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54 results for “digital accessibility”
EXPLORATORY SPATIAL ANALYSIS OF "ACCESS" TO PHYSICAL AND DIGITAL RETAIL BANKING CHANNELS IN THE UK
<p>File built in order to explore access to banking channels in the UK (February 2019)</p> <p>The report "Exploratory Spatial Analysis of Access to Physical and Digital Retail Banking Channels in the UK" has been published by Think Forward Initiative in October 2019. You can download the full report from here: <a href="https://www.thinkforwardinitiative.com/research/exploratory-spatial-analysis-of-access-to-physical-and-digital-retail-banking-channels-in-the-uk">https://www.thinkforwardinitiative.com/research/exploratory-spatial-analysis-of-access-to-physical-and-digital-retail-banking-channels-in-the-uk</a></p> <p>Related code: <a href="https://github.com/andrasonea">andrasonea</a>/<strong><a href="https://github.com/andrasonea/TFI_AccessToBanking">TFI_AccessToBanking</a></strong></p> <p> </p>
Fig. 3 in Repatriation of knowledge about insects and types through the DORSA virtual museum (Digital Orthoptera Specimen Access)
Fig. 3: Orthoptera (crickets and grasshoppers) collections in Germany – number of holotypes in major museums. A similar distributed pattern is observed for type material of other groups of organisms housed in German museums or research institutions.
Fig. 4 in Repatriation of knowledge about insects and types through the DORSA virtual museum (Digital Orthoptera Specimen Access)
Fig. 4: Documentation of DORSA specimen data on the internet. Left: species page in SYSTAX (red arrows mark scrolling down); top right: species page in OSF; middle right: image and sound file pages in SYSTAX; bottom right: distribution map from a map server (Canadian Biodiversity Information Facility). External links are marked by yellow arrows, internal links by green arrows.
Fig. 2 in Repatriation of knowledge about insects and types through the DORSA virtual museum (Digital Orthoptera Specimen Access)
Fig. 2: Species group names of Orthoptera worldwide (valid names and synonyms) and types specimens in German collections. The category holotype includes also syntypes, lectotypes and neotypes. [From Ingrisch et al. 2004a].
Fig. 1 in Repatriation of knowledge about insects and types through the DORSA virtual museum (Digital Orthoptera Specimen Access)
Fig. 1: Distribution of Orthoptera type specimens (including Para- and Lectotypes) housed in German Museum collections. Note the high number of types from Africa, South East Asia and Australia, collected in the last centuries. [From Riede 2003].
User participation in digital accessibility evaluations: reviewing methods and objectives
<p><span>Although laws and standardization bodies promote user participation in digital accessibility evaluations, people with disabilities still consider themselves excluded from this process. One reason could be the lack of systematized knowledge about evaluation methods involving users. This article seeks to understand how and for what purpose digital accessibility evaluations with user participation were conducted in the scientific literature from 2018 to 2021. Three types of user participation emerged: 1) user-based usability testing to evaluate task accomplishment, user reactions and interface qualities; 2) interviewing users to assess the local and social factors impacting digital service accessibility; 3) using questionnaires or crowdsourcing to check the compliance of certain interfaces with accessibility standards. Participants are primarily chosen based on their functional impairments and, to a lesser degree, their project-related skills, biographical information, technology habits, among other criteria. The comprehensive user insights gained with these methods are judged to be positive whereas the lack of representativeness of the selected user samples is found to be regrettable. The article finally discusses the definitions of accessibility and disability that underpin these methodologies.</span></p>
A survey of access to the digital collections of 195 UK GLAMs across internal and external platforms - Appendix 1 for A Culture of Copyright: A scoping study on open access to digital cultural heritage collections in the UK
<p>Created for the<a href="https://doi.org/10.5281/zenodo.6242611"> 'A Culture of Copyright: A scoping study on open access to digital cultural heritage collections in the UK' </a>report, this sample replicates and expands the Open galleries, libraries, archives and museums (GLAMs) Survey data extraction and methodology to include a range of GLAMs across the UK and new data points. The initial sample of 350 organisations included Independent Research Organisations (IROs) and Research Centre Institutes (RCIs), GLAMs associated with <a href="https://www.nationalcollection.org.uk/">Towards a National Collection</a> Foundation and Discovery projects, UK GLAMs in the Open GLAM Survey, and other UK GLAMs and related organisations. An initial review was performed to identify and remove organisations outside the scope of inquiry (<em>e.g.</em>, no permanent collections). The final sample included 195 organisations.</p> <p>From the final sample, 24 are IROs (all RCIs were removed). Another 32 are Universities (including GLAMs within universities). This brings the total number of organisations eligible for AHRC funding to 56 (or 28.6%). The remaining 140 include public and private GLAMs at national, regional and local levels (<em>e.g., </em>councils, historic buildings) and research initiatives or data aggregators (<em>e.g.,</em> Portable Antiquities Scheme, Culture Grid, Archaeology Data Service). Organisations are distributed across the UK as follows: Channel Islands (1 total); England (154 total); Isle of Man (1 total); Northern Ireland (5 total); Scotland (28 total); Wales (6 total).</p> <p>A survey of the copyright and open access policies of 63 GLAMs from the UK GLAM Sample is available on Zenodo at: <a href="https://doi.org/10.5281/zenodo.6242559">https://doi.org/10.5281/zenodo.6242559</a></p>
pl-wnifc/humdrum-polish-scores: Digital scores from the "Polish Music Heritage in Open Access" project
<p>Digital scores from the Polish Music Heritage in Open Access project</p> <p>This repository contains transcriptions from the Heritage of Polish Music in Open Access project at the <a href="https://nifc.pl/en">Chopin Institute</a> in the Humdrum digital score format. Files are organized by the RISM siglum ID of the source archive.</p> <p>Frontend</p> <p>The main user interface for these digital scores is at <a href="https://polishscores.org/">https://polishscores.org/</a>. All transcriptions include scans of the physical scores.</p> <p>Staff:</p> <ul> <li><strong>Lead</strong>: Marcin Konik</li> <li><strong>Technical Lead</strong>: Craig Stuart Sapp</li> <li><strong>Project Manager</strong>: Jacek Iwaszko</li> <li><strong>Metadata Manager: </strong>Marcelina Chojecka</li> <li><strong>Assistant Project Manager</strong>: Emilia Ziętek</li> </ul> <p> </p> <p>Data created within EU funded project "Polish Music Heritage in Open Access"</p> <p>Co-financed by the Ministry of Culture and National Heritage</p> <p> </p> <table align="left"> <caption>Archives represented in repository</caption> <thead> <tr> <th scope="col">Siglum</th> <th scope="col">Library</th> <th scope="col">Scores</th> </tr> </thead> <tbody> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-cz/kern">pl-cz</a></td> <td><a href="https://jasnagora.pl/en/o-sanktuarium/biblioteki/biblioteka-jasnogorska">Jasna Góra Monastery</a></td> <td>1294</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-gd/kern">pl-gd</a></td> <td><a href="https://bgpan.gda.pl/?lang=en">Gdańsk Library PAoS</a></td> <td>244</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-kc/kern">pl-kc</a></td> <td><a href="https://mnk.pl/branch/the-princes-czartoyski-library">Czartoryski Library, Cracow</a></td> <td>108</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-kj/kern">pl-kj</a></td> <td><a href="https://bj.uj.edu.pl/en_GB/start-en">Jagiellonian Library, Cracow</a></td> <td>29</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-kk/kern">pl-kk</a></td> <td><a href="http://akkk.com.pl/">Wawel Cathedral, Cracow</a></td> <td>1720</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-kozmzk/kern">pl-kozmzk</a></td> <td><a href="https://www-muzeumzamoyskich-pl.translate.goog/?_x_tr_sch=http&_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en">Zamoyski Museum, Kozłówka</a></td> <td>168</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-sa/kern">pl-sa</a></td> <td><a href="http://bc.bdsandomierz.pl/dlibra?language=en">Diocesan Library, Sandomierz</a></td> <td>1244</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-stab/kern">pl-stab</a></td> <td><a href="https://rism.info/library_collections/2017/09/28/music-in-the-convent-of-st-adalberts-abbey-in.html">St. Adalbert Abbey, Staniątki</a></td> <td>154</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-wn/kern">pl-wn</a></td> <td><a href="https://www.bn.org.pl/en">Polish National Library</a></td> <td>496</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-wnifc/kern">pl-wnifc</a></td> <td><a href="https://nifc.pl/en">Chopin Institute, Warsaw</a></td> <td>390</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-wtm/kern">pl-wtm</a></td> <td><a href="http://warszawskietowarzystwomuzyczne.pl/biblioteka/">Warsaw Music Society</a></td> <td>1163</td> </tr> <tr> <td><a href="https://github.com/pl-wnifc/humdrum-polish-scores/tree/main/pl-wumfc/kern">pl-wumfc</a></td> <td><a href="http://www.biblioteka.chopin.edu.pl/pl">Chopin University of Music</a></td> <td>151</td> </tr> </tbody> </table> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p>
Prototyping 3D Virtual Learning Environments with X3D-based Content and Visualization Tools-Figure 11. Online accessible repository of digital data on cultural heritage with X3D models (STARC Web Repository, 2017, © Copyright 2017, STARC, Cyprus Institute. Used with permission)
<p>Prototyping can also include the development of toolkits for automatic content generation simulator, but in the case of an architectural environment, the components are too complex to be automatically generated. Furniture elements or the learning artifacts (i.e. content created by learners) can be converted to be viewed in X3D compatible browsers or included in online galleries (Figure 11). After functional and 3D content prototyping, certain components of the virtual campus can be easily modified and adapted as needed.</p>
Dataset for Unauthorized Access Attacks on Digital Meter SICAM via TCP/IP Communication
<p>This dataset captures network traffic involving unauthorized access attacks on a Digital Meter SICAM device within a controlled test environment. It includes both normal operations and simulated attacks over TCP/IP communication. The clean traffic records legitimate interactions between the Control Station and the SICAM meter, including successful logins, data retrievals, and routine logoffs at specified timestamps. The attack traffic documents an intruder's activities after infiltrating the network: conducting network scans with Nmap, executing dictionary and brute-force attacks using Hydra to discover passwords, and accessing measured values on the SICAM meter.</p>
Blanca Arias Badia: What Does Green Digital Accessibility Mean To You?
<p>In this video Dr. Blanca Arias Badia from the University of Pompeu Fabra answer to the question "what does green digital accessibility mean to you?".</p>
Sharon Black: What Does Green Digital Accessibility Mean to You?
<p>In this video, Dr. Sharon Black from the University of East Anglia answers the question "what does green digital accessibility mean to you?</p>
Eva Espasa Borràs: What Does Green Digital Accessibility Mean to You?
<p>In this video, Dr. Eva Espasa Borràs from University of Vic answers the question: "what does green digital accessibility mean to you?".</p>
Josélia Neves: What Does Green Digital Accessibility Mean To You?
<p>In this video, Dr. Josélia Neves from Hamad Bin Khalifa University answers the question: "what does green digital accessibility mean to you?"</p>
Jan-Louis Kruger: What Does Green Digital Accessibility Mean To You?
<p>Professor Jan-Louis Kruger from Macquarie University in Sydney shares his thoughts on the concept of Green Digital Accessibility.</p> <p>https://www.green-scent.eu/gda-conference/</p>
Tom Greenwood: What Does Green Digital Accessibility Mean to You?
<p>Tom Greenwood, co-founder of Wholegrain digital, shares his thoughts on green digital accessibility for the Green Digital Accessibility Conference.</p>
Carlo Eugeni: What Does Green Digital Accessibility Mean to You?
<p>Dr Carlo Eugeni from the University of Leeds shares his thoughts on green digital accessibility for the Green Digital Accessibility Conference.</p>
Data for: Information accessibility, accounting manipulation, and sustainable development of digital enterprises: Based on double moderating effect model and panel PSM-DID method
<p>A theoretical mechanism was analyzed from the micro perspective of the enterprise to explore how information accessibility moderates the effect of accounting manipulation on the sustainable development of digital enterprises. Using data from 1200 listing digital enterprises in China and the DEA-Malmquist index method, the efficiency value of digital enterprises in 2007–2021 was estimated to represent the index of sustainable development of digital enterprises. The accounting manipulation was detected using the panel PSM-DID method based on the Administrative Measures for the Recognition of High-tech Enterprise's policy. The information accessibility value was estimated based on the MDA method. Empirical studies were conducted using text analysis, the panel PSM-DID method, and the double moderating effect model. The results showed that: (1) Accounting manipulation had a negative impact on the sustainable development of "true" digital enterprises and the "fake" digital enterprises; (2) Information accessibility directly and positively enhanced the technological progress and scale efficiency of digital enterprises, and its moderating effect was heterogeneous, with a significant moderating effect on the "true" digital enterprises and a negative effect on the "fake" ones.</p>
Digital Community Heritage and Open Access Dataset
<p>Dataset containing 27 digital community heritage initiatives, defined as online initiatives where community members or users contribute to a community heritage-related common cause, which promotes the interests of the community(ies) and/or the greater public.</p> <p>Access the report: Ziku, M., & Fabos, B. (2022). Digital Community Heritage and Open Access. CC Open Culture Working Group Digital Community Heritage. https://doi.org/10.21428/9eb74dbf.0c46e6be</p>
Armony Altinier: What Does Green Digital Accessibility Mean to You?
<p>In this video Dr. Armony Altinier, co-founder of Koena shares her opinion on green digital accessibility.</p>
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These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
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DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.