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19 results for “Cinema”

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zenodo48/100

Film Programming in the USSR: A Case Study of Moscow Cinemas (1946–1955)

<p>This paper presents a database on film programming in Moscow cinemas between 1946 and 1955. It outlines the place of this research at the intersection of new cinema history and academic debates on film distribution in the field of Soviet history. The paper describes the data collection, the coding to present the data, and the structure of the database, which consists of the three datasets on Moscow film programming (1946&ndash;1955), Moscow cinemas (1946&ndash;1955), and the 1952 film calendar. Concluding remarks summarize the knowledge obtained from the database and introduce the Soviet case into the international context of digital data collections for historical cinema studies.</p> <p>The database includes Cyrillic; it might require additional text encoding.&nbsp;</p> <p>The updated version includes the unique IDs for cinemas to increase the usability of the data.&nbsp;</p>

opencc-by-4.0Sep 2023View details →
zenodo44/100

Film Programming in the USSR: A Case Study of Moscow Cinemas (1946–1955)

<p>This paper presents a database on film programming in Moscow cinemas between 1946 and 1955. It outlines the place of this research at the intersection of new cinema history and academic debates on film distribution in the field of Soviet history. The paper describes the data collection, the coding to present the data, and the structure of the database, which consists of the three datasets on Moscow film programming (1946&ndash;1955), Moscow cinemas (1946&ndash;1955), and the 1952 film calendar. Concluding remarks summarize the knowledge obtained from the database and introduce the Soviet case into the international context of digital data collections for historical cinema studies.</p>

opencc-by-4.0Sep 2023View details →
zenodo36/100

Carlton Cinema Essex Road

The former Carlton Cinema (and then Mecca Bingo) is an Art deco Grade II* listed building. (Wikipedia). https://en.wikipedia.org/wiki/Carlton_Cinema,_Essex_Road Located on the junction of Essex Road and River Place, Islington, London. Date: 1930. Architect: George Coles. 1222 photos taken in January 2022 with a Sony a7R III and processed in Reality Capture. Source: Objaverse 1.0 / Sketchfab

opencc-byFeb 2022View details →
zenodo36/100

Calverley Park & Cinema Site

Low res scan of Calverley park and Old Cinema Site - what would an ice rink look like at the old cinema site or a new band stand in Calverley Park?? Source: Objaverse 1.0 / Sketchfab

opencc-bySep 2019View details →
zenodo36/100

Llanterna màgica, Museu del Cinema

**CAT** Llanterna màgica de doble objectiu, anomenada també "biunial", fabricada per l'empresa londinenca Butcher &amp; Sons Ltd. La seva datació és ca. 1880 i es custodia al Museu del Cinema de Girona. **ES** Linterna mágica de doble objetivo, llamada también "biunial", fabricada por la empresa londinense Butcher &amp; Sons Ltd. Su datación es ca. 1880 y se custodia en el Museo del Cine de Girona. **EN** Magic lantern with two objectives, also known as a "biunial". Manufactured by Butcher &amp; Sons Ltd. in London. Dating to around 1880, it is kept at the Museum of Cinema in Girona. Source: Objaverse 1.0 / Sketchfab

opencc-byDec 2020View details →
zenodo36/100

Crystal Palace Cinema from realityvirtual.co

Crystal Palace 1920's Cinema Projection Room square made using the photos dataset provided by Simon Che de Boer (realityvirtual.co) Thanks a lot for sharing!! :-) https://sketchfab.com/models/7cd03d4060ba4c6d91bde0949f71f5d9 full room scan here More info about Crystal Palace https://vimeo.com/132294910 You can download the full dataset here https://drive.google.com/file/d/1McPOAd2Yn_au1brAlosIC75v9shUbQ8z/view Source: Objaverse 1.0 / Sketchfab

opencc-byApr 2018View details →
dryad36/100

Causal identification of single-cell experimental perturbation effects with CINEMA-OT

<p>Recent advancements in single-cell technologies allow characterization of experimental perturbations at single-cell resolution. While methods have been developed to analyze such experiments, the application of a strict causal framework has not yet been explored for the inference of treatment effects at the single-cell level. In this work, we present a causal inference-based approach to single-cell perturbation analysis, termed CINEMA-OT (Causal INdependent Effect Module Attribution + Optimal Transport). CINEMA-OT separates confounding sources of variation from perturbation effects to obtain an optimal transport matching that reflects counterfactual cell pairs. These cell pairs represent causal perturbation responses permitting a number of novel analyses, such as individual treatment effect analysis, response clustering, attribution analysis, and synergy analysis. We benchmark CINEMA-OT on an array of treatment effect estimation tasks for several simulated and real datasets and show that it outperforms other single-cell perturbation analysis methods. Finally, we perform CINEMA-OT analysis of two newly-generated datasets: (1) rhinovirus and cigarette smoke-exposed airway organoids, and (2) combinatorial cytokine stimulation of immune cells. In these experiments, CINEMA-OT reveals potential mechanisms by which cigarette smoke exposure dulls the airway antiviral response, as well as the logic that governs chemokine secretion and peripheral immune cell recruitment.</p>

opencc-zeroJul 2023View details →
zenodo36/100

Beirut The Egg Cinema

The Egg is cinema building in Beirut, Lebanon. Designed by architect Joseph Philippe Karam, Its construction began in 1965 but it was interrupted with the outbreak of the Lebanese Civil War in 1975, the horse-shoe shaped dome that remains today is now a landmark in Beirut. Source: Objaverse 1.0 / Sketchfab

opencc-byMay 2022View details →
dryad36/100

Causal identification of single-cell experimental perturbation effects with CINEMA-OT

Open the record for dataset details and reuse information.

publicSep 2023View details →
zenodo32/100

Cars in Cinema

Open the record for dataset details and reuse information.

opencc-by-4.0Apr 2024View details →
zenodo32/100

Cinema brasileiro dos anos 30 e 40 é tema de pesquisa na UFSCar

<p>Vitor Pedrassi, mestrando no Programa de P&oacute;s-Gradua&ccedil;&atilde;o em Imagem e Som da Universidade Federal de S&atilde;o Carlos (PPGIS - UFSCar), fala de sua pesquisa sobre a produtora Sonofilmes e o cinema brasileiro durante os anos 30 e 40. Mais em: http://lattes.cnpq.br/4188643386453081</p> <p>&nbsp;</p> <p>Cinema brasileiro dos anos 30 e 40 &eacute; tema de pesquisa na UFSCar&nbsp;de&nbsp;<a href="https://youtu.be/jJFjRqYQLic">https://youtu.be/jJFjRqYQLic</a>&nbsp;est&aacute; licenciado com uma Licen&ccedil;a&nbsp;<a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons - Atribui&ccedil;&atilde;o-N&atilde;oComercial-SemDeriva&ccedil;&otilde;es 4.0 Internacional</a>.<br> Podem estar dispon&iacute;veis autoriza&ccedil;&otilde;es adicionais &agrave;s concedidas no &acirc;mbito desta licen&ccedil;a em&nbsp;<a href="https://www.labi.ufscar.br/">https://www.labi.ufscar.br/</a>.</p>

opencc-by-4.0Apr 2020View details →
ClinicalTrials.gov32/100

DUbbing Language-therapy CINEma-based in Aphasia Post-Stroke

ClinicalTrials.gov study NCT04289493. IPD Sharing: NO. Countries: 1. Publications: 1.

closedIPD-NOFeb 2026View details →
zenodo28/100

70s Old cinema seats

70s Old cinema seats Source: Objaverse 1.0 / Sketchfab

opencc-by-nc-sa-2.0Oct 2021View details →
zenodo24/100

AP-35 Pollux cinema projector

ID no:. MHF 2294/I Museum of Photography in Kraków https://muzea.malopolska.pl/en/objects-list/956 Digitalisation: RDW MIC, Virtual Małopolska project Source: Objaverse 1.0 / Sketchfab

opencc-zeroSep 2019View details →
zenodo24/100

Passage - Cinema Art in the day

Passage - Cinema Art in the day. A good reference or gameobject to a computer game. The first attempt to scan environment. One of my favorite places... Photogrammetry from 324 photos. Link to Google Street View: [https://goo.gl/maps/EnirMWXhKG22](http://) Source: Objaverse 1.0 / Sketchfab

opencc-byJul 2017View details →
zenodo20/100

Cinema & Civiltà corpus

<p>The corpus material is composed of eight .xml files containing the transcriptions of the Cinema &amp; Civilt&agrave; conference recordings obtained from the digitized form;&nbsp;see Luzietti, R.B., Pretto, N., Kaplan, F., Dufaux, A., Canazza, S. (2021). FONTI 4.0: evaluating speech-to-text automatic transcription of digitized historical oral sources. In Proceedings of the eight Italian conference on computational linguistics (CLiC-it 2021).</p> <p>The name on the files coincides with the name of the preservation copy, e.g., FCINI002a. FCINI stands for Giorgio Cini foundation, the numbers correspond to the magnetic tape on which the parts of conference were recorded on (002, 003 etc.), and the letters a &amp; b indicate the side of the tape.&nbsp;</p> <p>The correct order of the files is:</p> <p>1) &nbsp; &nbsp; &nbsp;FCINI002a</p> <p>2) &nbsp; &nbsp; &nbsp;FCINI002b</p> <p>3) &nbsp; &nbsp; &nbsp;FCINI003b</p> <p>4) &nbsp; &nbsp; &nbsp;FCINI003a</p> <p>5) &nbsp; &nbsp; &nbsp;FCINI004b</p> <p>6) &nbsp; &nbsp; &nbsp;FCINI004a</p> <p>7) &nbsp; &nbsp; &nbsp;FCINI005a</p> <p>8) &nbsp; &nbsp; &nbsp;FCINI005b</p> <p>Each transcription file is annotated according to the Text Encoding Initiative (TEI) style, tags, and guidelines (https://tei-c.org/release/doc/tei-p5-doc/en/html/index.html). The first part of the TEI transcription files is the Header in which a series of technical metadata information about each recorded file are present. These are: the title, owner, editor, extent, duration, recording equipment, date of the recording, date of digitization, languages, and speakers.</p> <p>The second part of the TEI file is the Body containing the text and further annotations. At the beginning of each segment (i.e., &lt;annotation block&gt;), are indicated the language, if different from Italian, using the tag &lt;foreign&gt; (e.g., &lt;foreign xml:lang=&quot;fr-FR&quot;&gt;...&lt;/foreign&gt; for French and &lt;foreign xml:lang=&quot;es-ES&quot;&gt;...&lt;/foreign&gt; for Spanish), and the audio quality using the tag &lt;note&gt; containing the values excellent, good, fair, poor or bad (e.g., &lt;note&gt; good &lt;/note&gt;). The annotations within the text are: &lt;shift&gt;; &lt;distinct&gt;; &lt;unclear&gt;; &lt;del&gt;; &lt;overlap&gt;; &lt;gap&gt;; &lt;vocal&gt; and &lt;incident&gt;.</p> <p>For more see Luzietti, R.B., Pretto, N., Kaplan, F., Dufaux, A., Canazza, S. (2021). FONTI 4.0: evaluating speech-to-text automatic transcription of digitized historical oral sources. In Proceedings of the eight italian conference on computational linguistics (CLiC-it 2021).</p>

restrictedNov 2021View details →
zenodo20/100

Peerless Magnarc Cinema Projectors

Peerless Magnarc Cinema Projectors from Crystal Palace 1920's Cinema Projection Room Made using the photos dataset provided by Simon Che de Boer (realityvirtual.co) Thanks a lot for sharing!! :-) More info about Crystal Palace https://vimeo.com/132294910 You can download the full dataset here https://drive.google.com/file/d/1McPOAd2Yn_au1brAlosIC75v9shUbQ8z/view Source: Objaverse 1.0 / Sketchfab

opencc-by-nc-sa-2.0May 2018View details →
zenodo20/100

Cinema Screen

Cinema Screen Source: Objaverse 1.0 / Sketchfab

opencc-bySep 2019View details →
zenodo20/100

Cinema Movie Projector AP5 - 1961

Raw scan made on cinema movie projector that is standing in Kijów Centrum Cimena in Kraków, Poland It was used for 35mm tape. Produced in the 1961 by Łódzkie Zakłady Kinotechniczne in Poland. The projector was designed for cinemas with rooms up to 1000 seats. It was then one of the most popular models used in Polish cinemas The projector was equipped with an aspherical mirror with a diameter of 356 mm and a focal length of 120 mm. The standard lens provided by the manufacturer was Polkinar 1.8 / 100 The basic equipment of the projector was an optical sound reading system with two exposure bulbs - one in the working position, the other one in reserve (both fixed in the rotating holder, which allowed for exchange without interrupting the projection). In addition, the projector could be equipped with a 4-channel magnetic sound pickup The projector was powered by a three-phase asynchronous motor. The engine was started using an automatic starter. https://youtu.be/-xr1BMyKNWI MusicInfo: Piano by AShamaluevMusic Source: Objaverse 1.0 / Sketchfab

opencc-by-nc-1.0Apr 2018View details →

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Allen Brain Atlas

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allen-brain-atlas
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Last verified 2026-04-30Open record

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abode-home-cage
behavioral-neuroscienceopenThe DataShare record exposes download links for annotations, documentation, license text, and the zipped per-snippet data directory.
Last verified 2026-04-30Open record

DANDI Archive for NWB datasets

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dandi-nwb
electrophysiologyopenPublished Dandiset metadata and archive endpoints are available through the production DANDI API.
Last verified 2026-04-30Open record

International Brain Laboratory public data

The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.

ibl
behavioral-neuroscienceopenPublic sessions can be searched and loaded from the IBL public data server through ONE.
Last verified 2026-04-29Open record

OpenNeuro

OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.

openneuro
neuroscienceopenPublished datasets are available on demand over the internet.
Last verified 2026-04-29Open record