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30 results for “Wari”
Data for Halpin et al, 'Pattern contrast influences wariness in naïve predators towards aposematic patterns'
<p>The experimental data for the paper 'Pattern contrast influences wariness in naïve predators towards aposematic patterns' by Halpin et al (2020), published in Scientific Reports. The file contains the behaviour of domestic chicks (<em>Gallus gallus domesticus</em>) towards prey that varied in their visual pattern, and specifically whether or not chicks attacked or ate prey (0=not attacked/eaten, 1=attacked/eaten) in each of the five experimental trials. </p>
Figure 1 in Rise-Up mist-netting (RUM): a mobile protocol for trapping wary territorial birds
Figure 1. Schematics of the rise-up mist-netting (RUM) trapping protocol showing the 6 m long mist net setup between a wireless speaker and the target- ed bird while being operated by the researcher and a single assistant. The pole extremity closer to the bird must be quickly and simultaneously raised upright by both operators only after the bird reaches the point-of-no-return (i.e., the point which the bird is unable to avoid colliding to the trap), which was estimat- ed through trial-and-error to be ~ 3 m for the Rufous Hornero (Furnarius rufus).
Vaso de cerámica estilo Wari
N° de Registro Nacional: 000029651 DATOS DE IDENTIFICACIÓN BIEN CULTURAL: Vaso MATERIAL: Cerámica CULTURA / ESTILO: Wari CRONOLOGIA: Horizonte Medio (600 d.c. - 1,000 d.c.) Source: Objaverse 1.0 / Sketchfab
Gorro Wari (800 – 1100 d.C.)
1. La fibra de camélido fue usada para finos elementos de vestir desde épocas prehispánicas. 2. Esta prenda polícroma o "de varios colores" se caracteriza por dos tipos de decoraciones; diseños geométricos y rostros antropomorfos. Source: Objaverse 1.0 / Sketchfab
URNA PACHECO (WARI)
Urna Pacheco. Pieza de ceramica ubicada en el museo nacional de arqueologia antropologia e historia del Peru, Pueblo Libre 2017. Source: Objaverse 1.0 / Sketchfab
Gorro Cuatro Puntas Wari (800 - 1100 d.C.)
1. Elemento textil probablemente usado como distintivo de alto rango en ceremonias. 2. Confeccionado con fibra de camélido, tiene cuatro terminaciones puntiagudas en cada esquina que le dan el nombre de "Gorro de cuatro puntas". 3. Juega con representaciones de seres alados estilizados y figuras geométricas características del mundo andino. 4. Se han encontrado representaciones de este estilo de gorro en cerámicas escultóricas que representan personajes nobles huari. Source: Objaverse 1.0 / Sketchfab
Botella Wari
1. Botella de cuerpo esférico y achatado con representación pintada de una figura humana. 2. Además de adornos corporales como la pintura facial, su cabeza está adornada con un tocado. 3. Viste una camisa sin mangas (uncu) con placas de metal que podrían indicar distinción. Source: Objaverse 1.0 / Sketchfab
Urna Wari
Material: Cerámica Cultura/Estilo: Wari Datación: Horizonte Medio (600 d.c. - 1,000 d.c.) Técnicas: Modelado, pintura positiva Source: Objaverse 1.0 / Sketchfab
Integrating human trail use in montane landscapes reveals larger zones of human influence for wary carnivores
Open the record for dataset details and reuse information.
Data from: Do neophobia and dietary wariness explain ecological flexibility? An analysis with two seed-eating birds of contrasting habits
The neophobia threshold hypothesis (NTH) suggests that the acquisition and maintenance of a high behavioral and ecological flexibility in the evolutionary and adaptive history of a species is the consequence of lower levels of neophobia towards new micro-habitats and of dietary wariness of novel foods. To test this idea we assessed the degree of neophobia and dietary wariness in two seed-eating bird species with contrasting degrees of ecological flexibility that inhabit the central Monte desert (Argentina): a grass-seed specialist, the many-colored chaco-finch, and a generalist feeder, the rufous-collared sparrow. We expected that both species would exhibit neophobia and wariness when faced with new foraging opportunities but that the rufous-collared sparrow would be less neophobic and less wary than the specialized many-colored chaco-finch. Experimental indicators of neophobia and dietary wariness included willingness to eat near novel objects and willingness to eat novel seeds, respectively. Both species showed similar levels of reluctance to novelty, although the sparrow could be slightly more reluctant than the finch. Contrary to our predictions, the sparrow was neither less hesitant nor faster or greedier than the finch. This experimental evidence does not support a negative relationship between neophobia/wariness and ecological flexibility in these two seed-eating birds and it coincides with the growing evidence that challenges the NTH. Some of our results provide support for the dangerous niche hypothesis, especially as the rufous-collared sparrow, that feeds on more diverse and potentially dangerous food, showed higher levels of neophobia in some cases. Although the idea of neophobia and wariness being plausible causes of ecological specialization sounds attractive, the current situation calls for further research so that the causes of ecological flexibility in granivorous birds can be better understood.
Objeto 04 - Wari
Source: Objaverse 1.0 / Sketchfab
Objeto 07 - Wari
Source: Objaverse 1.0 / Sketchfab
Objeto 01 - Wari
Source: Objaverse 1.0 / Sketchfab
Personaje Wari
Source: Objaverse 1.0 / Sketchfab
Objeto 09 - Wari
Source: Objaverse 1.0 / Sketchfab
Vaso de cerámica estilo Wari
N° de Registro Nacional: 0000296949 DATOS DE IDENTIFICACIÓN BIEN CULTURAL: Vaso MATERIAL: Cerámica CULTURA / ESTILO: Wari CRONOLOGIA: Horizonte Medio (600 d.c. - 1,000 d.c.) Source: Objaverse 1.0 / Sketchfab
Objeto 02 - Wari
Source: Objaverse 1.0 / Sketchfab
Objeto 10 - Wari
Source: Objaverse 1.0 / Sketchfab
Cántaro escultórico. Wari
Source: Objaverse 1.0 / Sketchfab
Botella con diseños fito-zoomorfos Wari
Source: Objaverse 1.0 / Sketchfab
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