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61 results for “critiques”
Notebook Critiques d'Art 1 : les pseudonymes
<p>This is a tutorial to make Notebook Jupyter which queries the API of the Art Critics site to filter the pseudonyms.</p> <p>C'est un tuto pour faire Notebook Jupyter qui interroge l'API du site critiques d'Art pour filtrer les pseudonymes.</p> <p>Es ist ein Tutorial, um ein Jupyter-Notebook zu erstellen, das die API der Art Critics Site abfragt, um Pseudonyme zu filtern.</p> <p> </p> <p> </p>
Drama Critiques' Database
<p><strong>Drama Critiques </strong>gathers 10 years (2010 – 2020) of London contemporary theatre reviews. By focusing on two literary communities (journalists on the one hand and bloggers on the other hand), this corpus enables one to examine the poetical and political discourse journalistic and digital reviewers build. While our initial corpus is composed of more than 43 000 theatre reviews, the version made available here is constituted of 36 766 reviews. This is explained by the fact that we still have not received the authorisation of some of the bloggers to publish their data in open access. To have more information about our project, the different analyses of the corpus can be found here: <a href="https://dramacritiques.com/en/home/">https://dramacritiques.com/en/home/</a></p> <p>The corpus based on journalism was created thanks to <em>Theatre Record</em>, a paper magazine originally created by the English critic Ian Herbert. <em>Theatre Record</em> reprints in full all the national drama critics’ reviews of the latest productions in and out of London. Published every two weeks in England since January 1981, it is in January 2019 that its archives were digitized thanks to Julian Oddy (<a href="https://www.theatrerecord.com/">https://www.theatrerecord.com/</a>). We have selected 23 newspapers in total which correspond to 21 717 theatre reviews. All of them were initially available in a PDF format. After having converted all the files in a textual format, a massive work of automatic and manual corrections was done on each of the files. This task represents more than 1050 hours of work.</p> <p>The corpus based on blog platforms is constituted of the most popular 28 blog platforms on the Internet. They can be divided into two sub-categories: collective blog platforms on the one hand, and individual blog platforms on the other. Either these digital platforms are run by a publisher who invites other reviewers to post on his website, or the publisher publishes all of his reviews himself. In both cases, these authors are not paid for their activity, the content of their blog does not have a printed version and is completely free. In this version there are 21 blogs, or 15 049 reviews. All of them were automatically extracted thanks to web scraping techniques before being corrected (250 hours of work). You can discover more about each blog here: <a href="https://dramacritiques.com/en/categories-2/the-corpus/">https://dramacritiques.com/en/categories-2/the-corpus/</a></p>
Drama Critiques
<p><strong>Drama Critiques </strong>gathers 10 years (2010 – 2020) of London contemporary theatre reviews. By focusing on two literary communities (journalists on the one hand and bloggers on the other hand), this corpus enables one to examine the poetical and political discourse journalistic and digital reviewers build. While our initial corpus is composed of more than 43 000 theatre reviews, the version made available here is constituted of 36 766 reviews. This is explained by the fact that we still have not received the authorisation of some of the bloggers to publish their data in open access. To have more information about our project, the different analyses of the corpus can be found here: <a href="https://dramacritiques.com/en/home/">https://dramacritiques.com/en/home/</a></p> <p>The corpus based on journalism was created thanks to <em>Theatre Record</em>, a paper magazine originally created by the English critic Ian Herbert. <em>Theatre Record</em> reprints in full all the national drama critics’ reviews of the latest productions in and out of London. Published every two weeks in England since January 1981, it is in January 2019 that its archives were digitized thanks to Julian Oddy (<a href="https://www.theatrerecord.com/">https://www.theatrerecord.com/</a>). We have selected 23 newspapers in total which correspond to 21 717 theatre reviews. All of them were initially available in a PDF format. After having converted all the files in a textual format, a massive work of automatic and manual corrections was done on each of the files. This task represents more than 1050 hours of work.</p> <p>The corpus based on blog platforms is constituted of the most popular 28 blog platforms on the Internet. They can be divided into two sub-categories: collective blog platforms on the one hand, and individual blog platforms on the other. Either these digital platforms are run by a publisher who invites other reviewers to post on his website, or the publisher publishes all of his reviews himself. In both cases, these authors are not paid for their activity, the content of their blog does not have a printed version and is completely free. In this version there are 21 blogs, or 15 049 reviews. All of them were automatically extracted thanks to web scraping techniques before being corrected (250 hours of work).</p>
Reddit photo Critique Dataset
<p>The Reddit Photo Critique Dataset (RPCD) contains tuples of image and photo critiques. RPCD consists of 74K images<br> and 220K comments and is collected from a Reddit community used by hobbyists and professional photographers to improve their photography skills by leveraging constructive community feedback. The proposed dataset differs from previous aesthetics datasets mainly in three aspects, namely (i) the large scale of the dataset and the extension of the comments criticizing different aspects of the image, (ii) it contains mostly UltraHD images, and (iii) it can easily be extended to new data as it is collected through an automatic pipeline.</p> <p> </p> <p>More info about the dataset can be found at the Github repo: https://github.com/mediatechnologycenter/aestheval</p>
Corpus Criticorum (1450-1650) - Supplement 1 - A comprehensive dataset of early modern publications featuring the notion of critique on their title pages
<p>Complementing the classical bibliography of the Corpus Criticorum (1450-1650), this comprehensive dataset includes: (1) internal project identifiers; (2) URL links to source catalogues used in the survey; (3) a tabular list of the names of all official contributors (authors, editors and translators); (4) an exact transcription of the title page; (5) publication date; (6) place of publication both as it appears on the title page itself and in modernised form; (7) publishing statement as it appears on the title page; (9) book format; (10) URL links to online images of title pages or, when not available, to a library holding a copy of the text in question. </p>
FIG. 1 in Le mirage des classifications naturelles. Remarques critiques sur un totem, d'Aristote à l'anthropologie contemporaine
FIG. 1. — Représentation de la catégorie des oiseaux avec distance variable visà-vis du prototype (Rouge-gorge), selon la théorie de Rosch, pour les États-Unis.
CROCUS: Dataset of Musical Performance Critique
<p>CROCUS (CRitique dOCUmentS): Dataset of Musical Performance Critique Documents (in Japanese) CC BY-NC-ND 4.0</p> <p>This open dataset contains 90 musical performances and 239 critiques of those performances.</p> <p>For more information, please visit the project page below.<br> <a href="https://masaki-cb.github.io/crocus/">https://masaki-cb.github.io/crocus/</a></p> <p>--</p> <p>Naming Rule:<br> For Recording Data<br> PieceID-PlayerID.wav<br> e.g. Perfomance of beethoven's piece by player 1<br> n01-bee-sym3-p01.wav</p> <p>For Critique Data<br> PieceID-PlayerID-CriticID.wav<br> e.g. Critique by teacher 3 on perfomance of beethoven's piece by player 1<br> n01-bee-sym3-p01-c03.txt</p> <p>List of Piece<br> PieceID Composer Title<br> n01-bee-sym3 L. v. Beethoven Symphony No.3 in E flat Major 'Eroica', Op.55<br> n02-ros-silk G. A. Rossini La scala di seta, Overture<br> n03-sch-sym8 F. Schubert Symphony No.8 in B Minor, D.759 'Unfinished'<br> n04-bra-vcon J. Brahms Violin Concerto in D Major, Op.77<br> n05-tch-sym4 P. I. Tchaikovsky Symphony No.4 in f Minor, Op.36<br> n06-tch-swan P. I. Tchaikovsky "The Swan Lake", Ballet Suite, Op.20a<br> n07-rim-sche N. Rimsky-Korsakov "Scheherazade", Symphonic Suite, Op.35<br> n08-str-donj R. Strauss "Don Juan", Symphonic Poem, Op.20<br> n09-rav-tomb M. Ravel Le Tombeau de Couperin I.Prelude<br> n10-pro-pete S. Prokofiev "Peter and the Wolf", Symphonic Tale, Op.67</p>
Musical Performance Critique Documents for Guitar
<p>CROCUS (CRitique dOCUmentS): Dataset of Musical Performance Critique Documents (in Japanese) CC BY-NC-ND 4.0</p> <p>This open dataset contains 84 guitar performances and 252 critiques of those performances.</p> <p>For more information, please visit the project page below.<br><a href="https://masaki-cb.github.io/crocus/">https://masaki-cb.github.io/crocus/</a></p> <p> </p> <p>n01 F. Sor Etude, Op. 31-1<br>n02 F. Sor Etude, Op. 35-22<br>n03 M. Carcassi Etude, Op. 60-3<br>n04 Anonymous Romanza<br>n05 F. Tárrega Lagrima<br>n06 L. Walker Kleine Romanze<br>n07 J. S. Sagreras Maria Luisan</p> <p> </p>
FIG. 9. — A-G in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 9. — A-G, Pseudofavulina catenulata (Jeffreys, 1848), n. comb.; A, B, SAB, vue latérale et vue orale; C, SAB, endosolen; D-G, SGB3; D, vue latérale; E-G, endosolen; I-O, Pseudofavulina colubrosacosta (Loeblich & Tappan, 1994), n. comb.; I-L, Auxais, vues latérales et vues orales; M, N, endosolen; O, paroi perforée. Échelles: A, C, D, F, G, I-L, 100 µm; B, E, M, 50 µm; H, 200 µm; N, 10 µm; O, 20 µm.
FIG. 3. — A, B in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 3. — A, B, Favulina squamosa (Williamson, 1848), Brest-LRK2; A, vue interne; B, endoanulus; C-I, Homalohedra williamsoni (Alcock, 1865), Auxais T47; C- F, vues latérales et vues orales; G, vue interne; H, endoanulus; I, pores; J-M, Homalohedra? sp., Brest-LRK2; J, K, vue latérale et vue orale; L, M, endoanulus; N-P, Oolina barkeri n. sp. SG1; holotype vues latérale, orale et basale. Échelles: A, G, J-L, 50 µm; B, M, 10 µm; C-F, O, 100 µm; H, 20 µm; N, P, 200 µm; I, 5 µm.
FIG. 5. — A-D, Oolina falsoscalariformis n in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 5. — A-D, Oolina falsoscalariformis n. sp, la Groussinière S15; A, vue latérale; B, paroi perforée; C, vue interne; D, endoanulus; E-J, Oolina sulcata (Terquem, 1876), Raids-le-Scy; E-H, vues latérales et vues orales; I, vue interne; J, endoanulus; K, L, Entosolenia charlesensis (McCulloch, 1977), Brest-LRK2, vue orale et vue latérale; M, N, l'Epinay, vue latérale et vue orale; O, P, la Pugle; O, endosolen; P, vue latérale. Échelles: A, C, E-I, K-M, O, P, 100 µm; N, 50 µm; D, J, 20 µm; B, 10 µm.
FIG. 1 in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 1. — Cartes de localisation des échantillons étudiés; A, carte groupant les zones géographiques concernées et situation géographique des échantillons de l'île d'Oléron, de St Erth et Walton-on-the Naze; B, carte de localisation des échantillons du couloir de l'Élorn (Finistère); C, carte de localisation des échantillons du domaine ligérien; D, carte de localisation des échantillons du Cotentin.
FIG. 6. — A, B in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 6. — A, B, Entosolenia communis (McCulloch, 1977); B, C, la Chênelière, vue latérale et vue orale; C, la Pugle, vue latérale montrant l'endosolen; D, E, Entosolenia costata Williamson, 1858, Walton-on-the-Naze, vue latérale et vue orale; F-L, Entosolenia foveolata (Seguenza, 1862), la Morelière; F-I, vues latérales et vues orales; J, vue interne; K, L, endosolen spiralé; M-O, Entosolenia intermillerelineata n. sp.; M, N, holotype, la Bouillonnaie, vue latérale et vue orale; O, vue interne montrant l'endosolen. Échelles: A, C, F, G-I, M-O, 100 µm; B, D, E, J, 50 µm; K, 20 µm; L, 10 µm.
FIG. 4. — A, Oolina barkeri n in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 4. — A, Oolina barkeri n. sp., SG1, vue interne; B, C, paratype SG1, vue latérale et vue orale; D, SG1; E, endoanulus; F-H, LLM; F, G, vue latérale et vue orale; H, endoanulus; I, J, Saint-Nicolas-de-Pierrepont F2/F3 vue latérale et vue orale; K, L, SG1, vue latérale et vue orale; M-P, Oolina falsoscalariformis n. sp.; M, N, holotype, la Groussinière S15, vue latérale et vue orale; O, P, Brest-LRK2, paratype, vue latérale et vue orale. Échelles: A, C, D, G, I, J, L-P, 100 µm; B, F, K, 200 µm; E, H, 20 µm.
FIG. 7. — A-C, Entosolenia intermillerelineata n in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 7. — A-C, Entosolenia intermillerelineata n. sp; A, la Sautré, vue latérale; B, C, paratype, la Pugle, vue latérale et vue orale; D-G, Entosolenia lineata Williamson, 1848, SG1; D, E, vue latérale et vue orale; F, vue latérale montrant l'exosolen; G, endosolen; H-N, Entosolenia micans; H-I, LRK2; vue latérale et vue orale; J, granulations; K-N, l'Epinay; K, vue latérale; L, granulations; M, vue orale; N, endosolen; O, P, Entosolenia neocostata, LRK2-Brest, vue latérale et vue orale. Échelles: A-I, K, M-P, 100 µm; J, L, 20 µm.
FIG. 2. — A-I in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 2. — A-I, Favulina hexagona (Williamson, 1848): A-E, Brest-LRK2; A, B, vue latérale et vue orale; C, vue interne; D, endoanulus; E, paroi perforée; F, G, Auxais T47; F, vue latérale; G, vue interne; H, I, Brest-LRK2,vue latérale et vue orale; J-P, Favulina squamosa (Williamson, 1848); J-N, Brest-LRK2; J, K, vue latérale et vue orale; L, paroi perforée; M, N, vue latérale et vue orale; O, P, Auxais T47, vue latérale et vue orale. Échelles: A-C, F-I, P, 50 µm; D, E, L, 10 µm; J, K, M-O, 100 µm.
FIG. 8. — A-D in Étude critique des genres Favulina, Homalohedra, Oolina, Entosolenia et Pseudofavulina n. gen. du Pliocène et du Pléistocène inférieur de la France occidentale et du Sud de l'Angleterre
FIG. 8. — A-D, Entosolenia neocostata (McCulloch, 1977); A, B la Chênelière, vue latérale et vue orale; C, la Bouillonnaie, endosolen; D, la Belletière, endosolen. E-G, Entosolenia sp., St Erth; E, F, vue latérale et vue orale; G, endosolen; H-P, Pseudofavulina scalariformis (Williamson, 1848), n. comb.; H, J, St Erth; H, I, vue latérale et vue orale; J, endosolen; K, L, St Erth, vue latérale et vue orale d'une paire; M, N, Auxais, vue latérale et vue orale; O, P, St Erth; O, pores; P, endosolen. Échelles: A-D, H, I, K-N, 100 µm; E, F, 50 µm; G, J, 20 µm; P, 10 µm; O, 5 µm.
Corpus Criticorum (1450-1650) - Supplement 3 - A BibTeX dataset of early modern publications featuring the notion of critique on their title pages.bib
<p>A comprehensive BibTeX bibliography of early modern publications featuring the notion of Critique on their title pages formed in Zotero. The data was collected by exploiting readily-available pan-European (e.g., the <em>Universal Short Title Catalogue</em>), language-based (e.g., the Germanophone <em>VD17</em>), and national (e.g., Italy’s <em>ICCU</em>) catalogue records. The quasi-totality (217/218) of the title pages were consulted in order to perform data curation (i.e., standardisation) and assure its accuracy (i.e., verification of names, dates, title page wording, etc.). </p>
Figure 1 in How not to conduct a scientific debate: a counterpoint to the recent critique of the "pragmatic classification" of jumping spiders (Arthropoda: Arachnida: Araneae: Salticidae)
Figure 1. Neighbor-joining tree of selected barcode sequences of Clubiona species from the BOLD database. The Holarctic core Clubiona s. str. is indicated in green, the genevensis group in red. The key features, as discussed in the text, are also found in maximum parsimony and maximum likelihood trees of the same sequences.
Towards a critique of digital reason
<p>Opening Lecture of the 10th European Summer University in Digital Humanities "Culture & Technology" 2019</p>
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