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53 results for “sound recordings”
Underwater sounds, including killer whale and humpback whale vocalizations, recorded in northern Norway in January 2023
<p>Dataset of underwater acoustic recordings obtained during the expedition “Orcalize” that took place in Skjervøy in northern Norway from 29<sup>th</sup> December 2022 till 6<sup>th</sup> January 2023. The data contains vocalizations from killer whales and songs from humpback whales which gather in the local fjords during the winter months to feed on herring. We recorded in the band of 20 Hz – 60 kHz with calibrated hydrophones arranged in a compact tetrahedral array that we deployed over board of a motorboat. In total we provide 16 files of continuous recordings with duration from several minutes to over one hour. The total dataset is about 7 hours 37 minutes long and the memory size is 62.8 GB. See the file info.pdf for more information.</p>
Sound Recording and Ethological Data on Vitelline Warblers (S. vitellina) on Little Cayman Island, 2023
The Vitelline Warbler (Setophaga vitellina) is an understudied species endemic to a few islands in the western Caribbean. Little is known beyond its phylogenetic relationship to other New World warblers. We used island-wide surveys and bioacoustic recordings to investigate the distribution, vocalizations, and ecology of S. vitellina across a significant portion of the species’ range on Little Cayman Island. We recorded 417 songs from 91 individuals and analyzed the length, frequency, and shape of various song components. We observed and characterized high variation in the composition and character of songs.
Table S3. List of Locustella sound recordings included in bioacoustic analysis surrounding description of the Taliabu Grasshopper-Warbler. The table provides information on sound library sources and sampling localities of recordings as well as raw data on all 11 bioacoustic parameters measured (see Supplementary Materials section SM3 for more details on parameters). Recordings whose source is labeled as "private recording" were obtained by colleagues and are available upon demand from the corresponding author.
<p>supplement to Rheindt, Frank E., Prawiradilaga, Dewi M., Ashari, Hidayat, Suparno, Gwee, Chyi Yin, Lee, Geraldine W. X., Wu, Meng Yue, Ng, Nathaniel S. R. (2020): A lost world in Wallacea: Description of a montane archipelagic avifauna. Science 367: 167-170, DOI: 10.1126/science.aax2146</p>
PsPM-SCRV10: Skin conductance responses to loud sounds, simultanously recorded from palm, fingers and foot
<p>This dataset includes skin conductance response (SCR) measurements recorded from 3 locations (see section 'Data files' below) for each of 26 healthy unmedicated participants (12 males and 14 females aged 24.4+/-4.9 years) in response to an auditory stimulus (single white noise bursts, 1s length; 10ms ramp; ~85dB). Participants are asked to press a foot pedal upon hearing a stimulus.</p>
Sound recordings with a graphene squeeze-film microphone
<p>This dataset contains two recordings of the Super Mario Theme song. </p> <ol> <li>"<span><a href="../api/records/13832687/draft/files/SuperMario_Mic_EntireSong_Paper.wav/content" target="_blank" rel="noopener noreferrer">SuperMario_Mic_EntireSong_Paper.wav</a></span>" was recorded with a reference microphone closely placed to a graphene squeeze-film microphone.</li> <li>"<span><a href="../api/records/13832687/draft/files/SuperMario_DUT_EntireSong_Paper_DownSampledTo48kHzSampFreqSameasMic.wav/content" target="_blank" rel="noopener noreferrer">SuperMario_DUT_EntireSong_Paper_DownSampledTo48kHzSampFreqSameasMic.wav</a></span>" was recorded with a graphene squeeze-film microphone.</li> </ol> <p>More details on the experimental conditions can be found in this preprint: <a href="https://arxiv.org/abs/2406.09566">https://arxiv.org/abs/2406.09566</a></p> <p> </p>
FuSA: recording of urban sounds in Valdivia, Chile, between 23 May and 6 June 2022
<p>This dataset includes 115 audio recordings and corresponding metadata. The audio recordings were obtained through two monitoring stations installed in different parts of Valdivia (city ubicated at the south of Chile).</p> <p>The two monitoring stations listened to a grand total of 30,240 minutes during two-week and one-week operation periods, respectively. From this dataset only 115 minutes were flagged as surpassing the established sound pressure level.</p> <p>The FuSA system (<a href="https://www.acusticauach.cl/fusa/">https://www.acusticauach.cl/fusa/</a>) was then used to obtain event predictions for the 115 minutes subset.<br> The file metadata.csv includes predictions for each audio recordings and their corresponding probabilities.</p>
Recorded plant sounds from: Sounds emitted by plants under stress are airborne and informative
<p>Stressed plants show altered phenotypes, including changes in color, smell, and shape. Yet, airborne sounds emitted by stressed plants have not been investigated before. Here we show that stressed plants emit airborne sounds that can be recorded from a distance and classified. We recorded ultrasonic sounds emitted by tomato and tobacco plants inside an acoustic chamber, and in a greenhouse, while monitoring the plant's physiological parameters. We developed machine learning models that succeeded in identifying the condition of the plants, including dehydration level and injury, based solely on the emitted sounds. These informative sounds may also be detectable by other organisms. This work opens new avenues for understanding plants and their interactions with the environment and may have a significant impact on agriculture.</p>
Estonian National Bibliography - sound recordings
A subset of sound recordings metadata from the Estonian national bibliography. The Estonian national bibliography (Eesti rahvusbibliograafia - ERB) covers publications in all languages in Estonia and abroad, regardless of the medium and date of publication. The database of the national bibliography is constantly updated with newly published works. A separate part of the national bibliography is the Estonica collection, which includes both publications in foreign languages by Estonian authors and publications about Estonia and Estonians published abroad. The database is managed by the National Library of Estonia, which manages the Estonian national bibliography in accordance with the relevant laws. For more info, see <a href="https://digilab.rara.ee">https://digilab.rara.ee</a>.
"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I made the recording because Iam an amateur recording engineer and also work for a radio station. At the time, Iwas researching for a religious programme, for the radio and by pure chance and good luck, Iwas in the centre of York at the time the street preacher was there. Iam building up a personal library of 'ambient sounds' to use on various radio shows as 'sound effects'. The recording was taken outside St Helen's Church in St Helen's Square, in the centre of York. There was a fairly large crowd walking about, shopping. It was a Saturday. Some people were standing and listening to the man, some were mocking him, others didn't even notice. It was a sunny day, with a slight wind. St Helen's square is a large 'meeting place' for people with seats, flowers and usually musicians. I live in the centre of York and hear a lot of very interesting sounds there, everything from busking musicians, to many foreign languages, church bells, animals and much more. Ireally liked the recording of the preacher as it is quite clear that he passionately believes what he is saying. He was unaware that Iwas recording him. Iwish Ihad captured his whole sermon. He, and other members of his church visit the centre of York quite often, and preach there. Idon't know the name of his church." [Jools/vedas]19
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"It was recorded on Sunday, morning of the 28th of September as some of the slower runners of the Berlin Marathon made it past Torstrasse near my flat. Iwas out to buy some bread for breakfast, but Iusually bring a camera and my Edirol R-1 recorder whenever Igo out. Since Iwas freshly returned to Berlin Iguess Iwas sensitive to the more antiquated sounds which still survive there, like that of the organ grinder. Iam generally interested in how human beings are replacing the presence of Nature with an artificial environment made entirely by human hands (and thus far more understandable, it is hoped). In this new Human Nature, the sounds of Nature are also Human made. Iwrite about these things, but Ialso use the sounds in my videos and my interactive and generative media work, so generally Iam wandering around building up my archive of media documents for use as material in future works." [Baruch/ gottlieb]17
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I'm something of an untrained, unofficial cultural anthropologist myself. Ihave a business interviewing people to capture their personal histories. I'm always interested how people fit into their world and how they affect their world. I'm a graphic designer who works in the same building as the printing presses that I recorded. Iwalk past the presses every day on my way to talk to the folks in the prepress department. I'm on friendly but not drinking terms with the pressmen. I'm a friend with the prepress manager. Three Heidelberg presses are installed side by side in an open warehouse-like room. The presses are about twenty feet long and about five feet high. With their series of four humps or mounds where each printing cylinder is located, the presses remind one of giant, gray, mechanical caterpillars. Each press has a cyan cylinder, a magenta cylinder, a yellow cylinder and a black cylinder – so the humps are brightly colored. The presses are well lit by banks of fluorescent lights hanging from the ceiling over each press. When you walk into the press room you hear the sound of rock music blaring from a boom box radio mixed with the general din of the presses. It is only when you walk up to a press like Idid for the recordings that you really start to hear the individual strains of clicking, clacking and mechanical, syncopated chattering. When I made my recordings I was intrigued by the subtle variations in the sounds produced by these machines that aren't apparent when you first walk through the door. The pressmen were kind enough to allow me to walk right up to the presses and poke my microphone quite close to the rotating press cylinders. Iuse a Danish Pro Audio microphone about the size of a pencil eraser. An extremely sensitive mic with the capacity for capturing loud sounds such as the presses up close. Rotating the mic to one side or the other focused on the unique sounds coming from one cylinder or the other." [Kevin/KMerrell]18
"The sound comes from a meadow in the Sierra Nevada Mountains in California. The meadow is at an elevation of 2400 meters near a mountain named Olancha Peak, which is 3700 meters in altitude. Ihave a group of friends with which Ibackpack (trek) into the mountains. Our goal was to spend some time in the mountains and hike to the top of Olancha Peak (…) By the time we reached the meadow, we were in a forest and there was still snow on the ground in some places. We took the trip in June of 2006. The Sierra Nevada Mountains are a large mountain range. Much of the range is protected by national parks or preserved areas we call 'wilderness areas' (…) Ihave been backpacking for nearly 40 years and Iwill hopefully continue with this challenging activity for 40 years more! Many of my friends are much younger than Iam and it gives me much satisfaction to be able to have as much or more stamina for this activity than they have! When we are on these trips, we hike up peaks, catch fish, drink some whiskey around campfires and enjoy our time in the beautiful solitude. My memories of this trip were of the steep, hot hike from the desert to the cool meadow; the overall beauty of the nature, the absolute solitude of our campsite near the meadow; the strenuous hike to the top of Olancha Peak; the camaraderie of my friends; and, of course the sound of the frogs in the meadow. The frog sounds were astounding to me and Iwould listen in awe of the creature's instinctual desire to reproduce and continue the existence of their kind. Surely there were different species in the meadow for some of the frog sounds were different than others. The sounds only occurred after the Sun went down for the evening. Istood next to the creek in the meadow and recorded the sounds using my digital camera." [Peter/plentz1960]16 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"The sound comes from a meadow in the Sierra Nevada Mountains in California. The meadow is at an elevation of 2400 meters near a mountain named Olancha Peak, which is 3700 meters in altitude. Ihave a group of friends with which Ibackpack (trek) into the mountains. Our goal was to spend some time in the mountains and hike to the top of Olancha Peak (…) By the time we reached the meadow, we were in a forest and there was still snow on the ground in some places. We took the trip in June of 2006. The Sierra Nevada Mountains are a large mountain range. Much of the range is protected by national parks or preserved areas we call 'wilderness areas' (…) Ihave been backpacking for nearly 40 years and Iwill hopefully continue with this challenging activity for 40 years more! Many of my friends are much younger than Iam and it gives me much satisfaction to be able to have as much or more stamina for this activity than they have! When we are on these trips, we hike up peaks, catch fish, drink some whiskey around campfires and enjoy our time in the beautiful solitude. My memories of this trip were of the steep, hot hike from the desert to the cool meadow; the overall beauty of the nature, the absolute solitude of our campsite near the meadow; the strenuous hike to the top of Olancha Peak; the camaraderie of my friends; and, of course the sound of the frogs in the meadow. The frog sounds were astounding to me and Iwould listen in awe of the creature's instinctual desire to reproduce and continue the existence of their kind. Surely there were different species in the meadow for some of the frog sounds were different than others. The sounds only occurred after the Sun went down for the evening. Istood next to the creek in the meadow and recorded the sounds using my digital camera." [Peter/plentz1960]16
"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I was the class teacher at that time. It was a class trip, usually organized near the end of the schoolterm in summer. The pupils went there by bike to have a barbecue at the sandy banks of the river Rhine near Dusseldorf. The landscape around is mostly dominated by agriculture and glasshouse cultures. You find a mixture of former villages nowadays completely suburbanized. The population finds jobs in the nearby urban centers like Dusseldorf, Neuss and other big cities. The reason why Irecorded the scene is simply because Iam interested in collecting sounds in general by doing recordings in different surroundings like nature, cities and everything between. My memories about the event are that it was a relaxing and funny atmosphere, which is not always the case while teaching in a classroom" [Reinhard/reinsamba]15
"I was on vacation in Mala, living in a self-catering holiday cottage, together with my girlfriend (we're together for 11 years now), recovering from a heavy workload in the second half of 2008. We were sitting outside, probably sipping a beer, when we heard the sound of bells approaching. Stepping on the stones that enclose the little forecourt of the cottage, we could just see the goat herd being driven by. Idashed for my R09 (recording equipment) to get that impression – but too slowly too late, it seemed, the herd had disappeared and with it the sound. When Iwas about to pack my R09 again the sound appeared to come back, so Idashed down the driveway, just in time to see the herd pass, and then Ifollowed it a couple of hundred meters, walking behind the herd, trying not to breathe or make stepping sounds, eventually, when dogs started barking and a car approached from behind, I stopped and let the goats go on, the car passes, honks ... and Icut the recording and walk back to the cottage." [Peter/ptroxler]13 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I was on vacation in Mala, living in a self-catering holiday cottage, together with my girlfriend (we're together for 11 years now), recovering from a heavy workload in the second half of 2008. We were sitting outside, probably sipping a beer, when we heard the sound of bells approaching. Stepping on the stones that enclose the little forecourt of the cottage, we could just see the goat herd being driven by. Idashed for my R09 (recording equipment) to get that impression – but too slowly too late, it seemed, the herd had disappeared and with it the sound. When Iwas about to pack my R09 again the sound appeared to come back, so Idashed down the driveway, just in time to see the herd pass, and then Ifollowed it a couple of hundred meters, walking behind the herd, trying not to breathe or make stepping sounds, eventually, when dogs started barking and a car approached from behind, I stopped and let the goats go on, the car passes, honks ... and Icut the recording and walk back to the cottage." [Peter/ptroxler]13
"The place where Idid record the sound "saunan lämmitys" is our family's summerhouse. My father bought it year 1955. He was born nearby in Virojoki village in 1911 and passed away in 2003. As you know Sauna a is very relaxing and important thing to Finns. We like the warm and silence of sauna atmosphere and heating the sauna is almost religious to us. For me it is remembering moments Ispent with my dead father and other relatives. Iam 56 years old internist and living 600 km away from that place but still I visit there for about 2 months yearly." [Timo/timofei]14 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"The place where Idid record the sound "saunan lämmitys" is our family's summerhouse. My father bought it year 1955. He was born nearby in Virojoki village in 1911 and passed away in 2003. As you know Sauna a is very relaxing and important thing to Finns. We like the warm and silence of sauna atmosphere and heating the sauna is almost religious to us. For me it is remembering moments Ispent with my dead father and other relatives. Iam 56 years old internist and living 600 km away from that place but still I visit there for about 2 months yearly." [Timo/timofei]14
"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
"I am a journalist myself, working for a public radio and television in the Netherlands. As a radio reporter Ivisited Bangladesh just after the cyclone Sidr hit the coastal area in November 1997 (…) Itravelled to the islands on a boat. On that boat were two boatmen and one of them started singing while we were sailing. As Igeotagged this song you can see exactly where it was. Iwas staying at that time in Pirojpur, took a taxi to the river and got a boat. Along tall typical motorboat. It was a journey of three-quarters of an hour during which he sang two songs." [Jeroen/zeshoog]12
Audio and 3D flight-track recordings of mosquito responses to opposite-sex sound-stimuli
Open the record for dataset details and reuse information.
Recorded plant sounds from: Sounds emitted by plants under stress are airborne and informative
Open the record for dataset details and reuse information.
Underwater-sound records in glacier fjords (Inglefield Bredning, Baffin Bay, NW Greenland, Denmark), 19-28 July 2019
<p>Acoustic data (.wav) recorded by 2 hydrophones suspended from boats in Inglefield Bredning and Bowdoin fjords (Baffin Bay, NW Greenland, Denmark) in July 2019 for underwater soundscape documentation (narwhal vocalizations and environmental sources). </p> <p>*******************</p> <p>First set-up had a hydrophone AQH-020 by AquaSound Inc. (20Hz – 20kHz) connected to Amplifier Aquafeeler III (SQE-1001B, 50dB gain) by AquaSound Inc. and a recorder PCM-M10 by Sony (44.1 kHz, 16 bit, auto-mode). Recording depth was about 6.6 m, except a record collected on July 27, 2019 at 15:56:33 (depth was about 0.5 m).</p> <p>Channels: 2 (but records are only at “Left”/1 channel; the “Right”/2 is electric noise).</p> <p>File name: sony.YYMMDDhhmmss.wav</p> <p>Note that the strongest regularly-spaced impulsive sounds in two files (sony.190719130533.WAV, sony.190719132214.WAV) are seemingly not due to a whale nearby, but due to repetitive impacts of the hydrophone with a ballast-rope in strong current. This issue was fixed by adjusting the rope length, after which the sound was gone.</p> <p>*******************</p> <p>Second set-up had a hydrophone SoundTrap SD3000 by Ocean Instruments NZ (20Hz – 60kHz), integrated with amplifier and recorder, sampling at 96 kHz, 16 bit. Signal-to-pressure conversion constant was 176.2 dB for this particular device (ID number 5146, at High-Gain mode). Recording depth was about 10.8 m, except records collected on July 20, 2019 between 00:44:47 and 08:44:47 (depth was about 1 m). </p> <p>Channels: 1</p> <p>File name format: 5146.YYMMDDhhmmss.wav</p> <p>*******************</p> <p>Coordinates for each record by each set-up are shown below.</p> <p> </p> <p>Geographic position of each measurement with <strong>SoundTrap</strong> is as the following:</p> <p>Date, Record Start Time(UTC), lon, lat,</p> <p> </p> <p>19 July 2019, 12:55:17, 77.474752, -68.660610 </p> <p>19 July 2019, 13:19:53, 77.488215, -68.597227 </p> <p>19 July 2019, 14:19:53, 77.485103, -68.574985 </p> <p>19 July 2019, 16:19:41, 77.523033, -68.403958 </p> <p>19 July 2019, 19:06:57, 77.618543, -68.564536 </p> <p> </p> <p>20 July 2019, 00:44:47, 77.548649, -68.550752 </p> <p>20 July 2019, 13:02:59, 77.527026, -68.534285</p> <p>20 July 2019, 14:30:26, 77.487211, -68.483834</p> <p>20 July 2019, 15:10:13, 77.495954, -68.658084 </p> <p> </p> <p>*******************</p> <p>Geographic position of each measurement with <strong>Sony-AquaSound</strong> is as the following:</p> <p>Date, Record Start Time(UTC), lon, lat,</p> <p> </p> <p>19 July 2019, 13:05:33, 77.474752, -68.660610 </p> <p>19 July 2019, 13:22:14, 77.488215, -68.597227 </p> <p>19 July 2019, 16:11:54, 77.523033, -68.403958 </p> <p>19 July 2019, 19:09:11, 77.618543, -68.564536</p> <p> </p> <p>20 July 2019, 13:04:42, 77.527026, -68.534285</p> <p>20 July 2019, 14:01:42, 77.505033, -68.553648</p> <p>20 July 2019, 15:11:10, 77.495954, -68.658084 </p> <p> </p> <p>21 July 2019, 22:17:04, 77.675334, -68.636040 </p> <p>21 July 2019, 22:19:53, 77.671904, -68.639090</p> <p> </p> <p>22 July 2019, 00:12:34, 77.525553, -68.442136 </p> <p> </p> <p>27 July 2019, 13:28:58, 77.617588, -68.597946</p> <p>27 July 2019, 14:13:59, 77.667788, -68.643976 </p> <p>27 July 2019, 15:56:33, 77.665487, -68.778195 </p> <p>27 July 2019, 17:03:04, 77.672426, -68.658150 </p> <p>27 July 2019, 17:22:16, 77.669874, -68.657587 </p> <p>27 July 2019, 17:59:39, 77.676941, -68.664817 </p> <p>27 July 2019, 19:44:32, 77.668669, -68.656365 </p> <p>27 July 2019, 21:57:07, 77.628218, -68.637347</p> <p>27 July 2019, 23:07:12, 77.625571, -68.616875</p> <p> </p> <p>28 July 2019, 00:02:41, 77.619299, -68.595757</p>
Water lap from South East Misool Island off West Papua10 in Collecting Sounds. Online Sharing of Field Recordings as Cultural Practice
Water lap from South East Misool Island off West Papua10
ScienceDex guides
Understand access before you commit
These curated guides explain access requirements, typical timelines, costs, and reuse considerations for widely used research datasets.
Allen Brain Atlas
Allen Brain Atlas is an Allen Institute collection of brain map atlases, datasets, APIs, and analysis tools covering mouse, human, and non-human primate brain resources.
Annotated Behaviour and Observability Dataset (ABODe)
ABODe is a University of Edinburgh DataShare dataset for behavior classification in group-housed mice using home-cage video, identities, bounding boxes, ground-plate positions, and annotator labels.
DANDI Archive for NWB datasets
DANDI is a BRAIN Initiative archive for publishing and sharing neurophysiology data, including electrophysiology, optophysiology, and behavioral data packaged as NWB and related standards.
International Brain Laboratory public data
The International Brain Laboratory public data releases expose standardized mouse decision-making experiments, including Neuropixels recordings, widefield calcium imaging, behavior, and session metadata accessed through the ONE API.
OpenNeuro
OpenNeuro is a free, open platform for sharing neuroimaging datasets, with public search, dataset pages, and download paths for web, S3, DataLad, and the OpenNeuro CLI.