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14 results for “1657”
Trento 1936 - Building 1657
<u>Coordinates</u>: N/A <br><u>Length</u>: 16.83 m<br><u>Width</u>: 12.67 m<br><u>Height</u>: 14.66 m<br><u>Points</u>: 24 <br><u>Vertices</u>: 132 <br><u>Primitives</u>: 44 <br><br><u>Main Files:</u><br><table><tbody><tr><th>Filename</th><th>.glb</th><th>.xml</th><th>.obj</th></tr><tr><td><a href="https://zenodo.org/api/records/12692496/files/building_1657.glb/content">building_1657.glb</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657.glb/content">Link</a></td><td></td><td></td></tr><tr><td><a href="https://zenodo.org/api/records/12692496/files/building_1657.obj/content">building_1657.obj</a></td><td></td><td></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657.obj/content">Link</a></td></tr><tr><td><a href="https://zenodo.org/api/records/12692496/files/11577035_metsmods.xml/content">11577035_metsmods.xml</a></td><td></td><td><a href="https://zenodo.org/api/records/12692496/files/11577035_metsmods.xml/content">Link</a></td><td></td></tr><tr><td><a href="https://zenodo.org/api/records/12692496/files/11577035_edm.xml/content">11577035_edm.xml</a></td><td></td><td><a href="https://zenodo.org/api/records/12692496/files/11577035_edm.xml/content">Link</a></td><td></td></tr></tbody></table><br><br><u>Thumbnails:</u><br><table><tbody><tr><th>Perspective</th><th>1000x1000</th><th>512x512</th><th>256x256</th><th>128x128</th></tr><tr><td>Perspective 1</td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_1.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_1_512x512.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_1_256x256.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_1_128x128.png/content">Link</a></td></tr><tr><td>Perspective 2</td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_2.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_2_512x512.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_2_256x256.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_2_128x128.png/content">Link</a></td></tr><tr><td>Perspective 3</td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_3.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_3_512x512.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_3_256x256.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_3_128x128.png/content">Link</a></td></tr><tr><td>Perspective 4</td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_4.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_4_512x512.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_4_256x256.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_4_128x128.png/content">Link</a></td></tr><tr><td>Perspective Top</td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_top.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_top_512x512.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_top_256x256.png/content">Link</a></td><td><a href="https://zenodo.org/api/records/12692496/files/building_1657_perspective_top_128x128.png/content">Link</a></td></tr></tbody></table><br><br><br><u>Changelog</u>: <br> - v<a href="https://doi.org/10.5281/zenodo.12547723">0.0.2</a>: Thumbnails added, Description updated with Link Tables.<br> - v<a href="https://doi.org/10.5281/zenodo.12692496">0.0.3</a>: Added XMLs for Europeana Data Model (EDM) and MetsMods.<br>
The Orpheus of Delhi: The Maestro Khushhal Khan and the Mughal War of Succession, 1657-8
<p>The images that accompany this podcast may be found here: <a href="https://gate.sc?url=https%3A%2F%2Fblogs.bl.uk%2Fasian-and-african%2F2018%2F03%2Fcanonical-hindustani-music-treatises-of-aurangzeb-alamgirs-reign.html&token=2ba707-1-1609325170470">blogs.bl.uk/asian-and-african/2…alamgirs-reign.html</a> .</p> <p>What was the connection between the power of Indian music and the Mughal emperor’s sovereign power? And why is there a picture of Orpheus above the Mughal throne in Delhi?</p> <p>Perhaps the most famous anecdote of the reign of emperor Aurangzeb (r.1658–1707) concerns his “burial of music”, a parodic funeral procession put on by devastated court musicians in protest at the Emperor having banned music in 1668. In legend, the leader of this procession was Khushhal Khan “Gunasamudra” (fl. 1630s–70s), one of the most feted court musicians of his time. Great-grand-son of the most famous Mughal musician of them all, Tansen, and chief musician to the emperor Shah Jahan (r. 1627–58), he was written about extensively in his lifetime as a virtuoso singer of exceptional merit and serious character.</p> <p>Yet this was not how he was memorialised a hundred years later in 1753, when nobleman Inayat Khan “Rasikh” put the legends of the great Mughal musicians of the past into a biographical collection for the first time. Rather, Khushhal was remembered as the protagonist in a shocking scandal that supernaturally sealed Shah Jahan’s fate:— to be overthrown by his son Aurangzeb in the Mughal War of Succession, 1657–8. In this podcast I retell this story from Khushhal Khan’s life from the vantage point of the 1750s looking back over the canonical Mughal writings on music of Shah Jahan’s and Aurangzeb’s reigns. And I reveal what all this tells us about the power and importance of music at the Mughal court, before everything began to unravel.</p> <p>1. Panipat, 1753 – 0:00<br> 2. The War of Succession, 1657-8 – 7:20<br> 3. Khushhal Khan’s Story – 12:30<br> 4. The Powers of Music – 26:02<br> 5. Panipat, 1753 – 35:34</p> <p>This podcast is part of the project Histories of the Ephemeral: Writing on Music in Late Mughal India, sponsored by the British Academy in association with the British Library; additional research was funded by the European Research Council.</p> <p>The Orpheus of Delhi was written by me, Katherine Butler Schofield (King's College London), and is based on my original research. It was produced by Chris Elcombe <a href="https://gate.sc?url=http%3A%2F%2Fwww.linkedin.com%2Fin%2Fchris-elcombe-523a60116%2F&token=6f5c9c-1-1609325170470">www.linkedin.com/in/chris-elcombe-523a60116/</a> and is published under a Creative Commons Attribution Non-Commercial No Derivatives (CC–BY-NC–ND)license.</p> <p>The recordings of Rag Bilaskhani Todi — the main form of Rag Todi in the time of Khushhal Khan, and legendarily created by his grandfather Bilas Khan — are courtesy of:</p> <p>Rakae Jamil on surbahar: <a href="https://soundcloud.com/sanjannagar/surbahar-rakae-edited">Sanjannagar – Surbahar-rakae-edited</a> . By permission.</p> <p>M V N Murthy on veena, Veena-Murthy-19-4-2011 recorded by xserra. Licensed under a Creative Commons Attribution Licence CC BY 4.0: <a href="https://gate.sc?url=https%3A%2F%2Ffreesound.org%2Fpeople%2Fxserra%2Fsounds%2F125655%2F&token=c8e001-1-1609325170470">freesound.org/people/xserra/sounds/125655/</a></p> <p>Pamulka Karunanayake on esraj:<br> <a href="https://soundcloud.com/pamalka-karunanayake/raga-bilaskhani-todi-madhya-laya">Pamalka-karunanayake – Raga-bilaskhani-todi-madhya-laya</a> . By permission.</p> <p>Lothar Berger, Soumyojit Das & Sourendro Mullick, “Nachtgesang/Bilaskhani Todi”: <a href="https://soundcloud.com/lothar-berger-music/nachtgesang-bilaskhani-todi">Lothar-berger-music – Nachtgesang-bilaskhani-todi</a> . By permission.</p> <p>Professor Ritwik Sanyal, dhrupad composition by Bilas Khan himself, recorded in Benares by Hans Wettstein in 1995: <a href="https://gate.sc?url=https%3A%2F%2Fyoutu.be%2F5l9hxmD5ul8&token=91faaa-1-1609325170470">youtu.be/5l9hxmD5ul8</a> . By permission.</p> <p>With thanks to: the British Academy, the European Research Council, the British Library, Yale University Art Gallery, Ebba Koch, William Dalrymple and Bruce Wannell. For more episodes and information email <a href="mailto:katherine.schofield@kcl.ac.uk">katherine.schofield@kcl.ac.uk</a>.</p>
Fig. 5. – Sheet number 39 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 5. – Sheet number 39 of the Cupani Herbarium containing one specimen of Rosa L. (Rosaceae).
Fig. 6. – Sheet number 17 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 6. – Sheet number 17 of the Cupani Herbarium.
Fig. 1 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 1. – Spine and inventory label of the Cupani Herbarium.
Fig. 3. – Sheet number 6 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 3. – Sheet number 6 of the Cupani Herbarium.
Fig. 4 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 4. – First page of the index of the Cupani Herbarium.
Fig. 7. – Sheet number 1 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 7. – Sheet number 1 of the Cupani Herbarium.
Fig. 2 in Study of a pre-Linnaean herbarium attributed to Francesco Cupani (1657-1710)
Fig. 2. – Title page of the Cupani Herbarium.
CE 1657 – OLLA
N° de Registro Nacional: 0000296921 DATOS DE IDENTIFICACIÓN BIEN CULTURAL: Olla MATERIAL: Cerámica CULTURA / ESTILO: Inca CRONOLOGIA: Horizonte Tardío (1,476 d.c. - 1,532 d.c.) Source: Objaverse 1.0 / Sketchfab
Binary black-hole simulation SXS:BBH:1657
Simulation of a black-hole binary system evolved by the <a href="https://www.black-holes.org/code/SpEC.html">SpEC code</a>.
Binary black-hole simulation SXS:BBH:1657
Simulation of a black-hole binary system evolved by the <a href="https://www.black-holes.org/code/SpEC.html">SpEC code</a>.
IO Islamic 1657. Khulâṣat-altawârîkh, General History of India
<p>IO Islamic 1657. Khulâṣat-altawârîkh, General History of India</p>
Rinorea racemosa (Mart.) Kuntze from Colombia collected by F. Moreno y C. Carvajal #1657
<p><strong>File Name</strong>: <span>TOLI-22344-PER-01-S1<10-189.jpg</span></p> <p><strong>CÓDIGO FOTO</strong>: <span>TOLI-22344-PER-01-S1<10-189-</span></p> <p><strong>Fotografía</strong>: <span>SI</span></p> <p><strong>Nº TOLI</strong>: <span>TOLI-22344</span></p> <p><strong>PARCELA</strong>: <span>PER-01</span></p> <p><strong>CÓDIGO</strong>: <span>S1<10-189</span></p> <p><strong>Nº COLECTA</strong>: <span>1657</span></p> <p><strong>NUEVOS COLECTORES</strong>: <span>Esteban Álvarez Dávila</span></p> <p><strong>COLECTORES</strong>: <span>F. Moreno y C. Carvajal</span></p> <p><strong>Nº MUESTRAS MONTADAS</strong>: <span>1</span></p> <p><strong>Homologación</strong>: <span>No homologado</span></p> <p><strong>Nueva fecha del evento </strong>: <span>20/12/2018.</span></p> <p><strong>Fecha del evento</strong>: <span>01/09/2012.</span></p> <p><strong>Proyecto </strong>: <span>Recursos Botánicos Disponibles en Línea (BRAVO) para la flora Colombiana</span></p> <p><strong>Hábitat</strong>: <span>Bosque húmedo tropical (bh-T)</span></p> <p><strong>Comentario del evento</strong>: <span>Bosque de tierra firme, dosel abierto, de 25-30 m, emergentes de 35 m, estrato medio de 15 m, sotobosque denso con alta regeneración natural, presencia de palmas como Lepidocaryum tenue, Oenocarpus bataua, Geonoma sp., capa de hojarazca de 15 cm, abundante materia orgánica. Pendientes pronunciadas. Poca intervención antrópica.</span></p> <p><strong>Continente</strong>: <span>SA</span></p> <p><strong>Pais</strong>: <span>Colombia</span></p> <p><strong>Estado/Provincia</strong>: <span>Amazonas</span></p> <p><strong>Municipio</strong>: <span>Puerto Santander</span></p> <p><strong>Localidad</strong>: <span>Resguardo indígena Nonuya de Villazul.</span></p> <p><strong>Elevación minima en metros</strong>: <span>250</span></p> <p><strong>Elevación maxima en metros</strong>: <span>400</span></p> <p><strong>Latitud</strong>: <span>-0.654</span></p> <p><strong>Longitud original</strong>: <span>-72.072</span></p> <p><strong>datum geodésico</strong>: <span>WGS 84</span></p> <p><strong>Latitud decimal</strong>: <span>-0.654</span></p> <p><strong>Longitud decimal</strong>: <span>-72.072</span></p> <p><strong>Identificado por</strong>: <span>Felipe Moreno & C. Carvajal</span></p> <p><strong>Fecha de identificación</strong>: <span>01/09/2019.</span></p> <p><strong>Familia antigua</strong>: <span>Violaceae</span></p> <p><strong>Especie antigua</strong>: <span>Rinorea racemosa (Mart.) Kuntze</span></p> <p><strong>Nombre cientifico</strong>: <span>Rinorea racemosa (Mart.) Kuntze</span></p> <p><strong>Reino</strong>: <span>Plantae</span></p> <p><strong>Filo</strong>: <span>Magnoliophyta</span></p> <p><strong>Clase</strong>: <span>Equisetopsida</span></p> <p><strong>Orden</strong>: <span>Malpighiales</span></p> <p><strong>Familia nueva</strong>: <span>Violaceae</span></p> <p><strong>Género nuevo</strong>: <span>Rinorea</span></p> <p><strong>especie nueva</strong>: <span>racemosa</span></p> <p><strong>Autoría del nombre científico</strong>: <span>(Mart.) Kuntze</span></p> <p><strong></strong>: <span>Violaceae</span></p> <p><strong>genero herbario</strong>: <span>Rinorea</span></p> <p><strong>especie herbario</strong>: <span>racemosa</span></p> <p><strong>Especie de herbario para TNRS</strong>: <span>Rinorea racemosa</span></p> <p><strong>Especie corregida herbario y desde TNRS</strong>: <span>Rinorea racemosa</span></p> <p><strong>Familia corregida desde TNRS</strong>: <span>Violaceae</span></p> <p><strong></strong>: <span>1483</span></p>
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