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1,300 results for “Sounding”
Figure 6 in Do small ermine moths sing? Possible stridulatory sound production in Yponomeutidae (Lepidoptera)
Figure 6. Confocal image of the stridularium of Teinoptila brunnescens (India).
Figure 9 in Do small ermine moths sing? Possible stridulatory sound production in Yponomeutidae (Lepidoptera)
Figure 9. Scanning electron microscope (SEM) photograph: underside of Y. padella.
Figure 1 in Do small ermine moths sing? Possible stridulatory sound production in Yponomeutidae (Lepidoptera)
Figure 1. Yponomeuta evonymella showing hyaline patches on hind wings.
L-band sounding data
<p>L-band sounding data</p>
Evaluation of a Sound Quality Visual Feedback for Bow Learning Technique in Violin Beginners: An EEG Study
<p>Audio and EEG data obtained from beginner and expert violinists while performing a violin bowing exercise. </p>
Sonifying Gait Kinematics Using the Sound of Wading: A Study on Ecological Movement Representations
<p>Supplementary material for ICAD2023 paper. Includes sound examples and datasets.</p>
Figure 28 in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 28. Photos of holotype of Protankyra torquea O'Loughlin sp. nov. (WAM Z89071): a, live holotype anterior fragment; b, photo of tentacle ring of preserved holotype (insert with a photo of one tentacle with two pairs of digits). c, d, ossicle photos from body wall of holotype: c, broken anchors, with some residual rods on surfaces (anchors up to 304 µm long); d, anchor plates (anchor plates 230–260 µm long); d insert, rods and miliary 'granules' about 30 µm long.
Figure 20 in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 20. Ossicles from holotype of Neopsolidium(?) insolitum O'Loughlin sp. nov. (WAM Z89054): a, from tentacle, thick rods with widened and branched perforate ends up to 160 µm long, thin rods up to 90 µm long; b, from dorsal body wall, table discs up to 80 µm long, low two-pillar spires, distinctive tube foot support rod with bifurcate perforate ends; c, from posterior body wall, multi-layered scale fragment (bottom left), endplate up to 224 µm diameter (bottom right), distally widened and perforate tube foot support rods (top right), table discs up to 55 µm long (center), rosettes (top left).
Figure 16 in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 16. Ossicles from specimen of Pseudocolochirus axiologus (H. L. Clark, 1914) (WAM Z89031). From ventral tube feet and ventral body wall near tube feet: thick irregular oval to elongate plates with small perforations, plates up to 200 µm long; tube foot thick and thin support plates with distal small perforations, plates up to 256 µm long; small endplate (mid-lower).
Figure 11 in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 11. Photos of preserved specimen of Plesiocolochirus spinosus (Quoy & Gaimard, 1834) (NMV F204081): a, dorso-lateral view; b, ventro-lateral view; c, inter-radial and radial plates of the calcareous ring; d, peri-anal view with imbricating scales.
Figure 10. a in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 10. a, photo of lateral view of preserved specimen of Leptopentacta grisea H. L. Clark, 1938 (WAM Z89027). b, c, photos of live specimens of Plesiocolochirus species 1: b, dorsal view (WAM Z89028); c, lateral view (WAM Z89030).
Figure 29 in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 29. Photos of live specimens: a, Synaptula lamperti Heding, 1928 (WAM Z89073); b, Synaptula recta (Semper, 1867) (WAM Z89074).
Figure 6. a, b in The sea cucumbers of Camden Sound in northwest Australia, including four new species (Echinodermata: Holothuroidea)
Figure 6. a, b, photos of live specimens of Globosita elnazae O'Loughlin, 2014 (in O'Loughlin, Mackenzie & VandenSpiegel 2014): a, lateral view (WAM Z89011; estimated 25 mm long live); b, posterior dorsal view (WAM Z89012; estimated 90 mm long live). c, d, photos of live specimen of Cercodemas anceps Selenka, 1867 (WAM Z89013): c, dorsal view; d, ventral view.
A Free Verbalization Method of Evaluating Sound Design: The Effectiveness of Artificially Intelligent Natural Language Processing Methods and Tools
<p>"Robot" voice sound files. Seventeen sound files were recorded in four formats; raw human voiceover (VO), and three types of robot voice: vocoded voice 1 (“robo”), vocoded voice 2 with music (“kbd”), and a “beep” voice. Each was recorded as 44.1kHz, 24-bit wav files in a professional recording studio. VO was recorded by professional voice actor DB Cooper, who has been the robot voice for several video games, as well as the voice of the DEE BMW internal car AI voice system. Cooper recorded three versions of the emotes on a Sennheiser MKH-416. Professional sound designer pdx Drescher, an expert in robot<br> and interface sound design, created three sets of robot voices from<br> the original voice files. With guidance from one of the authors,<br> pdx was tasked with trying different approaches to turning the VO<br> samples into three different types of robot voice while attempting<br> to maintain the meaning of the original sounds as described in the<br> list above through preserving the prosody/melodic contour of the<br> original. The first set, robo, used some clips from one of pdx’s prior<br> robot voice projects and integrated them to approximate the emo-<br> tional intention of the VO. Clips were re-pitched, manipulated, and<br> modulated using ProTools plugins. For the kbd takes, VO sounds<br> were played into a Shure SM58 microphone. Vocoder patches mod-<br> ified the signal by voice formants, and the pitch was determined<br> by MIDI notes and pitch-bend controllers. Output of the synthe-<br> sizer was then edited with additional synth patches and effects (EQ,<br> modulation, etc.). We made particular use of a plugin called Envy<br> by Cargo Cult, which takes the volume, pitch, and EQ envelopes of<br> one sound (the original VO) and apply them to another sound. This<br> helped make the synth resemble the prosody of the original sound<br> to some degree. The beep sounds underwent a similar development<br> process as the robo takes, but with interface “bleeps and bloops”<br> derived from various sound effects libraries, including the Star Trek<br> LCARS soundset.</p> <p>The following sounds were recorded: 1. Warning calm (“Uh-oh”) 2. Warning alarm (“ah!”) 3. Wrong/<br> error (“rrrrr”) 4. Correct/good (“yay”) 5. Surprise (neutral) (“Oh!”) 6.<br> Surprise (good) (“Oh!”) 7. Surprise (bad) “(ohhh”) 8. Love/adoration<br> (“awww”) 9. Disgust (“ew”) 10. Contempt (“ech”) 11. Guilt (“hmmm”)<br> 12. Confused (“huh?”) 13. Laugh (“ha ha”) 14. Calculating (“hmmm”)<br> 15. Sigh 16. Giggle 17. Pain (“ow ")</p>
Figure 14 in Cicada acoustic communication: potential sound partitioning in a multispecies community from Mexico (Hemiptera: Cicadomorpha: Cicadidae)
Figure 14. Vertical stratification of calling sites.
"This was on this huge market Kikar Shabat in Jerusalem. Iwas on holiday in Israel during a Jewish Festival called Sukkot. I live in England and I'm a Jew. Iwas in the market to buy lulav and estrog. It was a huge traditional festive fair opened a week after Sukkot. It was my first trip to Israel since Iwas a teenager. There was bustle, a lot of Jews. Irecorded this sound, because Iwanted to have a souvenir, to keep this experience of this bustle and hubbub". [Mike/Sparrer]11 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"This was on this huge market Kikar Shabat in Jerusalem. Iwas on holiday in Israel during a Jewish Festival called Sukkot. I live in England and I'm a Jew. Iwas in the market to buy lulav and estrog. It was a huge traditional festive fair opened a week after Sukkot. It was my first trip to Israel since Iwas a teenager. There was bustle, a lot of Jews. Irecorded this sound, because Iwanted to have a souvenir, to keep this experience of this bustle and hubbub". [Mike/Sparrer]11
Clinical Trial of Sound-Based Versus Behavioral Therapy for Tinnitus
ClinicalTrials.gov study NCT03022084. IPD Sharing: UNDECIDED. Countries: 1. Publications: 0.
CP1150 Sound Processor Speech Perception Compared With the Next Generation of Signal Processing Technology
ClinicalTrials.gov study NCT05286385. IPD Sharing: NO. Countries: 1. Publications: 0.
The Influence of the Sound Generator Combined With Conventional Amplification for Tinnitus Control: Blind Randomized Clinical Trial
ClinicalTrials.gov study NCT01857661. IPD Sharing: Not stated. Countries: 0. Publications: 1.
Evaluation of Sound Processor for a Transcutaneous System
ClinicalTrials.gov study NCT03374787. IPD Sharing: NO. Countries: 1. Publications: 0.
ScienceDex guides
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These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.