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4 results for “auditory objects”

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zenodo40/100

Dataset supplementing the publication Einhäuser, W., Thomassen, S., & Bendixen, A. (2017). Using binocular rivalry to tag foreground sounds: towards an objective visual measure for auditory multistability. Journal of Vision, 17:34, 1-19.

<p>These files supplement the publication Einhäuser, W., Thomassen, S., &amp; Bendixen, A. (2017). Using binocular rivalry to tag foreground sounds: towards an objective visual measure for auditory multistability. Journal of Vision, 17:34, 1-19. The data are free for scientific use, provided this reference is appropriately cited.</p> <p>exp1_data.mat contains all the data of experiment 1 as cell arrays of size 8x16x8 (subject x block x trial) or 8x16 (subject x block). Specifically:<br> xEye: the horizontal eye position in raw (pixel coordinates)<br> gain: the OKN slow phase gain computed from the xEye data as described in the paper; in audio-visual blocks the sign is chosen such that positive gain corresponds to the direction of the grating associated with the low tone; in unambiguous visual blocks (1,16) positive sign corresponds to the direction of the grating.<br> ixLow, ixHigh, ixNone, ixBoth: indices for xEye and gain of the same subject and block for which the button corresponding to the low tone, the high tone, both buttons or no button was pressed.</p> <p>exp2_data.mat and exp3_data.mat contain the data of experiment 2 and experiment 3, respectively, and are organized analogously to exp1_data.mat.</p> <p>figure3.m through figure6.m use these data to plot the respective paper figures to exemplify usage of the data.</p> <p> </p>

opencc-by-4.0Jan 2017View details →
zenodo40/100

Stimuli examples for Object-based attention in complex, naturalistic auditory streams

<p>This is an example collection of stimuli used to study Object-based attention in complex, naturalistic auditory streams. The stimuli consist of single auditory streams of speech signals and environmental sounds signals that can contain a repetition of 750ms (starting name &quot;target&quot;)or not (starting name &quot;clean&quot;). Two sounds stimuli, one with repetition and one without were randomly overlapped to form an auditory scene of two speech streams (starting name &quot;sceneSS&quot;) or one speech and one environmental stream (starting name &quot;sceneSE&quot;).&nbsp;</p>

opencc-by-4.0Nov 2018View details →
dryad24/100

Data from: An auditory illusion reveals the role of streaming in the temporal misallocation of perceptual objects

This study investigates the neural correlates and processes underlying the ambiguous percept produced by a stimulus similar to Deutsch's 'octave illusion', in which each ear is presented with a sequence of alternating pure tones of low and high frequencies. The same sequence is presented to each ear, but in opposite phase, such that the left and right ears receive a high–low–high … and a low–high–low … pattern, respectively. Listeners generally report hearing the illusion of an alternating pattern of low and high tones, with all the low tones lateralized to one side and all the high tones lateralized to the other side. The current explanation of the illusion is that it reflects an illusory feature conjunction of pitch and perceived location. Using psychophysics and electroencephalogram measures, we test this and an alternative hypothesis involving synchronous and sequential stream segregation, and investigate potential neural correlates of the illusion. We find that the illusion of alternating tones arises from the synchronous tone pairs across ears rather than sequential tones in one ear, suggesting that the illusion involves a misattribution of time across perceptual streams, rather than a misattribution of location within a stream. The results provide new insights into the mechanisms of binaural streaming and synchronous sound segregation.

opencc-zeroDec 2016View details →
dryad24/100

Data from: An auditory illusion reveals the role of streaming in the temporal misallocation of perceptual objects

Open the record for dataset details and reuse information.

publicOct 2017View details →

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