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ShareScore release 0.9.0
Dataset results
19 results for “Sounding objects”
Study of Calabrian Sounding Objects. Interviews and Field Notes - Festa della Pita
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - G. Orlando
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - G. Guidoccio
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - S. Trunzo
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - S. Mancini
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - G. Vaccaro
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - A. Vescio & G. Lucia
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - A. Trunzo, S. Trunzo and T. Vaccaro
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - E. Ruperto
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - E. Curcio
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Interview and Field Notes - C. Macchione
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Study of Calabrian Sounding Objects. Field Notes - D. Mastroianni
<p>This dataset contains the ethnomusicological data concerning the study of traditional sounding objects in Calabria generated for the EU-funded research LoMus - Local Sound for a New Musicality. </p><p> </p><p>LoMus - Local Sound for a New Musicality. Enhancing Musical Participation through a Local Sonic Practice is a research project funded under the Marie Skłodowska Curie Action. LoMus investigates ways of expanding musical participation through the use of sounding objects and contemporary music techniques.</p>
Dataset supplementing the publication Einhäuser, W., Thomassen, S., & Bendixen, A. (2017). Using binocular rivalry to tag foreground sounds: towards an objective visual measure for auditory multistability. Journal of Vision, 17:34, 1-19.
<p>These files supplement the publication Einhäuser, W., Thomassen, S., & Bendixen, A. (2017). Using binocular rivalry to tag foreground sounds: towards an objective visual measure for auditory multistability. Journal of Vision, 17:34, 1-19. The data are free for scientific use, provided this reference is appropriately cited.</p> <p>exp1_data.mat contains all the data of experiment 1 as cell arrays of size 8x16x8 (subject x block x trial) or 8x16 (subject x block). Specifically:<br> xEye: the horizontal eye position in raw (pixel coordinates)<br> gain: the OKN slow phase gain computed from the xEye data as described in the paper; in audio-visual blocks the sign is chosen such that positive gain corresponds to the direction of the grating associated with the low tone; in unambiguous visual blocks (1,16) positive sign corresponds to the direction of the grating.<br> ixLow, ixHigh, ixNone, ixBoth: indices for xEye and gain of the same subject and block for which the button corresponding to the low tone, the high tone, both buttons or no button was pressed.</p> <p>exp2_data.mat and exp3_data.mat contain the data of experiment 2 and experiment 3, respectively, and are organized analogously to exp1_data.mat.</p> <p>figure3.m through figure6.m use these data to plot the respective paper figures to exemplify usage of the data.</p> <p> </p>
Data from: Objective autonomic signatures of tinnitus and sound sensitivity disorders
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Class-aware Sounding Objects Localization via Audiovisual Correspondence
<p>Videos for "Class-aware Sounding Objects Localization via Audiovisual Correspondence"</p>
Class-aware Sounding Objects Localization via Audiovisual Correspondence_mp4
<p>Class-aware Sounding Objects Localization via Audiovisual Correspondence</p>
Sound field image with objects dataset
<h2>Description</h2> <p>This sound field image with objects dataset contains clean-noisy pairs of complex-valued sound-field images generated by 2D acoustic simulations. The dataset was initially prepared for SoundSil-DS (https://github.com/nttcslab/soundsil-ds), a DNN-based denoising method for optically measured sound fields. Please check our GitHub repository and paper for details.</p> <h2><br>Directory structure</h2> <p>The dataset contains three directories: training, validation, and evaluation. Each directory contains "soundsource#" sub-directories (# represents the number of sound sources used in the acoustic simulation). Each sub-directory has three h5 files for data (clean, white noise, and object-mask) and one CSV file listing random parameter values used in the simulation.</p> <p>- /training</p> <p> - /soundsource#</p> <p> - sf_true.h5</p> <p> - sf_noise_white.h5</p> <p> - mask_data.h5</p> <p> - random_variables.csv</p>
Data from: Statistical analysis for subjective and objective evaluations of dental drill sounds
The sound produced by a dental air turbine handpiece (dental drill) can markedly influence the sound environment in a dental clinic. Indeed, many patients report that the sound of a dental drill elicits an unpleasant feeling. Although several manufacturers have attempted to reduce the sound pressure levels produced by dental drills during idling based on ISO 14457, the sound emitted by such drills under active drilling conditions may negatively influence the dental clinic sound environment. The physical metrics related to the unpleasant impressions associated with dental drill sounds have not been determined. In the present study, psychological measurements of dental drill sounds were conducted with the aim of facilitating improvement of the sound environment at dental clinics. Specifically, we examined the impressions elicited by the sounds of 12 types of dental drills in idling and drilling conditions using a semantic differential. The analysis revealed that the impressions of dental drill sounds varied considerably between idling and drilling conditions and among the examined drills. This finding suggests that measuring the sound of a dental drill in idling conditions alone may be insufficient for evaluating the effects of the sound. We related the results of the psychological evaluations to those of measurements of the physical metrics of equivalent continuous A-weighted sound pressure levels (LAeq) and sharpness. Factor analysis indicated that impressions of the dental drill sounds consisted of two factors: "metallic and unpleasant" and "powerful". LAeq had a strong relationship with "powerful impression", calculated sharpness was positively related to "metallic impression", and "unpleasant impression" was predicted by the combination of both LAeq and calculated sharpness. The present analyses indicate that, in addition to a reduction in sound pressure level, refining the frequency components of dental drill sounds is important for creating a comfortable sound environment in dental clinics.
Data from: Statistical analysis for subjective and objective evaluations of dental drill sounds
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Allen Brain Atlas
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Annotated Behaviour and Observability Dataset (ABODe)
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DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.