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6 results for “Remembrance”
As We May Remember. The Future of Remembrance from the Perspective of Documentary Archives
<p>Can we already discern the structures of future memory cultures? From this fundamental question, I will examine the mediated forms of current memory culture, with a particular focus on documentary films. Digital technologies are currently leading to significant changes in our knowledge culture, which will inevitably impact the shaping of memory cultures and the structures of media memory in the near future. These changes manifest in two opposing processes: on the one hand, in the archival situation, characterized by non-accessibility, poor archiving, or even the physical decay of documentary material (such as analog video), and on the other hand, attempts at digital preservation or even reconstitution of archives through various media transformation processes - particularly re-mediatizations, which are shaped by new forms of media expression (i-docs, VR/AR-technologies etc.). The latter is not only a challenge for media historiography, but opens up new possibilities for the memory work of GLAM and memorial sites. In this contribution, I will explore the tension between disappearing archive material, using the example of the archival situation of German documentary films, and selected new digital forms of re-mediatization, focusing on themes such as the Holocaust and the Nazi era.</p> <p> </p> <p>See also: Weber, Thomas. (2023, June 30). As We May Remember. The Future of Remembrance from the Perspective of Documentary Archives. In TraMeTraMi: Vols. 4-2023. <a href="https://trametrami.avinus.org/publikationen/4-2023">https://trametrami.avinus.org/publikationen/4-2023</a> </p> <p> </p> <p><strong>Thomas</strong> <strong>Weber</strong> is Professor for media studies at the University of Hamburg. He was one of the leaders of the DFG-project “History of the german documentary film after 1945” and leads several other projects in the field of documentary film (see<a href="http://www.dokartlabor.avinus.de/"> www.dokartlabor.avinus.de</a>) His books include: <em>Webdokumentationen</em> 2021; <em>Medienkulturen des Dokumentarischen</em> 2017 (ed. with Carsten Heinze); <em>Mediale Transformationen des Holocausts</em> 2013 (ed. with Ursula von Keitz); “Documentary Film in Media Transformation”, InterDisciplines – Journal of History and Sociology. Vol 4, No 1 (2013). Further information see<a href="http://www.thomas-weber.avinus.de/"> www.thomas-weber.avinus.de</a></p> <p> </p>
Figs. 6–7. 6 in A Remembrance of My Friend, Chuck Bellamy
Figs. 6–7. 6) Juniperella mirabilis. Photograph by A. V. Evans; 7) Juniperella wall hanging by Paula Evans. Photograph by Rose Bellamy.
Figs. 1–5. 1 in A Remembrance of My Friend, Chuck Bellamy
Figs. 1–5. 1) Dave Verity and Chuck Bellamy, Garden Grove, California, ready for a collecting expedition to Baja California, June 1980. Photograph by R. L. Westcott; 2) Erik Holm and Chuck, near Pretoria, South Africa, 1996. Photograph by A. V. Evans; 3) Anne and Henry Howden, Clarke Scholtz, and Chuck collecting dung beetles, Ndumu, South Africa, January 1984. Photograph by R. G. Oberprieler; 4) University of Pretoria's Entomology and Zoology Department field trip, near Lilongwe, Malawi, January 1985, L-R: A. Evans, Steven Chown, Chuck, At Schoeman, C. Scholtz. Photograph by A. V. Evans; 5) Chuck and a roadside vendor near Lilongwe, Malawi, January 1985. Photograph by A. V. Evans.
Remembrance Day Leamington spa 2021
Please visit my link tree to see all my social media links https://linktr.ee/alexharvey RiVR is a production studio specialising in photorealistic VR training and scanning of real world environments. www.rivr.uk to view all our products thanks and hope you like the photogrammetry models . photogrammetry Source: Objaverse 1.0 / Sketchfab
Figs. 8–12. 8 in A Remembrance of My Friend, Chuck Bellamy
Figs. 8–12. 8) Chuck Bellamy and Art Evans at the 2007 BioQuip holiday party in Rancho Dominguez Hills, California. Photographer unknown; 9) Henry Hespenheide, Dave Verity, Chuck, and George Walters at the 2007 BioQuip holiday party, Rancho Dominguez Hills, California. Photograph by A. V. Evans; 10) Buprestid workers at Gayle Nelson's home, Alta Loma, California, 1984. Clockwise from left: G. Walters, Frank Beer, H. Hespenheide, Gayle Nelson, D. Verity, Rob Velten, Byrd Dozier, and Chuck. Photograph by A. V. Evans; 11) Chuck and Rose Bellamy, Sacramento, California, 2009. Photograph by A. V. Evans; 12) Art Evans and Chuck, Sierra Madre, California, 1995. Photograph by M. Sullivan.
Dodenherdenking - Remembrance of the Death
<u>Source</u>: Flickr <br><u>4DCity URL</u>: <a href="https://4dcity.org/imgupload/1652274547.6632.jpg">https://4dcity.org/imgupload/1652274547.6632.jpg</a> <br><u>Original Image URL</u>: <a href="https://live.staticflickr.com/65535/52049121272_65c62f186a_m.jpg">https://live.staticflickr.com/65535/52049121272_65c62f186a_m.jpg</a> <br><br><u>Image-Metadata:</u><br>Filename: 1652274547.6632.jpg<br>Image Dimensions: 200x240<br>Megapixels: 0.05 MP<br>Filesize: 18.48 KB<br><br>Copyright: Alle rechten voorbehouden - All rights reserved<br>ExifOffset: 128<br>Artist: Diederik Santema<br>UserComment: ASCIIHisilicon Balong
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