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113 results for “altare”
Abbey (Abdij van Averbode). The church. Interior. The high altar. Feuillan Houssar.
<u>File Name</u>: PM_150232_B_Averbode <br><u>Sublocation</u>: Averbode, Abdij van Averbode <br><u>Location</u>: Scherpenheuverl-Zichem <br><u>Province</u>: Vlaams-Brabant <br><u>Country</u>: Belgium <br><u>Header</u>: De kerk, binnenzicht, het hoofdaltaar, Feuillan Houssar uit Namen <br><u>Description</u>: Abbey (Abdij van Averbode). The church. Interior. The high altar. Feuillan Houssar. <br><u>Author</u>: Photo: Paul M.R. Maeyaert <br><u>Author Mail</u>: PMRMaeyaert@gmail.com <br><u>Copyright</u>: © Paul M.R. Maeyaert; pmrmaeyaert@gmail.com <br><u>Keywords</u>: Europe|Belgium; Cultural heritage|Monuments|Abbey/convent/monastery; Europe|Belgium|Vlaams-Brabant; Europe|Belgium|Vlaams-Brabant|Scherpenheuverl-Zichem; Europe|Belgium|Vlaams-Brabant|Averbode (Scherpenheuverl-Zichem); Cultural heritage|Styles|Baroque; Cultural heritage|Monuments; Cultural heritage|Styles <br><u>Date of Generation</u>: 2023-08-22T13:35:39+02:00
Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail. Statue of Madonna with Child. Ca 1750. 2
<u>File Name</u>: PM_141733_B_Parike <br><u>Sublocation</u>: Parike, parochiekerk Sint-Lambertus <br><u>Location</u>: Brakel <br><u>Province</u>: Oost-Vlaanderen <br><u>Country</u>: Belgium <br><u>Header</u>: Binnenzicht, het noordelijke zijaltaar, detail, beeld van een Madonna met Kind op maansikkel, detail, ca 1750 <br><u>Description</u>: Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail. Statue of Madonna with Child. Ca 1750. <br><u>Author</u>: Photo: Paul M.R. Maeyaert <br><u>Author Mail</u>: PMRMaeyaert@gmail.com <br><u>Copyright</u>: © Paul M.R. Maeyaert,pmrmaeyaert@gmail.com <br><u>Keywords</u>: Cultural heritage; Europe|Belgium|Vlaanderen streken|Vlaamse Ardennen; Europe|Belgium; Europe|Belgium|Oost-Vlaanderen; Europe|Belgium|Oost-Vlaanderen|Parike (Brakel); Europe|Belgium|Oost-Vlaanderen|Brakel; Cultural heritage|Techniques|Sculpture; Cultural heritage|Techniques <br><u>Date of Generation</u>: 2021-10-24T14:30:21+02:00
Abbey (Abdij van Averbode). The church. Interior. The high altar. Feuillan Houssar. 2
<u>File Name</u>: PM_150230_B_Averbode <br><u>Sublocation</u>: Averbode, Abdij van Averbode <br><u>Location</u>: Scherpenheuverl-Zichem <br><u>Province</u>: Vlaams-Brabant <br><u>Country</u>: Belgium <br><u>Header</u>: De kerk, binnenzicht, het hoofdaltaar, Feuillan Houssar uit Namen <br><u>Description</u>: Abbey (Abdij van Averbode). The church. Interior. The high altar. Feuillan Houssar. <br><u>Author</u>: Photo: Paul M.R. Maeyaert <br><u>Author Mail</u>: PMRMaeyaert@gmail.com <br><u>Copyright</u>: © Paul M.R. Maeyaert; pmrmaeyaert@gmail.com <br><u>Keywords</u>: Europe|Belgium; Cultural heritage|Monuments|Abbey/convent/monastery; Europe|Belgium|Vlaams-Brabant; Europe|Belgium|Vlaams-Brabant|Scherpenheuverl-Zichem; Europe|Belgium|Vlaams-Brabant|Averbode (Scherpenheuverl-Zichem); Cultural heritage|Styles|Baroque; Cultural heritage|Monuments; Cultural heritage|Styles <br><u>Date of Generation</u>: 2023-08-22T13:24:20+02:00
Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail. Statue of Madonna with Child. Ca 1750.
<u>File Name</u>: PM_141732_B_Parike <br><u>Sublocation</u>: Parike, parochiekerk Sint-Lambertus <br><u>Location</u>: Brakel <br><u>Province</u>: Oost-Vlaanderen <br><u>Country</u>: Belgium <br><u>Header</u>: Binnenzicht, het noordelijke zijaltaar, detail, beeld van een Madonna met Kind op maansikkel, detail, ca 1750 <br><u>Description</u>: Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail. Statue of Madonna with Child. Ca 1750. <br><u>Author</u>: Photo: Paul M.R. Maeyaert <br><u>Author Mail</u>: PMRMaeyaert@gmail.com <br><u>Copyright</u>: © Paul M.R. Maeyaert,pmrmaeyaert@gmail.com <br><u>Keywords</u>: Cultural heritage; Europe|Belgium|Vlaanderen streken|Vlaamse Ardennen; Europe|Belgium; Europe|Belgium|Oost-Vlaanderen; Europe|Belgium|Oost-Vlaanderen|Parike (Brakel); Europe|Belgium|Oost-Vlaanderen|Brakel; Cultural heritage|Techniques|Sculpture; Cultural heritage|Techniques <br><u>Date of Generation</u>: 2021-10-24T14:28:02+02:00
Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail.
<u>File Name</u>: PM_141731_B_Parike <br><u>Sublocation</u>: Parike, parochiekerk Sint-Lambertus <br><u>Location</u>: Brakel <br><u>Province</u>: Oost-Vlaanderen <br><u>Country</u>: Belgium <br><u>Header</u>: Binnenzicht, het noordelijke zijaltaar, detail <br><u>Description</u>: Parish church (Parochiekerk Sint-Lambertus). Interior. North aisle. Altar. Detail. <br><u>Author</u>: Photo: Paul M.R. Maeyaert <br><u>Author Mail</u>: PMRMaeyaert@gmail.com <br><u>Copyright</u>: © Paul M.R. Maeyaert,pmrmaeyaert@gmail.com <br><u>Keywords</u>: Cultural heritage; Europe|Belgium|Vlaanderen streken|Vlaamse Ardennen; Europe|Belgium; Europe|Belgium|Oost-Vlaanderen; Europe|Belgium|Oost-Vlaanderen|Parike (Brakel); Europe|Belgium|Oost-Vlaanderen|Brakel <br><u>Date of Generation</u>: 2021-10-24T14:02:03+02:00
Ipotesi ricostruttiva per un altare monumentale dal santuario federale degli Etruschi - Fanum Voltumnae, Campo della Fiera, Orvieto (TN)
<p>Ipotesi ricostruttiva per un altare monumentale indivduato nel santuario federale degli Etruschi - Fanum Voltumnae, presso il sito archeologico di Campo della Fiera, Orvieto (TN), durante le campagne di scavo archeologico tra il 2021 e il 2023. L'ipotesi è stata presentata come introduzione durante il XXVIII Convegno Internazionale di Studi sulla Storia e l’Archeologia dell’Etruria - Etruria e Magna Grecia svoltosi tra il 15-16 Dicembre 2023. </p> <p>Questo dataset contiene:</p> <ul> <li>modelli 3D realizzati tramite fotogrammetria di componenti lapidei recuperati in fase di scavo;</li> <li>ipotesi ricostruttiva per un altare monumentale, realizzata tramite Blender.</li> </ul> <p>All'interno del dataset le cartelle sono suddivise in:</p> <ul> <li>Altare: una cartella contenente ulteriori cartelle con gli elementi lapidei acquisiti e i relativi .obj texturizzati, con report generato da Agisoft Metashape;</li> <li>Il modello dell'ipotesi ricostruttiva in formato .obj</li> <li>Una immagine della ricostruzione renderizzata tramite Blender</li> </ul> <p>La ricostruzione presenta, in rosso, la parte ricostruita sulla base di confronti mentre gli elementi lapidei effettivamente esistenti persentano la loro texture ricavata dal processo fotogrammetrico.</p>
Oval scaraboid intaglio in lapis lazuli; engraved with a fire altar and an inscription in four characters.
<p>Oval scaraboid intaglio in lapis lazuli; engraved with a fire altar and an inscription in four characters. British Museum 1892,1103.116.</p>
Oval intaglio in cornelian engraved with a fire-altar and a brāhmī inscription below.
<p>Oval intaglio in cornelian engraved with a fire-altar and a brāhmī inscription below. British Museum 1892,1103.118.</p>
Altar en memoria a Chadwick Boseman
Subido por: Luis Daniel Flores Pérez En colaboracion con: Ricardo Esau Tovar León y Leobardo Aguirre Parra Clase: Geometría 3D Source: Objaverse 1.0 / Sketchfab
O QUE ERA O ALTAR DO HOLOCAUSTO
O QUE REPRESENTAVA O ALTAR DO HOLOCAUSTO O altar do holocausto representava o "calvário", o caminho da salvação para o pecador. No altar do holocausto o pecador tinha seus pecados expiados. Aqui é uma figura exata de Cristo. O Cordeiro de Deus fez-se de oferta para expiar todo o pecado da humanidade. Ele é "o Cordeiro de Deus, que tira o pecado do mundo" (Jo 1.29). Assim, nosso Senhor suportou, em nosso lugar, o juízo de Deus sobre o pecado, fazendo-se pecado por nós (Is 53.4,10; Zc 13.7; Mt 26.39; 1 Tm 2.5,6). PARA QUE SERVIA O ALTAR Vamos começar com o primeiro tópico – Para que servia o altar do holocausto? O altar do holocausto servia para sacrificar ofertas para Deus. Algumas ofertas eram pelos seus próprios pecados e outras pelos pecados do povo. O propósito do holocausto era que por meio dele, as pessoas fossem aceitas e perdoadas diante de Deus (Levítico 1:4). Para o holocausto, um animal macho era sacrificado: um carneiro, um bode, um boi ou uma rola (ou um pombinho) (Levítico 1:13-17). Source: Objaverse 1.0 / Sketchfab
San Fermo's Cathedral Altar
An altar model inspired by San Fermo's Cathedral situated in Verona, Italy. Modeled in Blender. Texturized in Substance Painter. Source: Objaverse 1.0 / Sketchfab
Zoomorph & Altar P
Quiriguá, Guatemala. https://en.wikipedia.org/wiki/Quirigu%C3%A1 https://uncoveredhistory.com/guatemala/quirigua/the-zoomorphs-of-quirigua/ Source: Objaverse 1.0 / Sketchfab
Roman altar, Tresco, Isles of Scilly
This Roman altar, now in Tresco Abbey Gardens, was originally found in a well at Mount Holles on the island of St Marys. The urn and other rocks were cemented on when the altar was moved to the Gardens. The altar contains Mithraic-style symbology - an axe on one side and a cleaver on the other. It is otherwise uninscribed. This 3D scan is rather low-quality, captured opportunistically with an iPhone. It is possible that the faint markings of an inscription, or the beginning of one is visible, but this would warrant further investigation. The matcap shader - accessed from the Rendering icon - shows the detail well (and exposes the poor quality of the mesh). Source: Objaverse 1.0 / Sketchfab
Roman Sandstone Altar
A red sandstone altar found in Chester, England and now in the British Museum. Date: 2nd Century. https://research.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1333192&partId=1 45 photos taken in May 2019 with a Sony a6000 and processed in Reality Capture. Source: Objaverse 1.0 / Sketchfab
Carrawburgh Mithraeum Altars
Altars at the Carrawburgh Mithraeum. https://www.english-heritage.org.uk/visit/places/temple-of-mithras-carrawburgh-hadrians-wall/ Source: Objaverse 1.0 / Sketchfab
Weihrelief (Aphrodite und Eros am Altar)
ID: MKGHamburg 1986.60 <br> Title: Votive stele for Aphrodite <br> Object type: votive stelai, relief <br> Origin: Corinthian (?); Perachora (?) <br> Date/Period: c. 375-350 BC <br> Material: marble <br> Measurements: 137,5cm (heights); 28.3 cm (width) <br> Museum/Collection: Museum für Kunst und Gewerbe Hamburg Inv. 1986.60 <br> MKGHamburg: [dc00126829](https://sammlungonline.mkg-hamburg.de/de/object/Weihrelief-Aphrodite-und-Eros-am-Altar/1986.60/dc00126829?s=1986.60&h=0) The research for this 3D object was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany´s Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg. Source: Objaverse 1.0 / Sketchfab
Relief slab of S. Eleuterio's altar, detail
Saint Eleuterio, in episcopal clothes, while blessing the city of Terracina. It is located in the cathedral of Terracina, Italy. Source: Objaverse 1.0 / Sketchfab
High Serpent's Altar of Sacrifice
The altar was originally made by humans as a place to kill serpents who endanger their villages. All serpents were feared and scared of that thing. However, after a class of serpents called "High Serpents" took the lead, the altar was stolen from humans and transformed into a shrine which should remind to all serpents what they came through and espcially who caused it to them. The two sandstone snakes rised from nowhere as a memory of the past and hope into the future. It's low poly, game ready game asset. Modelled in Autocad Maya, detailed in Pixologic Zbrush and textured in Substance Painter. https://www.behance.net/martinhornak Source: Objaverse 1.0 / Sketchfab
Altar de murertos
un altar de muertos (sin acabar) en un kiosco de un pueblo magico Made by KOREL, George Source: Objaverse 1.0 / Sketchfab
Altar of Santa Librada. Sigüenza Cathedral
This model shows in the center the Altar of Santa Librada located in the Sigüenza Cathedral (Guadalajara, Spain). It is one of the finest examples of Plateresque art (16th century) created to contain the relics of Santa Librada. The Altar contains a beautiful altarpiece showing scenes from the life of Saint Librada, magnificent works of art painted by Juan Soreda between 1526 and 1528. The model shows also the impressive Mausoleum of Fadrique de Portugal, bishop of Sigüenza (1512-1532). 3D model made in Reality Capture using 6604 camera and 22 scan positions. Additional processing completed in Geomagic Wrap and Zbrush. This work is part of the collaboration agreement signed in 2020 between the Junta de Comunidades de Castilla-La Mancha and Global Digital Heritage. We want to thank the Bishopric of Sigüenza-Guadalajara and the cathedral chapter, especially D. Jesús de las Heras, D. Miguel Ángel Ortega and D. Julián García, for the facilities and for the interest they have shown in the project. Source: Objaverse 1.0 / Sketchfab
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