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ShareScore release 0.9.0
Dataset results
19 results for “music perception”
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics
<p>Data Release and facsimile of the survey, presented in the submission 3238 to the CSCW 2021 conference.</p> <p> </p>
Exploring the relation between fundamental frequency and spectral envelope in the perception of musical instrument sounds – sound files and participant responses
<p>This database contains synthesized instrument sounds (sounds.zip), participant responses (data.zip), and a key for the stimulus order (stimKey.zip) as complementary data to [1].</p> <p>Sounds include individual stimuli for two experiments. Experiment 1 contains stimuli used for sound pleasantness and sound brightness ratings. Every rating scale includes three acoustic conditions: congruent, incongruent, and fixed, corresponding to the relation of fundamental frequency (F0) and spectral envelope (SE). See [1] for further details on this matter. Experiment 2 contains stimuli for four synthesized instrument sounds: violin, alto voice, clarinet, and tuba. Sounds were synthesized using congruent spectral envelopes (all), and register fixed spectral envelopes (low, mid, high).</p> <p>All sounds are mono signals with a sampling frequency of 44100 Hz in WAV format.</p> <p>Data includes four sets of participant response data: sound pleasantness ratings (Exp. 1), sound brightness ratings (Exp. 1), sound pleasantness ratings (Exp. 2), and sound plausibility ratings (Exp. 2).</p> <p>StimKey provides values for the first and second principal components of the synthesis space for the pleasantness (1 to 81) and brightness (1 to 16) stimulus numbers for Exp. 1.</p> <p> </p> <p>Names convention for Exp. 2 sounds:</p> <p>InstrumentName_congruencyCondition_F0..wav</p> <p> </p> <p>References:</p> <p>[1] Jacobsen, S. and Siedenburg, K. (2024). Exploring the relation between fundamental frequency and spectral envelope in the perception of musical instrument sounds. Acta Acustica, 8, 48. <a href="https://doi.org/10.1051/aacus/2024038">https://doi.org/10.1051/aacus/2024038</a>.</p>
Study of Music and Speech Perception in New Cochlear Implanted Subjects Using or Not a Tonotopy Based Fitting
ClinicalTrials.gov study NCT04922619. IPD Sharing: NO. Countries: 1. Publications: 1.
Differences in Music Perception Skills Between Child, Teen and Adult Cochlear Implant Recipients
ClinicalTrials.gov study NCT01876472. IPD Sharing: Not stated. Countries: 1. Publications: 14.
Dataset from the EMNLP 2020 article "Modeling the Music Genre Perception across Language-Bound Cultures"
<p>We release the data required to reproduce the experiments from the article <em>Modeling the Music Genre Perception across Language-Bound Cultures</em> presented at the <a href="https://2020.emnlp.org">EMNLP 2020</a> conference.</p> <p>More information about this data and how it should be used in the experiments can be found in the GitHub repository <a href="https://github.com/deezer/CrossCulturalMusicGenrePerception">deezer/CrossCulturalMusicGenrePerception</a>.</p> <p>Please cite our paper if you use the code or data in your work.</p>
Data from: Audiovisual synchrony perception in observing human motion to music
To examine how individuals perceive synchrony between music and body motion, we investigated the characteristics of synchrony perception during observation of a Japanese Radio Calisthenics routine. We used the constant stimuli method to present video clips of an individual performing an exercise routine. We generated stimuli with a range of temporal shifts between the visual and auditory streams, and asked participants to make synchrony judgments. We then examined which movement-feature points agreed with music beats when the participants perceived synchrony. We found that extremities (e.g., hands and feet) reached the movement endpoint or moved through the lowest position at music beats associated with synchrony. Movement onsets never agreed with music beats. To investigate whether visual information about the feature points was necessary for synchrony perception, we conducted a second experiment where only limited portions of video clips were presented to the participants. Participants consistently judged synchrony even when the video image did not contain the critical feature points, suggesting that a prediction mechanism contributes to synchrony perception. To discuss the meaning of these feature points with respect to synchrony perception, we examined the temporal relationship between the motion of body parts and the ground reaction force (GRF) of exercise performers, which reflected the total force acting on the performer. Interestingly, vertical GRF showed local peaks consistently synchronized with music beats for most exercises, with timing that was closely correlated with the timing of movement feature points. This result suggests that synchrony perception in humans is based on some global variable anticipated from visual information, instead of the feature points found in the motion of individual body parts. In summary, the present results indicate that synchrony perception during observation of human motion to music depends largely on spatiotemporal prediction of the performer's motion.
Data from: Midbrain adaptation may set the stage for the perception of musical beat
The ability to spontaneously feel a beat in music is a phenomenon widely believed to be unique to humans. Though beat perception involves the coordinated engagement of sensory, motor, and cognitive processes in humans, the contribution of low-level auditory processing to the activation of these networks in a beat-specific manner is poorly understood. Here, we present evidence from a rodent model that midbrain pre-processing of sounds may already be shaping where the beat is ultimately felt. For the tested set of musical rhythms, on-beat sounds on average evoked higher firing rates than off-beat sounds, and this difference was a defining feature of the set of beat interpretations most commonly perceived by human listeners over others. Basic firing rate adaptation provided a sufficient explanation for these results. Our findings suggest that midbrain adaptation, by encoding the temporal context of sounds, creates points of neural emphasis that may influence the perceptual emergence of a beat.
Musical materials, Effort perception experiment
<p>Perceived effort experiment, video/audio material</p> <p>File names: Seg[segment number].mov, where segment number = [1...5]</p> <p>Musical source: "Pression" by Helmut Lachenmann.</p>
Data from: Midbrain adaptation may set the stage for the perception of musical beat
Open the record for dataset details and reuse information.
Data from: Audiovisual synchrony perception in observing human motion to music
Open the record for dataset details and reuse information.
Music Perception in SeLECTs
ClinicalTrials.gov study NCT06545708. IPD Sharing: NO. Countries: 1. Publications: 0.
Effects of Live Music on the Perception of Noise in the SICU: A Patient, Caregiver, and Medical Staff Environmental Study
ClinicalTrials.gov study NCT02269527. IPD Sharing: Not stated. Countries: 1. Publications: 0.
Perception of Music and Facial and Vocal Emotions in a Population With and Without Depression
ClinicalTrials.gov study NCT05143983. IPD Sharing: NO. Countries: 1. Publications: 0.
Effect of Music Therapy Applied During Lumbar Puncture on Infants' Pain Perception
ClinicalTrials.gov study NCT06571006. IPD Sharing: NO. Countries: 1. Publications: 0.
Perceptions On Music And Noise In The OR
ClinicalTrials.gov study NCT04638296. IPD Sharing: NO. Countries: 1. Publications: 0.
The Effect of Perioperative and Postoperative Music Reduces Pain Perception After Anterior Cruciate Ligament Reconstruction
ClinicalTrials.gov study NCT06275828. IPD Sharing: NO. Countries: 1. Publications: 0.
Study of Quality Perception on Music in New Cochlear Implanted Subjects Using or Not a Fine Structure Strategy
ClinicalTrials.gov study NCT03993899. IPD Sharing: NO. Countries: 1. Publications: 0.
The Effects of Breathing Exercises and Music Intervention During Labor on Pain Perception, Birth Expectations, and Birth Satisfaction in Primiparous Women
ClinicalTrials.gov study NCT07177027. IPD Sharing: NO. Countries: 1. Publications: 0.
Interactionality of Music Preference and Individual Variables in Pain Perception and Management
ClinicalTrials.gov study NCT02652039. IPD Sharing: Not stated. Countries: 1. Publications: 0.
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International Brain Laboratory public data
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OpenNeuro
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