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175 results for “GRAPHICS”
FIGURE 2. 1 in Graphic correlation of the upper Eifelian to lower Frasnian (Middle-Upper Devonian) conodont sequences in the Spanish Central Pyrenees and comparison with composite standards from other areas
FIGURE 2. 1. Map of Paleozoic rocks on the Iberian Peninsula and position of Figure 2.2 (black square), 2. Structural geological map of the Spanish Pyrenees with indication of the studied area (white square) and 2. Structural geological map of the Spanish Pyrenees with indication of the studied area (red square) and the most important faults and thrust faults, FNP: North Pyrenean Fault, CPP: Petites Pyrénées thrust fault, CFN: Frontal North Pyrenean thrust fault, CFS: Frontal South Pyrenean thrust fault [modified from Barnolas and Pujalte (2004)], 3. Map of the Devonian facies areas and subdivision of the southern facies area in the southern Spanish Pyrenees [modified from Zwart (1979)], studied area in black square, location of the sections indicated by black stars.
Fig. 3. Sensitivity analysis graphic. Y in Total Evidence, Sequence Alignment, Evolution of Polychrotid Lizards, and a Reclassification of the Iguania (Squamata: Iguania)
Fig. 3. Sensitivity analysis graphic. Yaxis represents the logarithm of the ratio of transversion: transition weights. The xaxis represents the logarithm of the ratio of the indel cost versus the maximal cost of a molecular change. The colors represent the zaxis, which is congruence between the molecular and morphological data partitions. Red is good, blue is bad.
Estonian National Bibliography - graphic material
A subset of graphical works from the Estonian national bibliography. The Estonian national bibliography (Eesti rahvusbibliograafia - ERB) covers publications in all languages in Estonia and abroad, regardless of the medium and date of publication. The database of the national bibliography is constantly updated with newly published works. A separate part of the national bibliography is the Estonica collection, which includes both publications in foreign languages by Estonian authors and publications about Estonia and Estonians published abroad. The database is managed by the National Library of Estonia, which manages the Estonian national bibliography in accordance with the relevant laws. For more info, see <a href="https://digilab.rara.ee">https://digilab.rara.ee</a>.
Graphic representation of data set for the project "IRI model performance evaluation for the Mexican region"
<p>Here, we illustrate the modeling and experimental results for vertical Total Electron Content (TEC) over Mexico during the five year period 2018-2022. The results were obtained for the UCOE GNSS receiver station (geographic coordinates: 19.6°N; 101.68°W ). The calculations were made each two hours during the whole period under considerations. The modeling results were obtained using the "International Reference Ionosphere (IRI)" model, which is an empirical climatological model based on ground and space observations of the ionosphere [Bilitza et al., 2022].</p>
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
Verecunda experience 3D graphics of AR effects
<p>This dataset contains 3D models for the AR effects related to 3 objects for each of the four main characters for the Verecuda - A window to the Scottish past experience, Menna, Lossio, Corotica, Julia. More information on the experience can be found here: https://emotiveproject.eu/index.php/what-we-do/experiences/</p>
Adapting ADCI Windows Desktop Graphical User Interface to ADCI-HT on IBM BG/Q.
<p>Supplementary Figure 1. <strong>Adapting ADCI Windows Desktop Graphical User Interface to ADCI-HT on IBM BG/Q. </strong>Data flow diagram illustrating the steps required to perform metaphase image processing tasks using A) Windows ADCI, and B) BG/Q ADCI (ADCI-HT) software platforms.</p>
Speed Graphic Camera
ID no.: MHF 645/I Museum of Photography in Kraków https://muzea.malopolska.pl/en/objects-list/953 Digitalisation: RDW MIC, Virtual Małopolska project Source: Objaverse 1.0 / Sketchfab
Transformer-based graphical neural network with expert experience multimodal learning (TGEML) framework: a nanocomposite performance predictor
<p>TGEML is a novel multimodal nanocomposite processing framework consists of a polymer multimodal featurizer called TGEML-polymer and a nanoparticle expert experience featurizer called TGEML-nano.</p>
Q-Sort Graphic Designs
<p>Dataset with graphic designs used for conferences and other meetings</p>
A FAIRy tale graphics
<p>This is the graphics that was created for A FAIRy tale, available at https://doi.org/10.5281/zenodo.2248200</p> <p>This was created as part of the Danish project "FAIR på tværs" / "FAIR across".</p> <p>The project is made in collaboration of the following institutions: DeiC, DEFF, DTU, CBS, AAU, KU, Rigsarkivet, Det Kgl Bibliotek.</p>
Success Stories of Open Science Graphic
<p>Graphic for use in promoting open science success stories. Five scientists who are using open science everyday in their research were chosen as Success Stories of Open Science. Two scientists are pictured on the top of the image, Dr. Reina Camacho Toro on the top left and Dr. Afshin Beheshti on the top right. On the bottom of the image from left to right are headshots of Dr. Leo Stinger, Dr. Africa Ixmucane Flores-Anderson, and Dr. Flavio Azevedo. The middle of the image is white text that reads, "Success Stories of Open Science." The TOPS logo is in the upper right of the image.</p>
Graphical abstract in Novel Media for Lipid Production of Chlorococcum oleofaciens: A RSM Approach
Graphical abstract
Example of using of two-stage graphic primitives recognition system
<p>Example of using of two-stage graphic primitives recognition system contains one video file with demonstration of result of work.</p>
Digital technologies for improving productivity in food manufacturing - graphical capture
<p>The Centre for SMART at Loughborough University collaborated with the Internet of Food Things Network Plus to host an event that targeted players in the food manufacturing industry, as well as policy makers, and aimed to provide attendees with the opportunity to learn from companies and technology providers on best practices to successfully implement current digital technologies in food manufacturing and to discuss policy and regulatory challenges to the uptake of such technologies within the UK Food Sector.</p> <p>A full report will be available later, but this drawing was produced by Becky James from Natalka Design who was commissioned to capture the complexity of the presentations and discussions that took place at the event.</p> <p>We therefore acknowledge the contribution that all attendees at the event made to this illustration.</p>
Graphical capture from: Digital technologies for improving productivity in food manufacturing
<p>The Centre for SMART at Loughborough University collaborated with the Internet of Food Things Network Plus to host an event that targeted players in the food manufacturing industry, as well as policy makers, and aimed to provide attendees with the opportunity to learn from companies and technology providers on best practices to successfully implement current digital technologies in food manufacturing and to discuss policy and regulatory challenges to the uptake of such technologies within the UK Food Sector.</p> <p>A full report will be available later, but this drawing was produced by Becky James from Natalka Design who was commissioned to capture the complexity of the presentations and discussions that took place at the event.</p> <p>We therefore acknowledge the contribution that all attendees at the event made to this illustration.</p>
New Zealand native forest plant cover data for Popovic et al. MEE (2019), Untangling direct species associations from indirect mediator species effects with graphical models.
<p>Forest cover measurements were collected at 1246 native forest sites that form part of a network of permanent 20 x 20 m plots spread throughout New Zealand. A total of 1831 plant species were present in these plots, with the most common being herbs, graminoids, ferns, shrubs and trees. Plant cover (in ordinal categories) was assessed for each species in several tiers at different heights. The cover data we analysed (<em>NZ_native_forest_cover.csv) </em>were the maximum cover recorded over all the tiers at the 964 sites identified as native forests, containing 1311 species with at least one presence. <em>NZ_native_forest_species.csv</em> contains species data including species name, exotic/native, and plant type (tree, shrub, etc.), corresponding to the plant species in the columns of <em>NZ_native_forest_cover.csv</em>.</p> <p>We acknowledge the use of data drawn from the Natural Forest plot data collected between January 2002 and March 2007 by the LUCAS programme for the Ministry for the Environment, New Zealand.</p> <p> </p>
FIGURE 7 in Graphic correlation of the upper Eifelian to lower Frasnian (Middle-Upper Devonian) conodont sequences in the Spanish Central Pyrenees and comparison with composite standards from other areas
FIGURE 7. Correlation of the three sections based on the results of the graphic correlation method.
Graphical Abstract for "Affinity-based extension of non-extensive entropy and statistical mechanics"
Open the record for dataset details and reuse information.
Graphical Abstract for "Emergent family of Tsallis entropies from the 𝑞-deformed combinatorics"
Open the record for dataset details and reuse information.
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Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.