periods or places. Besides distant reading, I plan to do close reading of texts to show how genres of texts influenced authors’ choices of text reuse and how authors’ writing strategies were influenced by certain political contexts. Ideally, I want to further analyze the intellectual and political history behind the network of text reuse. This research is an experiment on applying digital humanities to Chinese history studies, in which methodological issues will be especially addressed.</p>
Intaglio. Rectangular intaglio in black agate engraved with an inscription in four characters.
<p>Intaglio. Rectangular intaglio in black agate engraved with an inscription in four characters. British Museum 1892,1103.123.</p>
Intaglio. Oval intaglio in a grey banded agate, engraved with a one line brāhmī inscription.
<p>Intaglio. Oval intaglio in a grey banded agate, engraved with a one line brāhmī inscription. British Museum 1892,1103.139.</p>
Aukana, Sri Lanka. Rock shelter inscription.
<p>Aukana (near Kekirawa), Sri Lanka. Rock shelter inscription, as documented 02/2012.</p>
Clay sealing, with two trident banners flanked by shell and discus, inscription below.
<p>Clay sealing, with two trident banners flanked by shell and discus, inscription below.</p>
Bodhgayā : working list of inscriptions from the site.
<p>Bodhgayā : working list of inscriptions from the site.</p>
Eran (Madhya Pradesh). Hero-stone of Goparāja, detail of inscription
<p>Eran (Madhya Pradesh). Hero-stone of Goparāja, detail of inscription.</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Brahmi Inscription INNAG0005
<p>Rubbing of Pauni Inscription INNAG0005.</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Brahmi Inscription INNAG0002
<p>Pauni (पौनि Bhandārā district) Maharashtra. Donative Inscription.</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Brahmi Inscription INNAG0007
<p>Donative Inscription from Pauni Stupa.</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Brahmi Inscription INNAG0012
<p>Stupa site in Pauni, Maharashtra</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Colour Picture of Inscription INNAG0006
<p>Colour Picture of Pauni Inscription on three lines.</p>
Pauni (पवनी), Bhandara Dist. Maharashtra Brahmi Inscription INNAG0013
<p>From stupa site in Pauni (Maharashtra).</p>
Udayagiri (उदयगिरि Madhya Pradesh). Cave 8, detail of inscription.
<p>Udayagiri (उदयगिरि Madhya Pradesh). Cave 8, detail of inscription.</p>
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