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1,202 results for “interests”
Wiki-based Communities of Interest: Demographics and Outliers
<p>These datasets contains statements about demographics and outliers of Wiki-based Communities of Interest. </p> <p><strong>Group-centric dataset (sample):</strong></p> <pre><code class="language-json">{ "title": "winners of Priestley Medal", "recorded_members": 83, "topics": ["STEM.Chemistry"], "demographics": [ "occupation-chemist", "gender-male", "citizen-U.S." ], "outliers": [ { "reason": "NOT(chemist) unlike 82 recorded members", "members": [ "Francis Garvan (lawyer, art collector)" ] }, { "reason": "NOT(male) unlike 80 recorded members", "members": [ "Mary L. Good (female)", "Darleane Hoffman (female)", "Jacqueline Barton (female)" ] } ] }</code></pre> <p><strong>Subject-centric dataset (sample):</strong></p> <pre><code class="language-json">{ "subject": "Serena Williams", "statements": [ { "statement": "NOT(sport-basketball) but (tennis) unlike 4 recorded winners of Best Female Athlete ESPY Award.", "score": 0.36 }, { "statement": "NOT(occupation-politician) but (tennis player, businessperson, autobiographer) unlike 20 recorded winners of Michigan Women's Hall of Fame.", "score": 0.17 } ] }</code></pre> <p><strong>This data can be also browsed at: <a href="https://wikiknowledge.onrender.com/demographics/">https://wikiknowledge.onrender.com/demographics/</a></strong></p>
Figure 1. Taxon 1 in Descriptions of two interesting chironomid pupae collected in Yunnan Province, China (Chironomidae: Chironominae)
Figure 1. Taxon 1: a) frontal apotome; b) thoracic horn; c) thorax; d) abdoman dorsal view; e) posterolateral spines of segment VIII. Taxon 2: f) abdoman dorsal view; g) posterolateral spines of segment VIII. Scale bar = XX μm.
Figure 8 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 8. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, female 9.2 mm: A pereopod 5; B-C pereopod 6; D- E-F pereopod 7.
Figure 5 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 5. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, male 9.8 mm: A coxa 5; B-C-D pereopod 6; E-F-G pereopod 7.
Figure 2 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 2. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, male 9.8 mm: A mandible palpus, outer face; B distal mandible palpus article, inner face with B-setae; C right mandible incisor, lacinia mobilis and rakers; D left mandible incisor and lacinia mobilis; E maxilliped; F peduncle of pleopod 1; G peduncle of pleopod 2; H peduncle of pleopod 3; I= uropod 3. Female 9.2 mm: J third palpus article of mandible, inner face with B, D and E-setae.
Figure 1 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 1. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, male 9.8 mm: A antenna 1; B antenna 2; C labium; D maxilla 1; E maxilla 2; F epimeral plates 1-3; G telson.
Figure 7 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 7. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, female 9.2 mm: A inner plate of maxilla 1; B pereopod 3; C coxa 4; D epimeral plates 1-3; E peduncle of pleopod 1; F peduncle of pleopod 2; G peduncle of pleopod 3.
Figure 4 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 4. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, male 9.8 mm: A labrum; B head; C-D pereopod 3; E-F pereopod 4; G urosome with uropods 1-2.
Figure 6 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 6. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, female 9.2 mm: A left mandible, incur and lacinia mobilis; B-C gnathopod 1, outer face; D-E gnathopod 2, outer face.
Figure 3 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 3. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, male 9.8 mm: A-B gnathopod 1, outer face; C distal corner of gnathopod 1 propodus, inner face [S-corner spine; L-lateral spines; R-subcorner spine]; D-E gnathopod 2, outer face; F distal corner of gnathopod 1 propodus, inner face [S-corner spine; L-lateral spines; R-subcorner spine; Mfacial setae].
Figure 9 in On two new or interesting species of the family Niphargidae from Greece and Croatia (Contribution to the knowledge of the Amphipoda 286)
Figure 9. Niphargus impexus, sp. n., Iraklion, Crete Island, Greece, female 9.2 mm: A uropod 1; B uropod 2; C uropod 3; D telson.
Рис. 8–13. ΔанΑшафты Южного УраΛа (8–11) и Русской равнины (12–13). 8 – разнотравная степь у поΑножия горы ВербΛюжка, местообитание Cionus rossicus; 9 – ксерофитные Λуга в пойме реки УраΛ вбΛизи горы ВербΛюжка, местообитание Cionus rossicus; 10 – южные степи в районе КзыΛаΑырского карстового поΛя, местообитание Cionus gebleri; 11 – степи низкогорий Южного УраΛа бΛиз с. КиΑрясово, местообитание Smicronyx albopictus; 12 – КаменноброΑские меΛовые горы на юго-запаΑе ПривоΛжской возвышенности, местообитание Mecinus janthiniformis, Smicronyx robustus и S. albopictus; 13 – меΛовой останец КобыΛья ГоΛова в прироΑном парке «Àонской», местообитание Mecinus janthiniformis. Figs 8–13. Landscapes of the Southern Urals (8–11) and the Russian Plain (12–13). 8 – forb steppe at the down of Verblyuzhka Mt., habitat of Cionus rossicus; 9 – xerophytic meadows in the floodplain of the Ural River near Verblyuzhka Mt., habitat of Cionus rossicus; 10 – southern steppes in the Kzyladyr karst area, habitat of Cionus gebleri; 11 – steppes of the low mountains of the Southern Urals near Kidryasovo village, habitat of Smicronyx albopictus; 12 – Kamennobrodsky chalk mountains in the southwest of the Volga Upland, habitat of Mecinus janthiniformis, Smicronyx robustus, and S. albopictus; 13 – Cretaceous outlier Kobyl'ya Golova in the Donskoy Nature Park, habitat of Mecinus janthiniformis. in Interesting records of weevils (Coleoptera: Curculionidae: Curculioninae) in the steppe zone of the European part of Russia and the Urals
Рис. 8–13. ΔанΑшафты Южного УраΛа (8–11) и Русской равнины (12–13). 8 – разнотравная степь у поΑножия горы ВербΛюжка, местообитание Cionus rossicus; 9 – ксерофитные Λуга в пойме реки УраΛ вбΛизи горы ВербΛюжка, местообитание Cionus rossicus; 10 – южные степи в районе КзыΛаΑырского карстового поΛя, местообитание Cionus gebleri; 11 – степи низкогорий Южного УраΛа бΛиз с. КиΑрясово, местообитание Smicronyx albopictus; 12 – КаменноброΑские меΛовые горы на юго-запаΑе ПривоΛжской возвышенности, местообитание Mecinus janthiniformis, Smicronyx robustus и S. albopictus; 13 – меΛовой останец КобыΛья ГоΛова в прироΑном парке «Àонской», местообитание Mecinus janthiniformis. Figs 8–13. Landscapes of the Southern Urals (8–11) and the Russian Plain (12–13). 8 – forb steppe at the down of Verblyuzhka Mt., habitat of Cionus rossicus; 9 – xerophytic meadows in the floodplain of the Ural River near Verblyuzhka Mt., habitat of Cionus rossicus; 10 – southern steppes in the Kzyladyr karst area, habitat of Cionus gebleri; 11 – steppes of the low mountains of the Southern Urals near Kidryasovo village, habitat of Smicronyx albopictus; 12 – Kamennobrodsky chalk mountains in the southwest of the Volga Upland, habitat of Mecinus janthiniformis, Smicronyx robustus, and S. albopictus; 13 – Cretaceous outlier Kobyl'ya Golova in the Donskoy Nature Park, habitat of Mecinus janthiniformis.
Рис. 1–7. Новые ΑΛя фауны России и маΛоизвестные виΑы жуков-ΑоΛгоносиков. 1–3 – Cionus rossicus: 1 – самец, 2 – эΑеагус, 3 – самка; 4 – Cionus gebleri; 5 – Mecinus janthiniformis; 6 – Smicronyx robustus; 7 – Smicronyx albopictus. Figs 1–7. New to the fauna of Russia and little known species of weevils. 1–3 – Cionus rossicus: 1 – male, 2 – aedeagus, 3 – female; 4 – Cionus gebleri; 5 – Mecinus janthiniformis; 6 – Smicronyx robustus; 7 – Smicronyx albopictus. in Interesting records of weevils (Coleoptera: Curculionidae: Curculioninae) in the steppe zone of the European part of Russia and the Urals
Рис. 1–7. Новые ΑΛя фауны России и маΛоизвестные виΑы жуков-ΑоΛгоносиков. 1–3 – Cionus rossicus: 1 – самец, 2 – эΑеагус, 3 – самка; 4 – Cionus gebleri; 5 – Mecinus janthiniformis; 6 – Smicronyx robustus; 7 – Smicronyx albopictus. Figs 1–7. New to the fauna of Russia and little known species of weevils. 1–3 – Cionus rossicus: 1 – male, 2 – aedeagus, 3 – female; 4 – Cionus gebleri; 5 – Mecinus janthiniformis; 6 – Smicronyx robustus; 7 – Smicronyx albopictus.
"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15
Exposure to Gun Violence in Video Games Increases Interest in Real Guns
ClinicalTrials.gov study NCT03259139. IPD Sharing: UNDECIDED. Countries: 1. Publications: 1.
Opposing life history strategies allow grass shrimp parasites to avoid a conflict of interest
Open the record for dataset details and reuse information.
PIPD2020 - Pinterest Interests Profiling Dataset 2020
<p>This dataset contains features extracted with EfficientNet-B3 from over 60000 images classified in 15 interests categories 4 of which are further analyzed in subcategories, features from the images of 12 users with hand-labeled Pinboards, the text extracted from the previous images and over 200000 features from the images of 422 Pinterest users along with their follower-followee relationships.</p>
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International Brain Laboratory public data
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OpenNeuro
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