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29 results for “ballet”

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zenodo44/100

Quantifying Hierarchy and Prestige in US Ballet Academies as Social Predictors of Career Success

<p>This data contains aggregated&nbsp;competition outcomes from 6,363 ballet students affiliated with 1,603 schools in the United States, who participated in the Youth America Grand Prix (YAGP) between 2000 and 2021.</p> <p>We adopt a network science and <em>science of science</em> approach that empowers logistic regression models and matching experiments to quantify social prestige and its influence on dancers&#39; careers. The analysis of career success in the performing arts, like ballet, in the context of a competition setting offers a unique opportunity to investigate the social influences on success while controlling for competition performance.</p> <p>Our&nbsp;work reveals the importance of institutional prestige on career success in ballet and showcases the potential of network science approaches to provide quantitative viewpoints for the professional development of careers beyond science.</p>

opencc-by-4.0Apr 2023View details →
zenodo44/100

Structural Gender Imbalances in Ballet Collaboration Networks

<p>Data contains node list of company artists and their artist type and gender. Edge list provides collaboration network of each company.&nbsp;</p> <p>Null model data provides metrics obtained from null models where&nbsp;assortativity&nbsp;preferences are removed by shuffling collaborations (edges) or artists&#39; attributes (gender) in the collaboration network.</p> <p>For more details, please see documentation in&nbsp;<a href="/api/files/aa096f3e-bc2f-400e-94a9-6bd76ea4a324/Ballet_data_dict.rtf?versionId=7e58ba3a-caae-490b-9da6-9285bd7e4807">Ballet_data_dict.rtf</a></p> <p>For company abbreviations:</p> <p>ABT: American Ballet Theater; NYBC: New York City Ballet; NBC: National Ballet of Canada; ROH: The Royal Ballet of The Royal Opera House.&nbsp;</p>

opencc-by-4.0Sep 2023View details →
zenodo36/100

Ballet shoe of Margot Fonteyn

Ballet shoe of Margot Fonteyn stored in the archive of Rambert dance company. Reconstructed during photogrammetry workshop using RealityCapture, photos were captured with DSLR and iPhone 5S. Source: Objaverse 1.0 / Sketchfab

opencc-byJun 2016View details →
zenodo36/100

Ballet costume, tutu HIGH RES.

Tanssija/Dancer: Lucia Nifontova ja mahdollisesti / and possibly Hannele Keinänen Lucia Nifontova (1913–1987) oli kiinnitettynä Suomalaisen Oopperan balettiin (nyk. Suomen kansallisooppera ja -baletti) vuosina 1927–1935 ja 1938–1940. Hän oli ensimmäinen Oopperan baletin tanssija, joka sai prima ballerina assoluta arvon. Nifontova kiersi ahkerasti kiertueilla ympäri Suomea esiintymässä monipuolisella tanssinumeroiden repertuaarilla. Puku on yksi Nifontovan esiintymisasuista, ja se on joko 1930-luvun alusta tai vanhempi. Puku on mahdollisesti ollut myös tanssija-koreografi Hannele Keinäsen (1929–2004) käytössä. Matalaresoluutioversio / Low-Res version: https://skfb.ly/o6H8o 3D model by Ninma Oy. Source: Objaverse 1.0 / Sketchfab

opencc-byMar 2021View details →
zenodo36/100

Ballet costume, rose leotard HIGH RES.

Teos/Title: Le Spectre de la Rose (Ruusu-unelma)/ Le Spectre de la Rose (The Spirit of the Rose) Tuotanto/Production: Mahdollisesti Kari Karnakosken ja Lucia Nifontovan kiertue 1947/possibly used during a tour in Finland 1947 Koreografia/Choreography: Mihail Fokinin mukaan/according to Michel Fokine Säveltäjä/Composer: Carl Maria von Weber Pukusuunnittelu/Costume design: Kari Karnakoski Tanssija/Dancer: Kari Karnakoski Rooli/Role: Ruusu/ The Rose Ruusu-unelma kertoo tarinan nuoresta tytöstä, joka uneksii tanssivansa eloon heränneen ruusun kanssa. Kari Karnakoski esiintyi Ruusu-unelmassa työskennellessään ensitanssijana Le Ballet Russe de Paris'ssa 1930-luvulla. Hän palasi Ruusun rooliin vuonna 1947 kiertueella, jonka teki yhdessä Lucia Nifontovan kanssa Suomessa, mutta esiintymisiä oli myös Tukholmassa ja Oslossa. Tämä puku on mahdollisesti vuoden 1947 kiertueen puvustusta, jonka Kari itse suunnitteli. Matalaresoluutioversio/Low-Res version: https://skfb.ly/o6HrQ 3D model by Ninma Oy Source: Objaverse 1.0 / Sketchfab

opencc-byApr 2021View details →
zenodo36/100

Ballet costume, rococo style dress HIGH RES.

Teos/Title: Les bons vieux temps Tuotanto/Production: Suomen Punaisen Ristin hyväntekeväisyysnäytäntö Suomalaisessa Oopperassa (nyk. Suomen kansallisooppera ja -baletti) 13.12.1926 / A charity gala of the Finnish Red Cross at the Finnish Opera (now the Finnish National Opera and Ballet) 13 Dec 1926 Koreografi/Choreographer: Edith von Bonsdorff ja/tai / and/or George Gé Säveltäjä/Composer: Wolfgang Amadeus Mozart Tanssija/Dancer: Mary Paischeff Mary Paischeff (1899–1975) oli ensimmäinen Suomalaisen Oopperan balettiin sopimuksen tehnyt tanssija. Hän tanssi Joutsenlammen haastavan Odette/Odile -kaksoispääroolin vuonna 1922 Oopperan baletin avajaisnäytännössä. Paischeff käytti rokokootyylistä pukua ainakin Suomen Punaisen Ristin hyväntekeväisyysnäytännössä Suomalaisessa Oopperassa tanssiessaan yhdessä George Gén kanssa. Matalaresoluutioversio / Low-Res version: https://skfb.ly/o6H8p 3D model by Ninma Oy. Source: Objaverse 1.0 / Sketchfab

opencc-byMar 2021View details →
ClinicalTrials.gov36/100

Improving Foot Strength in Vocational Ballet Dancers

ClinicalTrials.gov study NCT06589050. IPD Sharing: NO. Countries: 1. Publications: 7.

closedIPD-NOFeb 2026View details →
dryad36/100

Temporal relationship between dancer’s body movements and music beats in classical ballet

Open the record for dataset details and reuse information.

publicJan 2025View details →
ClinicalTrials.gov32/100

An Injury Prevention Program for Professional Ballet

ClinicalTrials.gov study NCT04110002. IPD Sharing: NO. Countries: 0. Publications: 1.

closedIPD-NOFeb 2026View details →
ClinicalTrials.gov32/100

The Effect of Training on Hemodynamic Factors in Ballet Dancer

ClinicalTrials.gov study NCT04469361. IPD Sharing: UNDECIDED. Countries: 1. Publications: 6.

restrictedIPD-UNDECIDEDFeb 2026View details →
ClinicalTrials.gov32/100

Assessment of Intrinsic Risk Factors for Ankle Injuries in Ballet Dancers

ClinicalTrials.gov study NCT07199985. IPD Sharing: NO. Countries: 1. Publications: 28.

closedIPD-NOFeb 2026View details →
ClinicalTrials.gov32/100

Targeted Ballet Class for Cerebral Palsy

ClinicalTrials.gov study NCT04237506. IPD Sharing: Not stated. Countries: 1. Publications: 9.

restrictedIPD-UNDECIDEDFeb 2026View details →
ClinicalTrials.gov32/100

A Novel Ballet-inspired Low-impact At-home Workout Programme for Adults with Stroke

ClinicalTrials.gov study NCT04460794. IPD Sharing: YES. Countries: 1. Publications: 1.

controlledIPD-YESFeb 2026View details →
ClinicalTrials.gov32/100

PD-Ballet: Effectiveness and Implementation in Parkinson's Disease

ClinicalTrials.gov study NCT04719468. IPD Sharing: NO. Countries: 1. Publications: 2.

closedIPD-NOFeb 2026View details →
ClinicalTrials.gov32/100

Exploration of Brain Changes Due to a Targeted Ballet Program in Multiple Sclerosis

ClinicalTrials.gov study NCT04073940. IPD Sharing: UNDECIDED. Countries: 1. Publications: 100.

restrictedIPD-UNDECIDEDFeb 2026View details →
ClinicalTrials.gov28/100

Classical Ballet Dance as a Recreational Activity for Adults Women

ClinicalTrials.gov study NCT04776200. IPD Sharing: NO. Countries: 1. Publications: 0.

closedIPD-NOFeb 2026View details →
ClinicalTrials.gov28/100

Long-term Follow Up of Patients in the Birmingham and Lambeth Liver Evaluation Strategies (BALLETS) Study

ClinicalTrials.gov study NCT04022681. IPD Sharing: NO. Countries: 0. Publications: 1.

closedIPD-NOFeb 2026View details →
ClinicalTrials.gov28/100

The Effects of Ballet-Based Exercise Training on Respiratory Functions, Balance, Cognitive Functions, Peripheral Muscle Strength, Functional Capacity and Quality of Life in Patients With Parkinson's D

ClinicalTrials.gov study NCT06986941. IPD Sharing: NO. Countries: 0. Publications: 2.

closedIPD-NOFeb 2026View details →
zenodo24/100

Ballet costume, rose leotard LOW RES

Teos/Title: Le Spectre de la Rose (Ruusu-unelma)/ Le Spectre de la Rose (The Spirit of the Rose) Tuotanto/Production: Mahdollisesti Kari Karnakosken ja Lucia Nifontovan kiertue 1947/possibly used during a tour in Finland 1947 Koreografia/Choreography: Mihail Fokinin mukaan/according to Michel Fokine Säveltäjä/Composer: Carl Maria von Weber Pukusuunnittelu/Costume design: Kari Karnakoski Tanssija/Dancer: Kari Karnakoski Rooli/Role: Ruusu/ The Rose Ruusu-unelma kertoo tarinan nuoresta tytöstä, joka uneksii tanssivansa eloon heränneen ruusun kanssa. Kari Karnakoski esiintyi Ruusu-unelmassa työskennellessään ensitanssijana Le Ballet Russe de Paris'ssa 1930-luvulla. Hän palasi Ruusun rooliin vuonna 1947 kiertueella, jonka teki yhdessä Lucia Nifontovan kanssa Suomessa, mutta esiintymisiä oli myös Tukholmassa ja Oslossa. Tämä puku on mahdollisesti vuoden 1947 kiertueen puvustusta, jonka Kari itse suunnitteli. Korkearesoluutioversio/Hi-Res version: https://skfb.ly/ontYp 3D model by Ninma Oy Source: Objaverse 1.0 / Sketchfab

opencc-byMay 2021View details →
zenodo24/100

Ballet costume, tutu LOW RES

Tanssija/Dancer: Lucia Nifontova ja mahdollisesti / and possibly Hannele Keinänen Lucia Nifontova (1913–1987) oli kiinnitettynä Suomalaisen Oopperan balettiin (nyk. Suomen kansallisooppera ja -baletti) vuosina 1927–1935 ja 1938–1940. Hän oli ensimmäinen Oopperan baletin tanssija, joka sai prima ballerina assoluta arvon. Nifontova kiersi ahkerasti kiertueilla ympäri Suomea esiintymässä monipuolisella tanssinumeroiden repertuaarilla. Puku on yksi Nifontovan esiintymisasuista, ja se on joko 1930-luvun alusta tai vanhempi. Puku on mahdollisesti ollut myös tanssija-koreografi Hannele Keinäsen (1929–2004) käytössä. Korkearesoluutioversio / Hi-Res version: https://skfb.ly/onnMF 3D model by Ninma Oy. Source: Objaverse 1.0 / Sketchfab

opencc-byMay 2021View details →

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