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31 results for “reliquary”
Sri Ksetra, Bago, Myanmar. Reliquary in repoussé silver.
<p>Sri Ksetra, Bago, Myanmar. Reliquary in repoussé silver. Reconstruction (black and white version).</p>
Sri Ksetra, Bago, Myanmar. Reliquary in repoussé silver.
<p>Sri Ksetra, Bago, Myanmar. Reliquary with Pāli and Pyu inscriptions, in repoussé silver, as documented and published 1926-27 after being found in the Khin Ba relic chamber (located approximately at at 18°47'37"N 95°18'0"E).</p>
Reliquary of contacts for: A pragmatic approach to complex citations, closing the provenance gap between IPCC AR6 figures and CMIP6 simulations
<p>Photos and metadadata pannels of a "Reliquary of contacts for: A pragmatic approach to complex citations, closing the provenance gap between IPCC AR6 figures and CMIP6 simulations" produced to support the "A pragmatic approach to complex citations, closing the provenance gap between IPCC AR6 figures and CMIP6 simulations" presentation given at EGU 2024.</p> <p>------</p> <p>With ever growing abilities to process greater volumes of data the abiiity to sustain the citability and tracability of the underluing source data within outputs such as publications is becoming increasingly challenging. With a range of use-cases, work on how to handle complex citations from the perspective of those producing outputs, journals and those handling the knowledge graph and associated services, is exmaning a how to handle these situations in a sustainable and manageable fashion.<br><br>At the European Geophysical Union (EGU) General Assembly in Vienna, 2024, a pragmatic solution using Zenodo to store 'reliquary' objects was presented. The poster presentation demonstrated the use of existing strucutres within a Zenodo object to address the complex citation use-case around figure, the related data and the source datasets related to the IPCC's AR5 figure data. I.e. how to utulise the existing constructs of a Zenodo item and the range of available metadata fields to give an off-the-shelf solution to allow tracability to the specific datasets used (via their Handle identifiers) and citability of the higher level, DOI-ed dataset collections within which the specific Handle-ed datasets were selected from. Additionally, the connectivity between these two levels of PID objects was also captured within the stored files around which the rich metata was captured.<br><br>The concept of a complex citation 'reliquary' as a metadtata rich object, acting as a referencable nexus in the knowledge graph has been put forth as a solution to the complex citation challenge. It borrows the concept from its historical use, denoting a container or shrine, often richly embellished, for sacred relics (e.g. saints bones, artefacts etc). In the same way here we have both the rich metadata 'container' around the specific details (the 'bones in the box', with their preserved connectivity).<br><br>However, the term 'reliquary' is often a hard one to convey, being somewhat of an obscure term (likewise the term 'nexus' may also be one lacking wider recogniton). Thus, to aid the discussions around the presentation by Pascoe et al. (2024) at the EGU 2023 General Assembly, a physical representation of a metadata reliquary object was produced.<br><br>The purpose of this object was two fold:<br><br> - The first was to show how the reliquary container itself is metadata rich, detailing through the use of ORCIDS, RORs and a DOI, references to external items, complemented by further metadata concerning the specifics of the reliquary's own metadata (its title and the credit for the artist that created it). Futher more, the relationship between the reliquary and those referenced parties/objects was also captured. The contents were also used to demonstrate the importance of making the contents useful for onward users (in this case contact details on business cards). <br> - The second, and for the funder of this piece, arguably the most important aspect was a degree of outreach this provided, both to engage the audience of Pascoe et al (2024), and directly to the artist to demonstrate the importance of this work to the international research data management community and overall to aid engagemeng with the funder's work.<br><br>This resource is provided here as a repository of images of the reliquary itself and in context at the EGU 2024 event as a potential resource others may use to aid further discussions around the use of reliquaries with regards to complex citations. The slides provided of the reliquary box labels are also provided with some annotation to further expand on the metadata aspects of their content.</p>
Piprahwa (Siddharthnagar district, Uttar Pradesh). Photographic rendering of reliquary inscription by India Museum, Calcutta.
<p>Piprahwa (Siddharthnagar district, Uttar Pradesh). Photographic rendering of reliquary inscription by India Museum, Calcutta.</p>
Piprahwa (Siddharthnagar district, Uttar Pradesh). Rendering of reliquary inscription, from museum image.
<p>Piprahwa (Siddharthnagar district, Uttar Pradesh). Rendering of reliquary inscription, from museum image.</p>
Sri Ksetra, Bago, Myanmar. Reliquary in repoussé silver.
<p>Sri Ksetra, Bago, Myanmar. Reliquary in repoussé silver. Reconstruction (colour version).</p>
Bhavikonda, Andhra Pradesh. Reliquary and contents.
<p>Bhavikonda, Andhra Pradesh. Reliquary and contents.</p>
Bhavikonda, Andhra Pradesh. Reliquary.
<p>Bhavikonda, Andhra Pradesh. Reliquary.</p>
Peshawar, Pakistan. Mound of Shah ji ki Dheri, the so-called Kanishka reliquary.
<p>Peshawar, Pakistan. Mound of Shah ji ki Dheri, the so-called Kanishka reliquary, historic photograph with associated desposits.</p> <ul> </ul>
Piprahwa (Siddharthnagar district, Uttar Pradesh). Inscribed reliquary [C]
<p>Piprahwa (Siddharthnagar district, Uttar Pradesh). Inscribed reliquary [C]</p>
Piprahwa (Siddharthnagar district, Uttar Pradesh). Inscribed reliquary [D].
<p>Piprahwa (Siddharthnagar district, Uttar Pradesh). Inscribed reliquary [D].</p>
Holy Sepulchre-shaped reliquary
Full name: **Holy Sepulchre-shaped reliquary from Miechów, Poland** Shaped like the Holy Sepulchre, the unusual reliquary is one of the highlights of the Miechów vault. Traditionally, it is believed that it was deposited in Miechów in 1584 by Andrzej Batory, the then Minister General of the Order of the Holy Sepulchre, after his return from Italy. After a few months in the Mediterranean, Cardinal Batory decided to return to the country via Milan, where he wanted to once again meet Cardinal Charles Borromeo. It was most probably during that visit that Borromeo presented Batory with the reliquary. The inside of the silver reliquary holds relics of saints. **For more images and further information, visit:** [https://muzea.malopolska.pl/en/objects-list/2976](http://) Inventory number: MZM/D/S/55 Localisation of the physical object: Museum of Miechowska Land, Poland **Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project** Source: Objaverse 1.0 / Sketchfab
Reliquary | Byzantine
You can find it in Dar as-Saraya museum, Irbid, Jordan. Worth a visit! Location: https://goo.gl/maps/y57U7gRVTZpJoD1K9 Source: Objaverse 1.0 / Sketchfab
Gothic reliquary herm
ID no.: AH/1287 Museum: Museum of the Biecz Land https://muzea.malopolska.pl/en/objects-list/321 Digitalisation: RDW MIC, Małopolska's Virtual Museums project Source: Objaverse 1.0 / Sketchfab
Reliquary from Vadstena Convent (SHM 349:2)
A reliquary is a container for relics. The relics might have been physical remains of saints such as bones, pieces of clothing or objects that were associated with the religious figure. It is not known today what this reliquary once contained. It dates from the 15th century and was made in the Vadstena convent. Using needles and thread, the nuns of Vadstena created pictorial scenes and symbolically charged motifs. They embroidered with gold and silk thread, with techniques such as couching and split stitch, using beads and various kinds of metal foil. The wooden container is completely covered by the embroidered textile, with a pink lining inside, while the wooden base is painted in red and green. The reliquary was added to the museum's collection in 1703, and was already then missing its lid. http://historiska.se/upptack-historien/object/96336 3D Scanning Xenter 3D-tekniker Midori Åstrand Source: Objaverse 1.0 / Sketchfab
Włocławek reliquary
The Włocławek reliquary (also known as the Kruszwica reliquary) was created in the 2nd quarter of the 12th century, supposedly in Swabia. It is linked to the Zwiefalten workshop. According to an erroneous 19th-century scientific hypothesis, it was to have come from the Kruszwica cathedral. Until the mid-19th century the exhibit was kept in the cathedral treasury in Włocławek. The cathedral chapter donated the reliquary to Kazimierz Stronczyński, who passed it on to a well-known collector, Józef Rusiecki. The exhibit entered the collection of the National Museum in Kraków in 1909 as a donation from Stanisław Ursyn-Rusiecki, son of Józef. **For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/127 Inventory number: MNK IV-Z-1954/1 Localisation of the physical object: National Museum in Kraków, Poland **Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; "Virtual Museums of Małopolska" project** Source: Objaverse 1.0 / Sketchfab
Olifant-reliquary
Olifant-reliquary, Olifant imported from Sicily and ramanied by a Mosan workshop around 1160-1180. Ivory, repoussé, openwork, chased and gilded cast copper. Provenance: treasury of the Saint Servatius Church in Maastricht. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 180 pictures with ReCap pro from AutoDesk. In the 11th and 12th centuries, Sicilian ivory carving workshops had specialized in the production of olifants, that is to say, as the name suggests, hunting horns carved from elephant tusks. . After his arrival in the Mosan region, this olifant, perceived as a curiosity or considered as an object that had belonged to a saint, was transformed into a reliquary. It was then embellished with a gold decoration representing busts of apostles, pophetes and virtues. For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal) Source: Objaverse 1.0 / Sketchfab
Thomas Becket Head Reliquary Badge
The bust reliquary badge seen here was one of the many different types sold to pilgrims to the shrine of St Thomas Becket. St Thomas was murdered in 1170 by knights of Henry II after a dispute regarding royal control of the church in England. St Thomas Becket's skull was kept in a lavishly decorated bust-shaped reliquary. The reliquary was displayed in the Corona (crown/cranium) chapel and was a highlight for pilgrims to see. Having viewed the corona reliquary, a pilgrim might choose to purchase a badge depicting it as a souvenir. Pilgrims' badges were a symbol of the relationship between the saint and the pilgrim who had undertaken the journey to the relic and were conventionally worn on the individual's hat or bag. L: 88.65 mm W: 45.81 mm http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=762027&partId=1&searchText=2001,0702.1&page=1 Source: Objaverse 1.0 / Sketchfab
Pinion-reliquary of Saint Valentine
Pinion-reliquary of Saint Valentine (inv. 1038), Four pinions-reliquaries, Atelier Mosan, circa 1180-1200, oak core, embossed copper, engraved and gilded, champlevé enamel and mixed enamel, brown varnish. Provenance, Saint-Servais de Maastircht church. Musée d'Art et d'Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made of 220 pictures with CapturingReality. These four reliquary gables were once exhibited in the choir of the Church of Saint Servatius in Maastricht, on either side of the reliquary of Saint Servatius. The wooden formwork housing the relics, visible on the back of these reliquaries, does not appear to date back to the 14th century. It is therefore not known whether these gables were designed from the start as independent reliquaries or whether, on the contrary, they were originally part of two complete reliquaries of which they would be the only remains. For more updates, please consider to follow me on Twitter at @GeoffreyMarchal. (https://twitter.com/GeoffreyMarchal) Source: Objaverse 1.0 / Sketchfab
Saint Eustace Head Reliquary
Source: Objaverse 1.0 / Sketchfab
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