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2 results for “soundwalk”
Listening is Action: A Soundwalk with Hildegard Westerkamp
<p>In the sound documentary <em>Listening is Action</em>, the composer Hildegard Westerkamp engages in a conversation with Luis Velasco-Pufleau at her home in the city of Vancouver, which is situated on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. She talks us through her first field recordings and her soundwalking practice, her work at the Vancouver Co-operative Radio, and her participation in the World Soundscape Project, all of which started or took place in the 1970s. Furthermore, she takes us on soundwalks at places she used to go and record more than thirty years ago, such as those now called Kitsilano Beach and Vancouver’s Downtown Eastside, and that constitute the sources for her soundscape works <em>A Walk Through the City</em> (1981) and <em>Kits Beach Soundwalk</em> (1989). This sound documentary is an invitation to listen more attentively to the multiple voices that inhabit our environments in order to imagine new, plural, and unforeseen realities.</p> <p><em>Listening is Action</em> was narrated by Hildegard Westerkamp, produced, recorded, and edited by Luis Velasco-Pufleau, with music by Hildegard Westerkamp, mixing by Christophe Rault, and lead voice by Chanda VanderHart. This sound work was part of the research project <a href="https://msc.hypotheses.org/ontomusic">ONTOMUSIC</a>, led by Luis Velasco-Pufleau and conducted at the University of Bern and McGill University. It was financially supported by the European Union’s Horizon 2020 research and innovation programme, under the Marie Skłodowska-Curie grant agreement No. <a href="https://doi.org/10.3030/101027828">101027828</a>.</p> <p><em>Listening is Action</em> was recorded in the city of Vancouver, which is situated on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The authors acknowledge the inherent rights and jurisdiction that these Nations hold to their territories.</p>
Silenzi in Quota Dataset: Questionnaires with Acoustical and Contextual Information from Soundwalks in Protected Natural Areas (International)
<p>The Silenzi in Quota Dataset contains the results of a number of soundscape assessments completed in various protected natural areas across Europe, including the Dolomites (IT), the Cairngorms National Park (UK) and the Malla Nature Reserve (FI). The data collection was conducted via an adapted version of the soundwalk with questionnaire following the ISO/TS 12913-2: 2018 Method A [1]. The dataset contains questionnaire responses and acoustic analyses' output following the reporting requirements set in the above mentioned ISO/TS.</p> <p>It is expected that this dataset will grow as more contributions are added from future soundwalks. While, all the data has been collected by the Silenzi in Quota, including the team members from University College London and University of Trento, the authors would wellcome contributions from other teams across the world following the same data collection protocol.</p> <p>The binaural audio recordings from each assessment point are publically available for listening at the following pages:</p> <p>https://soundcloud.com/simone-torresin</p> <p>https://soundcloud.com/user-10405353</p> <p> </p> <p>[1] ISO/TS 12913-2:2018 (2018). “Acoustics – Soundscape – Part 2: Data collection and reporting requirements” International Organization for Standardization, Geneva, Switzerland, 2018</p>
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