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Literature Search from SECURE Deliverable 1.2: STATE-OF-THE-ART on Tenure Track-Like Models
<p>SECURE Deliverable 1.2: STATE-OF-THE-ART on Tenure Track-Like Models (<a title="SECURE Deliverable 1.2: STATE-OF-THE-ART on Tenure Track-Like Models" href="https://doi.org/10.5281/zenodo.10066388">https://doi.org/10.5281/zenodo.10066388</a>) included a State-of-the-Art on Tenure Track-Like Models.</p> <p>The literature review data is available as:</p> <ul> <li>an online library on Zotero - <a href="https://www.zotero.org/groups/5436703/secure_project_library/library">https://www.zotero.org/groups/5436703/secure_project_library/library</a></li> <li>Microsoft Excel files (xlsx) and</li> <li>CSV (comma-separated values) files.</li> </ul> <p>The selected literature is separated into the following headings:</p> <ul> <li>Career development and assessment for tenure track-like models</li> <li>Overall Literature for Tenure Track-Like Model</li> <li>Review of Funding Schemes for Tenure Track-Like Models</li> <li>Review of recruitment and employment conditions for tenure track-like models</li> </ul>
Literature Search from OPUS Deliverable 1.2: Initial State of the Art on Open Science Literature
<p>OPUS Deliverable 1.2: Initial State of the Art on Open Science Literature (<a title="OPUS Deliverable 1.2: Initial State of the Art on Open Science Literature" href="../doi/10.5281/zenodo.8410049" target="_blank" rel="noopener">https://zenodo.org/doi/10.5281/zenodo.8410049</a>) conducted an analysis of initiatives and literature to reform research(er) assessment and incentivise and reward Open Science.<br>Within WP1, a State-of-the-Art on Open Science Literature was conducted. This state-of-the-art on existing literature and recommendations to reform research(er) assessment and incentivise and reward Open Science was designed to support the development of interventions in WP2, of indicators and metrics in WP3 and of pilot action plans in WP4.<br>Within this overall review, specific focus was placed on a review of:</p> <ul> <li>Research(er) assessment and Open Science and incentives and rewards and Open Science</li> <li>Precarity of research careers and Open Science</li> <li>Gender equality and Open Science</li> <li>Industry practices and Open Science</li> <li>Trust and Open Science</li> </ul> <p>This literature review data is available as:</p> <ul> <li>an online library on Zotero - <a title="OPUS Zotero Library" href="https://www.zotero.org/groups/4932671/opus_project_library/collections/H4KBRTUF" target="_blank" rel="noopener">https://www.zotero.org/groups/4932671/opus_project_library/collections/H4KBRTUF</a></li> <li>a single Microsoft Excel file (xlsx) with multiple tabs and</li> <li>CSV (comma-separated values) files.</li> </ul>
Audio recordings from the opening event for The Art of Ikat: A Cambodian Renaissance exhibition
<p>The Art of Ikat: A Cambodian Renaissance is an exhibition, which took place from 22 February to 31 May 2024 at the Royal Danish Library / University of Copenhagen Library Søndre Campus, Karen Blixens Plads 7, 2300 Copenhagen S.</p> <p>This exhibition sheds light on the formation and subsequent loss of this textile collection and the devastating effects of the Cambodian civil war and Khmer Rouge regime on textiles as material culture and heritage. To this end, the exhibition explores the art and practice of ikat, hol (ហូល) in Khmer, a resist-dyed weaving technique mastered in Cambodia, and the significance of figurative and auspicious motifs used in Buddhist pidan ikat hangings. To exemplify the vitality of Cambodian arts, three artists are invited to create new pieces echoing this lost collection, based on the missing objects’ pictures and descriptions found in the cataloguing records recovered post-conflict at the National Museum of Cambodia. Facing this history of conflict which has led to the tremendous loss of artefacts and ancestral know-how, these creators embrace the vitality and resilience of Cambodian arts relying on the power of making, memory, and imagination.</p> <p>Two talks were recorded during the event:<br>- Opening address by Prof. Eva Andersson Strand, Director of the Centre for Textile Research, University of Copenhagen<br>- Keynote presentation by Dr. Magali An Berthon, postdoctoral fellow at the Centre for Textile Research and curator of The Art of Ikat: A Cambodian Renaissance</p> <p>This event received additional support from the Asian Dynamics Initiative at the University of Copenhagen, the David Fond og Samling and the Design History Society.</p>
Dataset: Electronic Arts Inc. (EA) Stock Performance
This dataset provides historical stock market performance data for specific companies. It enables users to analyze and understand the past trends and fluctuations in stock prices over time. This information can be utilized for various purposes such as investment analysis, financial research, and market trend forecasting.
Dataset: Art's-Way Manufacturing Co., Inc. (ARTW) Stock Performance
This dataset provides historical stock market performance data for specific companies. It enables users to analyze and understand the past trends and fluctuations in stock prices over time. This information can be utilized for various purposes such as investment analysis, financial research, and market trend forecasting.
Dataset: Art's-Way Manufacturing Co., Inc. (ARTW) Stock Performance
This dataset provides historical stock market performance data for specific companies. It enables users to analyze and understand the past trends and fluctuations in stock prices over time. This information can be utilized for various purposes such as investment analysis, financial research, and market trend forecasting.
Images from the textile study visit at the Yale University Art Gallery, New Haven, USA for the TEX-KR project
<p>These pictures were taken at the Yale University Art Gallery storage facility as part of a study trip in March 2022 to research on the Cambodian textiles in the Yale collection for the EU-funded MSCA TEX-KR project.<br>The objects photographed by Magali An BERTHON are part of Helen Ibbitson Jessup's gift to Yale University Art Gallery.</p> <p>These objects are also accessible on the Yale University Art Gallery database: <a href="https://artgallery.yale.edu/collection?query=jessup&page=0" target="_blank" rel="noopener">Jessup gift textiles Yale</a></p> <p>To find out more: <br><span>"Acquisitions July 1, 2017–June 30, 2018," <em>Yale University Art Gallery Bulletin: Online Supplement</em> (accessed December 1, 2018), 21.</span></p> <p>This repository presents what has been relevant to the TEX-KR project, that is, images of textile details, marks of wear and tears, repairs, and motifs in the resist-dyed ikat technique. </p> <p>To credit the images appropriately:<br>- The photos with BERTHON in the file names are to credit © Magali An Berthon for TEX-KR. <br>- The photos with Yale in the file names come from the Yale University Art Gallery and are to credit ©Yale University Art Gallery with <a href="https://rightsstatements.org/page/UND/1.0/?language=en">Copyright undetermined</a>.</p>
Fig. 4 in Stag Beetle Lucanus Cervus (Linnaeus, 1758) In Latvia (Coleoptera: Lucanidae): Faunal Status, Protection And Use In Folk Art
Fig. 4. The sweater knitted and embroidered by Nadežda Harlamova with an image of a stag beetle. Photo: Nadežda Harlamova.
Fig 2 in Stag Beetle Lucanus Cervus (Linnaeus, 1758) In Latvia (Coleoptera: Lucanidae): Faunal Status, Protection And Use In Folk Art
Fig 2. Distribution map showing known sites of records for Lucanus cervus in Latvia. Red dots are marked with higher confidence (all more than 40 years old), but with black squares – low reliability or erroneously published information.
Fig. 3 in Stag Beetle Lucanus Cervus (Linnaeus, 1758) In Latvia (Coleoptera: Lucanidae): Faunal Status, Protection And Use In Folk Art
Fig. 3. The mittens knitted by Laura Riekstiņa with an image of a stag beetle on the palm part of the mitten. Photo: Arvīds Barševskis.
Fig. 1 in Stag Beetle Lucanus Cervus (Linnaeus, 1758) In Latvia (Coleoptera: Lucanidae): Faunal Status, Protection And Use In Folk Art
Fig. 1. Lucanus cervus specimen caught in 1969, in Ieriķi. Currently kept in Alūksne Museum. Photo: Mārtiņš Kalniņš
The state-of-the-art machine learning model for Plasma Protein Binding Prediction: computational modeling with OCHEM and experimental validation
<p><span>Institute of Materia Medica, Chinese Academy of Medical Sciences purchased 10,000 ChemDiv databases.</span></p>
FIGURE 2 in New range limit of the Anopetia gounellei (Aves: Trochilidae): state of art and a review on the updated area
FIGURE 2: Updated distributional range limit of Anopetia gounellei overlapped with the dry ecoregions; others ecoregions were avoided for the sake of clarity. The range is not restricted to the Caatinga ecoregion, going beyond it by more than 212,000 km². However, few records are outside the dry ecoregion limits, and even they are close to their limits
FIGURE 1 in New range limit of the Anopetia gounellei (Aves: Trochilidae): state of art and a review on the updated area
FIGURE 1: Updated distributional range of Anopetia gounellei overlaid with the older range limit, the Caatinga biome (by Ministério do Meio Ambiente, Brazil) and the presence records. The occurrence was expanded over 400.000 km² and records from 2010 to 2015 (the year after the first record outside the range limit) are spread over the north-south and east-west limits. It is possible to observe on the south and southwestern areas of the range many records outside the Caatinga biome limit
Figure 10 in Mushroom art in South Africa and Zimbabwe - Emil Holub: 1847-1902
Figure 10. From left to right, Holub Numbers 458, 459 and 460: Agaricus trisulphuratus; no.4 61: Podoscypha? Ascomycete? Omphalina- like?; no. 462: Leucoagaricus; no. 466: Pluteus? Entoloma? Mycena?
Figure 9 in Mushroom art in South Africa and Zimbabwe - Emil Holub: 1847-1902
Figure 9 shows six different species of 'Sponge mushrooms of the Leshoma Valley.' Number 439 looks like the ectomycorrhizal Cantharellus miomboensis Buyck & V.Hofst. 2012 with a roughly textured stipe. The mushroom depicted as no. 440 is possibly another Laccaria in mid-stage of growth. As Holub linked numbers 440 and 445 with curled brackets and 'a'–'b', these may be the same mushroom at different stages. This genus is known to be very variable in Europe (A. Verbeken, pers. comm.) but there is limited information on the indigenous species (Sharp, unpublished). On its own, no. 445 has similarities to Cantharellus platyphyllus Heinem. 1966 or Cantharellus splendens Buyck 1994 and to Lepista, so it is hard to ascertain the precise identity. Number 446 with its twisted stipe is likely to be Marasmius or Collybia. Number 447 is possibly an Entoloma or Marasmius, while no. 444 is an Agaricus.
Figure 6. Holub numbers 41 and 42 in Mushroom art in South Africa and Zimbabwe - Emil Holub: 1847-1902
Figure 6. Holub numbers 41 and 42: Agaricus; numbers 47, 48, 49 and 50: Termitomyces; duplicated no. 47: Coprinus comatus.
Figure 3 in Mushroom art in South Africa and Zimbabwe - Emil Holub: 1847-1902
Figure 3 (Holub numbers 22, 23, 24), shows a characteristic termite fungus, Termitomyces. The details of the rough cap surface suggest that this is possibly Termitomyces sagittiformis (Kalchbr. & Cooke) D.A.Reid 1975 (Van der Westhuizen & Eicker 1994), although Termitomyces umkowaan (Cooke & Massee) D.A.Reid 1975 may also develop a cracked cap with age. Both species have a swollen base to the stipe before narrowing into a black pseudorrhiza as shown in Holub's illustration. A more precise identification to species is therefore not possible. The location of this specimen is given as 'Found in the sand of the swampy tributary… [west…] Dr Moffat's salt pans'. These pans are marked on Holub's map, west of the Harts River near Mamusa. 'The biggest figure is a fully grown sponge, the white of the mushroom blending into yellowish…the gills are white…grows with termite mounds.' Unfortunately, the rest of the annotation is indecipherable.
Abb. 1-2 in Meybohmia adanaensis nov.gen. & nov.sp. - eine neue Schimmelkäfergattung und -art aus der Türkei (Coleoptera, Cryptophagidae)
Abb. 1-2: (1) Holotypus Meybohmia adanaensis gen. nov., spec. nov.; (2) dito; (3) Aedeagus: Paramere (links) und Medianlobus (rechts).
Ambisonic Recordings of Typical Environments (ARTE) Database
<p><strong>Note:</strong> The sound recordings are only to be used for non-commercial personal, educational or research purposes.</p> <p><strong>Overview: </strong>The ARTE database is described in detail in Weisser et al. (2019) and was designed primarily to:</p> <ol> <li>Provide to the research community accessible multichannel recordings of a range of realistic acoustic everyday scenes that can be used in a large variety of auditory perception tests with improved ecological validity and played back in loudspeaker arrays of different geometries as well as on headphones.</li> <li>Enable standardization and replication of auditory perception tests that utilize realistic noisy environments.</li> <li>Complement the multichannel recordings with measured multichannel Room Impulse Responses (RIRs) as well as basic derived acoustic data.</li> </ol> <p>The ARTE database, so far, contains 13 acoustic environments that were recorded with a purpose-built 62-channel microphone array in various locations around Sydney (Australia), and was decoded into the higher-order Ambisonics (HOA) format.</p> <p>For each acoustic environment the following files are provided:</p> <p><strong>HOA environment files:</strong> The recorded environments were decoded into 31mixed-order HOA channels and saved as WAV-files with a sampling frequency of 44.1 kHz and 32 bits per sample. Thereby, channels 1-25 refer to the 3D HOA periphonic (horizontal) components up to the order of M = 4, and channels 26-31 refer to additional sectorial 2D components (i.e., m = n) up to the order of M = 7.</p> <p><strong>HOA RIR files: </strong>In each environment, Room Impulse Responses (RIRs) were measured with a Tannoy V8 dual-concentric loudspeaker at a number of positions relative to the microphone array. Currently, only a single RIR is provided in each environment which was measured with a loudspeaker in front of the microphone array (0 degree azimuth) at a distance of 1.3 m. Similar to the noise files, the RIRs are provided as 31-channel WAV-files with a sampling frequency of 44.1 kHz and 32 bits per sample. In addition to the “standard” RIR, a second version is provided in which the RIR was split into a direct sound (DS) component as well as a reverberation component (REV). The separated version of the RIR can be useful for enhancing the directionality (and frequency response) of the direct sound by decoding it into a single loudspeaker channel (i.e., a loudspeaker at an azimuth angle of 0 degrees) and then adding it back to the reverberant component, which is decoded normally. This process has been shown to be particularly useful when evaluating the benefit provided by directional signal enhancement methods (e.g., beamformers) in hearing aids.</p> <p><strong>Binaural environment files:</strong> The HOA noise files were transformed into binaural headphone signals by simulating their playback via a 41-channel loudspeaker array to the in-ear microphones of a calibrated Bruel & Kjaer Head and Torso Simulator (HATS type 4128C). These binaural signals are provided in two versions: (a) an unprocessed version that needs to be presented via headphones that are equalized using an artificial ear and (b) a version that can be directly played back via any diffuse-field equalized headphones. </p> <p><strong>Binaural RIRs:</strong> The HOA RIRs were transformed into binaural RIRs in the same way as the HOA noise files (see above) and were saved both unequalized and diffuse-field equalized.</p> <p><strong>Basic acoustic measures:</strong> A number of basic acoustic measures are provided by a separate PDF-file for each environment, including: (a) unweighted sound pressure levels (dB SPL), (b) A-weighted sound pressure levels (dBA), (c) reverberation time (RT60), (d) third-octave power spectra in dB SPL, (e) temporal envelopes, (f) amplitude modulation spectra, and (g) directional characteristics in the horizontal plane. The acoustic measures were derived by simulating the playback of the MOA noise files (and RIRs) via a 41-channel loudspeaker array to a calibrated omni-directional 1/4” GRAS microphone (Type 46BL).</p> <p>Apart from the acoustic environment specific files, the ARTE database includes a number of Matlab<sup>TM</sup> functions that help decoding the provided HOA files into a format that can be played back via a given loudspeaker array, and includes a number of examples.</p> <p>Further technical details are described in Weisser, et al. (2019).</p> <p><strong>Supporting material: </strong>The provided Matlab<sup>TM</sup> scripts and examples assume that the downloaded files are organized in a specific directory structure. This structure is generated automatically when downloading (and unzipping) the main zip-file (ARTE database downloas.7z). Note that this zip-file contains all required functions except the MOA and binaural sound files and RIRs. Due to their file size (about 10 GB in total), these sound files should be downloaded, one by one, from the individual links provided below.</p> <p><strong>Some notes on calibration: </strong>All HOA noise files were normalized in the same way such that they correctly maintain their original differences in sound pressure level. Hence, once the sensitivity of the loudspeaker playback system is known, the same playback gain must be applied to all noise files. Even though this playback gain can be derived using any of the provided noise files, the easiest noise file for calibrating the loudspeaker playback system is the provided diffuse noise due to its steady-state behavior. Given that most playback environments contain significant low-frequency background noise, and loudspeakers have different low-frequency roll-offs, the provided A-weighted sound pressure levels should be best used for calibration. Also, it is assumed here that all loudspeakers in the playback array have the same distance to the listener, identical sensitivity, and a flat frequency response. If this is not the case the loudspeakers need to be equalized individually. Also, reverberation of the playback room should be as low as possible.</p> <p><strong>Acknowledgement: </strong>The research related to the ARTE database was financially supported by the Oticon foundation as well as the HEARing CRC, established and supported under the Cooperative Research Centres Program – an initiative of the Australian Government, and the Oticon foundation.</p> <p><strong>References: </strong>Weisser, A., Buchholz, J. M., Oreinos, C., Badajoz-Davila, J., Galloway, J., Beechey, T., Keidser, G. (2019). The Ambisonics Recordings of Typical Environments (ARTE) database. Acta Acustica united with Acustica. (see provided pdf-file)</p>
ScienceDex guides
Understand access before you commit
These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.