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4,404 results for “digits”
Supplementary material 3 from: Ströbel B, Schmelzle S, Blüthgen N, Heethoff M (2018) An automated device for the digitization and 3D modelling of insects, combining extended-depth-of-field and all-side multi-view imaging. ZooKeys 759: 1-27. https://doi.org/10.3897/zookeys.759.24584
SV2: Illustrative examples : Explanation note: Illustrative examples of insects and snail shell models generated with DISC3D.
Data from: Digital Divide: Addressing Internet Skills. Educational implications in the validation of a scale.
<p>Dataset associated with the paper "Digital Divide: Addressing Internet Skills. Educational implications in the validation of a scale.", dealing with the Italian validation of the Internet Skills Scale (ISS).</p>
cranial feathers; 6, proximal part of neck feathers; 7, distal part of humeral feathers; 8, distal part of humeral feathers; 9 and 10, membranous soft tissue near digit II; 11, membranous soft tissue near digit IV; 12, middle part of tibial feathers. in A bizarre Jurassic maniraptoran theropod with preserved evidence of membranous wings
cranial feathers; 6, proximal part of neck feathers; 7, distal part of humeral feathers; 8, distal part of humeral feathers; 9 and 10, membranous soft tissue near digit II; 11, membranous soft tissue near digit IV; 12, middle part of tibial feathers.
the area between the left femur and left manual digits. Arrows denote the positions of the samples. Scale bars, 2 µm. in A new Jurassic scansoriopterygid and the loss of membranous wings in theropod dinosaurs
the area between the left femur and left manual digits. Arrows denote the positions of the samples. Scale bars, 2 µm.
lil, left ilium;; lti, left tibia; pd, pedal digits; and ub, unidentified bony element. The white box indicates the position from which the sample was taken for histological analysis. Scale bars, 10 mm (a, c, d), 20 mm (b). in A new Jurassic scansoriopterygid and the loss of membranous wings in theropod dinosaurs
lil, left ilium;; lti, left tibia; pd, pedal digits; and ub, unidentified bony element. The white box indicates the position from which the sample was taken for histological analysis. Scale bars, 10 mm (a, c, d), 20 mm (b).
Anterior, lateral, and posterior aspects of the mounted skeleton of Tyrannosaurus rex, chiefly from Amer. Mus. 5027, partly from the type specimen Amer. Mus. 973. The sternal ribs are not restored. (The structure of the manus is unknown as yet; the restoration of the digits is conjectural. About natural size. in Skeletal Adaptations of Ornitholestes, Struthiomimus, Tyrannosaurus
Anterior, lateral, and posterior aspects of the mounted skeleton of Tyrannosaurus rex, chiefly from Amer. Mus. 5027, partly from the type specimen Amer. Mus. 973. The sternal ribs are not restored. (The structure of the manus is unknown as yet; the restoration of the digits is conjectural. About natural size.
CAS Digital Leadership in Education
<p>blog article picture, https://blog.phzh.ch/schulfuehrung</p>
Data for Energy Landscapes for Digital Alchemy
<p>Data relating to the paper 'Energy Landscapes for Digital Alchemy'. See the README for details.</p>
Access to Collections and Digital Preservation
<p>Audio from <em>Session 9: Access to Collections and Digital Preservation</em>, held Thursday 27 June 2019 at the LIBER 2019 Annual Conference.</p> <p>Talks included:</p> <ul> <li> <p>9.1 <a href="https://doi.org/10.5281/zenodo.3259715">Access to Collections: an Essential Part of Research Collaborations</a>, Alex Fenlon, University of Birmingham, United Kingdom</p> </li> <li> <p>9.2 <a href="https://doi.org/10.5281/zenodo.3259719">Clear and Consistent: Copyright Assessment Framework for Libraries</a>, Fred Saunderson, National Library of Scotland, United Kingdom, Dafydd Tudur, National Library of Wales, United Kingdom</p> </li> <li> <p>9.3 <a href="https://doi.org/10.5281/zenodo.3259721">Networking with Networks: What is the Landscape for Digital Preservation Communities like?</a> Thomas Bähr and Michelle Lindlar, TIB Leibniz Information Center for Science and Technology University Library, Germany, Sabine Schrimpf, Deutsche Nationalbibliothek, Germany, Stefan Strathmann, Staats- und Universitätsbibliothek Göttingen, Germany, Monika Zarnitz, ZBW Leibniz-Information Center for Economics, Germany</p> </li> </ul>
SRTM y WorldClim para Curso de mapeo digital de suelos
<p>Datos requeridos para Curso Introductorio al Mapeo digital de suelos</p> <p>https://github.com/angelini75/Curso-introductorio-a-MDS</p>
Barbara Thiers of the New York Botanical Garden and president of the Society for the Preservation of Natural History Collections is among those leading the effort to harness the explosion of data being digitized by collections around the globe. Photograph: New York Botanical Garden, Bronx, NY. in The Evolution of Natural History Collections
Barbara Thiers of the New York Botanical Garden and president of the Society for the Preservation of Natural History Collections is among those leading the effort to harness the explosion of data being digitized by collections around the globe. Photograph: New York Botanical Garden, Bronx, NY.
Digital versions of lunar geological maps
<p>As the link for this database is not working at USGS website (i.e., https://astrogeology.usgs.gov/search/map/Moon/Geology/Lunar_Geologic_GIS_Renovation_March2013), we upload this database.</p>
Fig. 4 in Intraspecific variation in digit reduction in Testudo: the case of the Hermann's tortoise
Fig. 4 Visible proportions of manus with five digits between genetic lineages (N = 3338 forelimbs belonging to 1669 individuals, 380 in mixed population, 1274 in Minorca 1, and 1684 in Minorca 2)
ODDEA Malaysia Digitalization Dataset
<p><span>Data collected as part of the ODDEA (Overcoming Digital Divide Between Europe and Southeast Asia) EU research project (Project ID: HORIZON MSCA-SE 101086381). It consists of datasets from official Malaysian statistics (Department of Statistics Malaysia) divided into 4 groups (ICT Usage and Access, Digital Payment, Broadband, Cellular data) and collected in separate Excel files. data period: 2022. Excel files compressed in zip file. </span></p>
Fig. 5 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 5 How to create a brush. a The pattern is saved as Art brush. b The options Stretch to Fit Stroke Length and the brush Direction are set in the Art Brush Options window
Fig. 2 The Brushes panel. a 3 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 2 The Brushes panel. a 3 pt. Round brush. b Create New Brush. c Selected object options. d The suggested size for a single stipple is 0.25 pt
Fig. 4 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 4 Steps for creating semi-automated stippling (not to scale). a Two stipples are the basis for a simple repetitive pattern, Stippling basic. b When the stippling brush is applied without using the proper type of dashed line, a stretched stippling brush appears. c After application of the corresponding action, the stretched brush is turned into a symmetric, repetitive pattern. d The end of the stroke may be distorted. This can be adjusted by extending or shortening the vector at the terminal anchor point
Fig. 8 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 8 Every type of stippling brush needs a corresponding Action. a Actions are saved to a New Set, which can be called Stippling. b For every New action that is recorded, a unique name and Function Key should be assigned. c To stop recording, press the Stop button. d To save or load an Action, open the Actions Options. e Then press Save Actions or f Load Action
Fig. 1 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 1 Overview over the AUTOMATION workspace in Adobe Illustrator. a The workspace selection panel is located near the top right corner of the window. b The Brushes menu. c The Actions panel. d The Layers menu. e The Stroke panel
Fig. 3 in Adding depth to line artwork by digital stippling-a step-by-step guide to the method
Fig. 3 Example of how to build up shading through manual stippling. a Start with one row of equally-spaced dots. b, c Add second and third rows alternating to the previous row. d–g For a desaturation effect, add more rows but with increased distance between them. For a stronger desaturation, double the spacing between the dots in another (set of) row(s)—alternating with every second dot in the previous row. This pattern can be deliberately expanded
ScienceDex guides
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These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.